Mil ke bichhad mat jaana
Posted on: January 12, 2026
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6387 | Post No. : | 19807 |
‘Daasi’ (1944) was produced under the banner of Pradhan Pictures and was directed by Hiren Bose. The cast included Najam-ul-Hasan and Ragini in the lead roles supported by Kalavati, Khairati, G N Butt, Charlie, Om Prakash, Gyani, Fazal Shah, Manzoor etc. The story of the film was written by Dalsukh Pancholi. I have strong reason to believe that Pradhan Pictures was Dalsukh Pancholi’s ‘ghost’ banner as I find his name on the Censor Certificate as applicant.
The film’s lead actor, Najam-ul-Hasan (in the credit title of the film, his name is spelled as Najam Hussain) became well known for an incidence while working in the Bombay Talkies film, ‘Jeevan Naiyya’ (1936) as a lead actor opposite Devika Rani, wife of Himanshu Rai, the founder of the Bombay Talkies. During the making of the film, Najam-ul-Hasan eloped with Devika Rani to Calcutta (Kolkata). While Devika Rani was convinced by Sashadhar Mukerjee to return to Bombay Talkies, Ashok Kumar who was working in the Bombay Talkies as a laboratory assistant got a chance to work as a lead actor opposite Devika Rani, replacing Najam-ul-Hasan.
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Dil lagaa le dilwaale
Posted on: January 11, 2026
- In: Asha Bhonsle - Usha Mangeshkar duet | Asha Bhonsle songs | Dance song | Duet | Jeevankala Dance Songs | Lakshmi Chhaaya Dance Songs | Song sung by relatives | song sung by siblings | Songs of 1960s (1961 to 1970) | Songs of 1965 | Synchronised dance | Usha Mangeshkar songs | Yearwise breakup of songs
- Leave a Comment
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6386 | Post No. : | 19806 |
“Tarzan Comes To Delhi”(1965) was directed by Kedar Kapoor for Amar Chhaaya pictures. The movie had Bhagwan, Helen, Bela Bose, Dara Singh, Mumtaz, Siddhu, Vishwa Mehra etc in it.
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Ujiyaara bhor ka
Posted on: January 11, 2026
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6386 | Post No. : | 19805 | Movie Count : |
5178 |
‘Bandhan Baahon Kaa’ (1988) was produced by O P Bajaj and Mahendra Mansinghka and was directed by Govind Munis. The cast included Raj Kiran, Swapna, Brahmachari, Hullad Muradabadi, Rajesh Puri, Avnish Pratap, Manoj Tiwari, Rita Katyal etc. The film was based on a short story, ‘Kariye Chhima’ by Hindi novelist, Shivani (real name: Gaura Pant). In Kumaon language, ‘Chhima’ is a derived word from ‘Kshama’ (forgiveness). It appears that the film had a delayed release as the song album was released in 1985 with the film’s original title, ‘Kariye Kshama’.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6386 | Post No. : | 19804 |
Today’s song is from a Muslim Social film Paak Daman-1957.
1957 – what a year it was ! The best year in the Golden Era! The best year in the 50s! The best year for melody and music! Such wonderful films came this year!!! The lineup of 1957 films looks like the selection of the creamy layer in everlasting music – ‘Mother India’, ‘Pyasa’, ‘Tumsa Nahin Dekha’, ‘Bhabhi’, ‘Asha’, ‘Miss Mary’, ‘Naya Daur’, ‘Do Aankhen Barah Haath’, ‘Paying Guest’, ‘Nau Do Gyarah’, ‘Dekh Kabira Roya’. ‘Nausherwaan e Adil ‘, ‘Gateway Of India’, ‘Hum Panchhi Ek Daal Ke ‘, ‘Kathputali’, ‘Sharada’ . . . Films like Baarish, Ab Dilli door nahin, Abhiman, Bada Bhai, Begunah, Beti, Chhote Babu, Coffee House, Dushman, Johnny Walker, Miss Bombay, Miss India, Mr. X, Narsi Bhagat, Paak Daman, Pawanputra Hanuman, Ustad, Zamana.
