Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1980s (1981 to 1990)’ Category


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6356 Post No. : 19708 Movie Count :

5166

Hullo Atuldom

“Dosti Dushmani” (release date 31st October 1986) was directed and produced by T. Rama Rao. It had the team of Anand Bakshi- Laxmikant- Pyarelal giving us five songs that had Mohammad Aziz, Suresh Wadkar, Shailendra Singh, Kavita Krishnamurthy, S. Janaki & S.P. Balasubramaniam as playback singers.

Jeetendra, Rishi Kapoor & Rajnikanth played fast-friends (soulmates) with Pran & Sowcar Janaki, who are the biological parents of Jeetendra (in the film), being the anchors in the life of the friends. Bhanupriya, Kimi Katkar & Poonam Ddhillon were the ladies in the lives of the heroes. Amrish Puri, Shakti Kapoor, Kadar Khan, Asrani, Shafi Inamdaar & Gurbachan form the supporting cast.

This film was a remake of the Telugu film “Mugguru Mithrulu” (1985). The Telugu film was also remade in Kannada as “Brahma Vishnu Maheshwara” (1988).

I have seen the film, in parts, whenever it shows on some satellite television channel. I have seen that Jeetendra is forced into a fake marriage with Bhanupriya to shield Poonam Dhillon, who is Rajnikanth’s wife, from defamation or some such thing. In this fake marriage, Rishi Kapoor, Pran & Sowcar Janaki are the co-conspirators. Then there is an angle of Kimi Katkar, who has an axe to grind against Amrish Puri, falling in love with Rishi Kapoor. Plus, we come to know that Bhanupriya & Rajnikanth are siblings & Amrish Puri is their father who had abandoned the family at the start of the film. Additionally, Rajnikanth had got separated from his family & was fostered by Pran. What an uncomplicated masala film!!!!

This film is making it’s debut on the occasion of the 75th birthday of actor Rajnikanth who has a cult, God-like status among his fans particularly in South India. He has acted in films of all four South Indian languages though the number of Malayalam films is only one or two. His name appears in the credits of a Bengali film too, as ‘Guest Appearance’. He has acted in around 25/26 Hindi films. He has also produced & wrote screenplay for a few films (learnt this today)

Rajinikanth was born as Shivaji Rao Gaikwad on 12 December 1950, in a Marathi family, in Bangalore, Mysore State (present day Karnataka). His mother was a homemaker and his father, Ramoji Rao Gaekwad, was a police constable. He was the youngest of four siblings; he has two older brothers & a sister.

A fact about his early life, which is not well – known (or I should say I learnt today) is that his brother enrolled him at the Ramakrishna Math. Here, he was taught Vedas, tradition & history and also began acting in plays at the Math. His aspiration towards theatre grew at the Mathh and was once given an opportunity to enact the role of Ekalavya’s friend from the Hindu epic Mahabharata. His performance in the play received praise from the Kannada poet D. R. Bendre.

Upon completion of his school education, Rajinikanth took up several jobs including that of a coolie, before getting a job in the Bangalore Transport Service as a bus conductor. He continued to take part in plays after the Kannada playwright Topi Muniappa offered him a chance to act in one of his mythological plays. He decided to take up an acting course in the newly formed Madras Film Institute after coming across an advertisement. During his stay at the institute, he was noticed by the Tamil film director K. Balachander. Balachander provided Rajinikanth with his stage name to avoid confusion with fellow actor Sivaji Ganesan. The director advised Rajnikanth to learn to speak Tamil, a recommendation that he quickly followed. Although he can read the language, he cannot write in it. (Me too, I can read the language with some difficulty but not write it. I think I am qualified to be Rajni Saar’s fan. 🙂 )

Rajinikanth played supporting and “villainous” roles in most of the films released during the initial years of his career with lead roles which were few & far-between. His first film as one of the main leads, in Tamil came in 1978 in a remake of ‘Amar Akbar Anthony’. He first played a positive character in Telugu in 1977. I am unable to find out which was his first film as a positive lead in Kannada. His Hindi debut came in 1983 with ‘Andhaa kanoon’.
Rajnikanth is married to Latha Rangachari & has two daughters – Aishwarya & Soundarya- both of whom are connected with the film industry. Aishwarya Rajnikanth is a film director & playback singer while Soundarya is a film producer/ director along with being a graphic designer. Soundarya was the first woman director to direct Rajnikanth in ‘Kochadaiiyaan’ (2014).

