Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1990s (1991 to 2000)’ Category


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6397 Post No. : 19846

Zulfon ke saaye
Rukh pe giraaye
Shaidaayi mere
Dil ko banaaye
Shabnam ke moti
Pal pal pirotaa hai
Kya karun haay
Kuchh kuchh hotaa hai

The above is the mukhda first written for this song Tum paas aaye yoon muskuraaye ), which is the only song which is so far posted in the blog of the film “Kuch Kuch Hota Hai(1998)”. The lyricist Sameer Anjaan wrote this mukhda first, which was rejected by Karan Johar and then he rewrote it as ‘tum paas aaye yoon mukuraaye” used for the song.

Without meaning to or searching for them, I have now seen lengthy interviews of two celebrities connected with this film. I even saw 15-minute-long climax scene of this film. So much help from youtube I never expected, but glad that it did.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6397 Post No. : 19845

Pancham’s Music – Eighties-to-Nineties (1981-1994…) Duets-9

Today’s duet composition by Rahul Dev Burman is from the movie ‘Gunehgaar Kaun-1991’. It was directed by Ashok Gaikwad for ‘Barkha Movies Pvt Ltd, Bombay’. The producers for this movie were Smt Reena Khan (i.e. Reena Roy who had Mohsin Khan), Sharda Roy and Anju Roy. This movie was passed by Censor Board on 08.03.1991. The cast of this movie has Raj Babbar, Mohsin Khan, Sujata Mehta, Sangeeta Bijlani, Saeed Jaffery, Satyen Kappu, Anjan Shrivastava, Gurbachan, Brijesh and Paresh Rawal. This movie introduced Nishigandha (Nishigandha Wad who was already working in Marathi movies then). The story and screenplay of this movie was written by Santosh K Saroj. And Dialogues of this movie were written by Santosh K Saroj and Rajkumar Bedi. Editing of this movie was done by the famous editing duo Waman Bhonsle & Gurudutt Shirali (mentioned as Waman-Guru in the title of the movie).
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6388 Post No. : 19813

A R Rahman – The Musician of 21st Century – 11

Finally, I come to this wedding song, semi-qawwali from the 1995 film Bombay. It is an essential song in the ARR series, as a personal favourite for all these years. The essence of this composition is undoubtedly K. S. Chitra’s rendition of this Hindi version. I can’t say much about the Tamil version, as the words are not comprehendible to me. Each language has its own sounds, and nuances of them. An ignorant person cannot fathom them. May be the regulars knowing Tamil will be able to describe, what I am unable to say here.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6379 Post No. : 19781 Movie Count :

5176

#the Decade of Nineties 1991-2000#
———————————————————————
Music Composer R.D. Burman’s Remembrance Anniversary
——————————————————————

Today 4th January 2026 is the 33rd Remembrance Anniversary of Rahul Dev Burman whom we fondly know by his nickname ‘Pancham’.

Rahul Dev Burman was born on 27th June 1939 and he passed away on 4thJanuary 1994 at the age of only 54.

Today, on this occasion, we will listen to a few songs composed by him.

The song in this post is from the decade of nineties. This was a period when Pancham was passing through a lean patch of his career till he bounced back in 1994 with the musical blockbuster ‘1942-A Love Story’.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6371 Post No. : 19762

Hullo Atuldom

We are on the last weekend for the year 2025. The world has just celebrated Christmas. We will be welcoming 2026 in 4 days. I am sure many educational institutions are closed for Christmas Holidays and (working) parents would have also taken the opportunity to take their wards out for vacations. Here is wishing everyone A Happy Yuletide.

There was a period in the history of Hindi films when three actors viz. DEV ANAND- DILIP KUMAR- RAJ KAPOOR ruled over the film- viewing sensibilities of the Hindi film audiences. There were fans who copied the style of either one or other of these three. Then after a brief period it was Rajesh Khanna who influenced audiences, which was followed by the Amitabh Bachchan wave. Post that we have not seen audiences going crazy about one or other actor, though the entertainment world has had great looking, dancing, emoting, charismatic actors. But none of these could rake up the frenzy as seen in the DEV-DILIP- RAJ period or the KAKA (as Rajesh Khanna was called) or the Big B (as Amitabh Bachchan was called) wave.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6371 Post No. : 19761 Movie Count :

5174

A few weeks back while going through Deepti Naval’s filmography on her Website, I found the mention of one of her films, ‘Anant’. I have never heard of this film. I did not find the mention of this film on any regular film/song-based websites, like IMDb, myswar.in etc. Fortunately, a video clip of the film was available on one of the video sharing platforms which was uploaded by the producer of the film. I watched the film in one sitting and liked it immensely.

Anant (1999) was a tele film which was produced by Project Smita Society and Voluntary Health Association of India and was directed by Raman Kumar. The cast included Deepti Naval, Kanwaljeet Singh, Seema Biswas, Satyadev Dube, Bhakti, Javed Khan, Nanda and Avtar Gill. The story of the film was written by Alok Mukhopadhyay mainly to create an awareness about AIDS/HIV+ . Vinta Nanda wrote the screenplay and dialogues. The film was premiered on Star TV on December 1, 1999, on World Aids Day. Later, it was dubbed in nine languages for being telecast on the regional TV channels. The film was produced in mainstream cinema format with the focus on creating the awareness of AIDs for the people at large. The film is of 70 minutes’ duration.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6360 Post No. : 19722

In this short write-up, I present a duet song, ‘gulaabi nazaare nazaare gulaabi’ rendered by Mohammed Rafi and Suman Kalyanpur from an obscure film, ‘Lakhpati’ (1991). It was the only film produced and directed by Jal Baliwala. The film was certified by Censor Board on April 5, 1991, but it could not get the theatrical release. Later, the film was released on VCD. I have given the story of the film in my earlier article while covering the song, nashe mein choor nazar hai mujhe.

The musical composition of at least three songs including the one under discussion gives a feel of the golden period of Hindi film music of 1960s and I am not completely off the mark. Music director, Iqbal Qureshi came into prominence in the 1960s. Lata Mangeshkar was not singing with Mohammed Rafi in most part of 1960s. The song under discussion is a duet of Rafi with Suman Kalyanpur.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6350 Post No. : 19681

Today’s song is from an exceptional Hindi Horror film – House No. 13..1991.

When you say Horror film, only one name comes to mind prominently and that is Ramsay Brothers. They became famous for making C grade horror films, for the C grade audience. The quality of their horror films was not worth discussing, nevertheless, they did good business. Not that such attempts were not made earlier by anybody else. But Overall, Horror films in Hindi Did not have the class it attained in horror films made in western world, especially Hollywood. Even Master Bhagwan had tried his hand at making a horror film – Bhedi Bangla-1949.

Today’s film was made by DVF Investments, Madras. It was completely shot in the Vauhini Studios of madras Actually the film was a remake of the hit Tamil film ” Pathimoonam Number Veedu”-1990. When I saw the credits of the Tamil film, I was surprised that it was directed by Baby, the screenplay was by Baby and the story was also by Baby. We are not used to seeing such confusing names. Not knowing if this ‘Baby’ was a Male or a Female, I found that the full name was A.G.Baby and HE was a well known director of offbeat Tamil films. The producer was G.A.Sheshgiri Rao. This film was released in theatres on 16-8-1991.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6349 Post No. : 19679 Movie Count :

5158

This movie’s story happens on a cruise ship. Cruise ship travel is still out of affordability area for the common people in India. I do not know anyone who does this type of travel or holidays. The way of life involving Yachts, Marinas and Cruise ships is very foreign to India. I saw one cruise ship in Liverpool. I saw some people who were from that ship roaming around the harbour area, with the Beatles museum, and the eateries, a very ordinary boat ride around the inner harbour/backwaters. They stood out as they were not casual tourists. At least I thought so, as I pride myself on my powers of observation and differentiation.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6348 Post No. : 19674

A R Rahman – The Musician of 21st Century – 8

The film “Dil Se” released in 1998, and by this time A. R. Rehman, has revolutionized the Hindi film music. With the south Indian flavour to his compositions, with various talented singers from the region were flooding the hindi film music world. Mostly his films would be originally made in Tamil, Telegu or Malayalam, and later remade in hindi or sometimes just dubbed in hindi.

His music and rerecording the songs in hindi required, rewriting the lyrics in hindi/urdu to mean and sound the same in hindi films. It was a difficult task for lyricists like Mehboob and later on Gulzar to retain the meaning and spirit of the earlier songs, while converting them for the larger hindi film audience.
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