The Government of India honoured him with the Padma Bhushan in 2000 and the Padma Vibhushan in 2016. He was awarded the Dadasaheb Phalke Award in 2019, though he has won only one Filmfare award for best actor in 1984 for a Tamil film, IFFI (International Film Festival of India) conferred on him the Satyajit Ray Lifetime Achievement Award this year- 2025.

Wish you a very Happy Birthday Rajnisaar (‘Thalaiva’ which translates as ‘leader’ but also used to mean ‘BOSS’). May you continue to entertain your fans. Stay Healthy. 🙂

Audio

Video


Song-Yaaron humko dekh ke kahe ye duniyaa saaaree (Dosti Dushmani)(1986) Singers-Mohammad Aziz, Shailendra Singh, Suresh Wadkar, Lyricist-Anand Bakshi, MD-Laxmikant Pyarelal
All three
Chorus

Lyrics

ho o o o
o o o
ho o o o
o o o

aa aa aaa aa
ho o o o
laa laa laa laa
laa laa laa laa
laa laa laa
yaaron humko dekh ke
kahe ye duniya saaree
yaaron humko dekh ke
kahe ye duniya saaree

yaaree ho to aisee ho
arre yaaree ho to aisee ho
haan haan haan haan
yaaree ho to aisee ho

jaisee apnee yaaree
arre yaaron humko dekh ke
kahe ye duniya saaree

ho o
yaaree ho to aisee ho

arre yaaree ho to aisee ho
haan haan haan haan
yaaree ho to aisee ho

jaisee apnee yaaree
yaaron humko dekh ke
kahe ye duniya saaree

kaun kisee ke liye bhala marne ko taiyyaar hai
arre
kaun kisee ke liye bhala marne ko taiyyaar hai

duniya mein har ek ko apnee jaan se pyaar hai
duniya mein har ek ko apnee jaan se pyaar hai
arre humko apnee dostee
arre humko apnee dostee
haan haan haan humko apnee dostee
apnee jaan se pyaaree
yaaron humko dekh ke
kahe ye duniya saaree
yaaree ho to aisee ho
jaisee apnee yaaree

kaheen kaheen par phool ye khilte hain naseeb se
kaheen kaheen par phool ye khilte hain naseeb se

is duniya mein dost to milte hain naseeb se
arre is duniya mein dost to milte hain naseeb se
kitnee achchee doston
arre kitnee achchee doston
haan kitnee achchee doston
hai taqdeer hamaaree
yaaron humko dekh ke
kahe ye duniya saaree
yaaron humko dekh ke
kahe ye duniya saaree

Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda

Govinda Govinda
Govinda Govinda
Govinda Govinda
Govinda Govinda

Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda

bansee baajee jamuna paar
saare gwaale hain taiyyaar
Govinda
bansee baajee jamuna paar
saare gwaale hain taiyyaar

arre gokul ashtmee ka tyohaar
aao aaj manaayen yaar

gokul ashtmee ka tyohaar
aao aaj manaayen yaar

hey galee galee mein macha shor
aaye aaye maakhan chor

galee galee mein macha shor
aaye aaye maakhan chor

ye matkee hum todenge
maakhan kha ke chhodenge
ye matkee hum todenge
maakhan kha ke chhodenge

aaj ke din hum dekhenge
ban ke kishan muraaree

Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda
sambhal ke
hey sambhal ke
hey
ek to
do teen
teen chaar
hey
hey
hey
hey
hey
hey
hey hey hey
hey hey hey
hey hey hey
hey hey hey
hey hey hey
hey heyyyy


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6353 Post No. : 19696

In Sindhudurg district of Maharashtra and in Goa, there used to be Devdasi (servants of God) customs under which select girls (especially trained singers and dancers) were attached to local temple for temple duties. Since they were regarded as wedded to the deity of the temples, they were expected to live a life of celibacy. They were supported by the patrons of the temple which included royalties. However, with the abolition of royalties, the Devdasi custom as envisaged in the beginning came under financial strain, forcing them to rely on rich patrons, sometime becoming their mistresse. The girls born out of such relationship were initiated into Devdasi customs.

In 1970, Jaywant Dalvi, a Marathi novelist, playwright and journalist, who was from the South Konkan region, published his novel, ‘Mahananda’ highlighting the burning issues in Devdasi customs in the Konkan region of Maharashtra as evolved over a period of time, now almost extinct. The story is about a city-based college lecturer, Babulnath (Babul for short). He while on a visit to his native village, falls in love with Mahananda (Mannu for short), a daughter born out of Devdasi custom. However, her mother opposes their marriage as Mahananda is destined to serve the temple as Devdasi. It is a tragic love story which is doomed from the beginning due to societal pressures and superstitions resulting in the emotional turmoil for the affected lovers. The end result is that Mahananda is betrayed by her own mother due to her superstitions and later by Babul due to his timid nature though he remains unmarried.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6353 Post No. : 19693 Movie Count :

5162

Hullo Atuldom

Back to writing a post after a full month, last one was on 6th November to pay tribute to Sanjeev Kumar. In this period I have been getting gentle nudges by our Guruji, enquiring about the lull in my writing. He even suggested that I strike a deal with Sadanandji, about pacing our landmark posts (at that point Sadanandji was four short of his century). I assured Arunkumarji that by the time I get back to writing Sadanandji would have hit his century and gone far ahead; he is sitting on 1014 currently.

I have been a little pre-occupied attending a few weddings, accompanied with learning to shake a leg for the dances to execute at the pre-wedding sangeet and other wedding related celebrations. A few of my nephews got married in this wedding season.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6352 Post No. : 19690 Movie Count :

5161

This movie Baazi(1984) is making a debut in the blog with this song.

The title “baazi” is very popular with many movies made with this title.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6352 Post No. : 19689

Pancham’s Music – Eighties-to-Nineties (1981-1994…) Duets-2

Today’s duet song is from the movie ‘Hum Hain Laajawaab-1984’. It is another Kumar Gaurav starrer movie from the eighties having some good music by R.D. Burman.

“Hum Hain Laajawaab-1984” was directed by Mohan Saigal for ‘Milan Movies, Bombay’. It was co-produced by Jawaharlal Bafna-C.D. Mehta-Vasant Doshi-and Mrs. B.N. Shah. This movie was passed by the Censor Board on 21.08.1984. The cast of this movie has Kumar Gaurav, Padmini Kolhapure, Shakti Kapoor and Monty. They were supported by Kalpana Iyer, Kamal Kapoor, Prem Kalra, Yunus Parvez, Rakesh Bedi, Kiran Wairale, Ravindra Kapoor, Vikas Anand, Mohan Choti, Sudhir Dalvi, Jagdish Raj, Mushtaq Merchant, Birbal, Shivraj, Gauri Verma, Viju Khote, Manmouji, Sunil Dhawan, Bhola, Praveen Kumar, Shakeel, Ranveer Raj, Suhail Khan, Baby Dadi, Master Vikas, Master Ravi and others. Mayur and Huma had a special appearance in this movie.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6350 Post No. : 19680

Pancham’s Music – Eighties-to-Nineties (1981-1994…) Duets-1

Welcome all to this post, where we are covering a duet song composed by Rahul Dev Burman fondly known as Pancham. I had earlier presented Pancham’s compositions from the eighties. With this post, we will be listening to duet songs composed by Pancham from the eighties and subsequently the nineties.

The song being covered in this article is from the movie ‘Romance-1983’. This movie was another Kumar Gaurav movie that had its title in English, like his film ‘Love Story-1981’ followed by ‘Star-1982’, and ‘Lovers-1983’.

‘Romance-1983’ was produced and directed by Ramanand Sagar for his home productions ‘Sagar Art Enterprises, Bombay’. This movie was passed by Censor Board on 12.10.1983. The cast of this movie included Shammi Kapoor, Kumar Gaurav, Poonam Dhillon, with Saeed Jaffrey, Helena Luke, Sushma Seth, Prema Narayan, and Tom Alter. They were supported by Viju Khote, Jugnu, Manmauji, Samrat Kapoor, Dr. Madan Kataria, Randhawa, Jawahar Bhan, Chandan, Yogee, Jitu Vyas, and Moolchand. This movie introduced Christopher, Lilliput, and Jillian. Raj Babbar, Ranjeeta and Ram Sethi make friendly appearance in this movie.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This post is his 1200th article in the blog as a guest poster. This song post is the 3500th song of Asha Bhonsle in the blog as a playback singer.

Blog Day :

6345 Post No. : 19662

#the Decade of Eighties – 1981 – 1990 #

The song in this post is again a song from the Hindi films of the year 1983. The movie is ‘Beqaraar-1983’.

It was directed by V.B. Rajendra Prasad for Jagpati Art Pictures, Madras. V.B. Rajendra Prasad was also the producer for this movie and he also wrote the screenplay of this movie. This movie was passed by the Censor Board on 01.08.1983. The cast of this movie has Ashok Kumar, Sanjay Dutt, Mohnish Behl, Padmini Kolhapure, Supriya Pathak, Om Shivpuri, Satyen Kappu, Asrani, Mohan Choti, Tez Sapru, Chand Usmani, Poornima, Dulari, Seema, and Yasmeen Khan, Sangeeta Behl, Tulsi Devi, Kirti Singh, Aslam Farshauri, Mahmood Khan, Master Manoj, Master Dambu and others.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6345 Post No. : 19661

#the Decade of Eighties – 1981 – 1990 #
———————————————————————

In this post I am presenting a song from the movie ‘Mazdoor-1983’.

While covering songs from movies released in 1983, I had mentioned that it was
an important year of my life as I had appeared and successfully passed the 10th standard Board exams that year. The other important and unforgettable event of the year was India winning the ‘World Cup of Cricket’ that year.

For Cricket fans like me that summer of 1983 turned out to be the most memorable and unforgettable as Kapil’s Devils clinched the ‘first world cup title’ for India in June’1983. Given my age that time I was more interested in cricket, movies, books, and study to pass the important examination.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6341 Post No. : 19649 Movie Count :

5155

#The Decade of Eighties – 1981 – 1990 #
———————————————————————

Today 27th November 2025 is the seventy-third birth anniversary of Composer Singer Bappi Lahiri (27.11.1952-15.02.2022). On this occasion as a tribute to him I am presenting a song from the movie ‘Sinhaasan-1986’.

I got to listen to this song earlier this year when I was still at Vadodara and was travelling from the city to my workplace around 47 kms from the city. I had earlier presented filmography of Bappi Lahiri for his Hindi Films from the 1970s and also for few years of the 1980s. However I did not include it in my series of Bappi Lahiri songs where I had presented songs that are part of my memory till 1985, because this song did not fall in that category.

Today’s movie ‘Sinhaasan-1986’ was directed by Krishna who also produced it for ‘Padmalaya Studio, Madras’. So this is one of those movies of actor Jeetendra where he was a part of many films coming from the southern part of the country. Bappi Lahiri too was the regular music composer for such films. I have not watched this movie, so can’t say much about it. However it seems to be a ‘fantasy’ movie. The cast of this movie has Jeetendra, Jaya Prada, Pran, Kader Khan, Mandakini, Shakti Kapoor, Bharat Bhooshan, Dr Shreeram Lagoo, Amjad Khan, Sujit Kumar, Gulshan Grover, Gurbachan Singh, Praveen Kumar, Waheeda Rehman, Radha and others.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6339 Post No. : 19642 Movie Count :

5154

#The Decade of Eighties – 1981 – 1990 #
————————————————————————

In this post we pay our tributes to actor Dharmendra who passed away yesterday on 24th November 2025 at the age of 89 years.

Everybody has to leave this mortal world. Dharmendra was ailing for last several days so everybody feared the inevitable. He has left this mortal world but memories of his films and the songs from his films will remain with the film goers who watched his films. Moreover his fans also admire him as a nice human being that he came across as in many of his interviews and public appearances.
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