Films produced in Madras were quite popular. AVM’s ‘Bhabhi’, ‘Miss Mary’ and ‘Hum Panchhi Ek Daal Ke’, Prasad Production’s first Hindi film ‘Sharda’, and MV Raman’s film ‘Asha’ played havoc with their captive audiences. Films from south somehow have always concocted a success formula, mixing comedy, tragedy, social message, excellent production values and above all superb music, which made their films very popular everywhere.
Read more on this topic…
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6385 | Post No. : | 19803 |
“Cobra Girl”(1963) was directed by Nanabhai Bhatt for Rekha Chitra, Bombay. This movie had Raagini, Mahipal, Tiwari, Maruti, Ulhas. Surekha, Rajan Haksar, Gopal Sahgal, Mridula, Manorama, Nazeer Kashmiri, Abhimanyu Sharma, Madhumati, Sarika Rani, Nayna etc in it.
This Kaalpnik (fantasy) movie had eight songs in it. Five songs have been covered in the past.
Here is the sixh song from “Cobra Girl”(1963) to appear in the blog. This song is sung by Suman Kalyanpur and chorus. Prem Dhawan is the lyricist. Music is composed by S N Tripathi. The song is picturised as a wedding ritual song where saheli of the bride is singing this song.
I am unable to identify the ladies visible in the picturisation. I request our knowledgeable readers to help identify them.
PS-Our inhouse expert Sadanand Kamath jee informs us that the song has a sad version as well. He also informs that the bride is played by Surekha and her mother by Mridula Raani. After the happy version of the song, the bride gets kidnapped and killed. Seeing that her mother too dies of shock. That leads to the sad version of the song where would be bride’s brother Mahipal has to carry out the last rites of his sister as well as brother.
Prakashchandra, our inhouse identifier of artists, identifies the actress lip syncing the song as Manjula.
Happy version
Sad version
Song-Baabul kee laadlee bhaiyya kee pyaaree (Cobra Girl)(1963) Singer-Suman Kalyanpur, Lyricist-Prem Dhawan, MD-S N Tripathi
Lyrics
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Happy version
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baabul kee laadlee
bhaiya kee pyaaree
chalee paraaye des re ae
chalee paraaye des re
mehndee rachaao ree
kangna pehnaao ree
goonthho re goree ke kes re
chalee paraaye des re
baabul kee laadlee
bhaiya kee pyaaree
chalee paraaye des re
chalee paraaye des re
aa aa
aa aa
man mein chatak raheen nayee nayee kaliyaan
ankhiyaan to dhoondh raheen sajna kee galiyaan
ankhiyaan to dhoondh raheen sajna kee galiyaan
jis angna mein bachpan khela
aaj wahee hai bides re
chalee paraaye des re
baabul kee laadlee
bhaiya kee pyaaree
chalee paraaye des re
chalee paraaye des re
aa aa
aa aa
ghunghta uthhaayenge jab aa ke sanwariya
laaj ke maare jhuk jaayengee najariya
laaj ke maare jhuk jayengee najariya
tu na kahe to keh dengee ankhiyaan
piya se man ka sandes re
chalee paraaye des re
baabul kee laadlee
bhaiya kee pyaaree
chalee paraaye des re
chalee paraaye des re
aa aa
aa aa
taaron kee chunree tohe bhaiya udhaayen
chaar kahaar toree doliya uthhaayen
char kahaar toree doliya uthhaayen
galey laga ke roye hai maiya
betee chalee pardes re
chalee paraaye des re
baabul kee laadlee
bhaiya kee pyaaree
chalee paraaye des re
chalee paraaye des re
———————————-
Sad version
———————————
taaron kee chunree tohe bhaiya udhaayen
taaron kee chunree tohe bhaiya udhaayen
chaar kahaar toree doliya uthhaayen
doliya uthhaayen
galey laga ke roye hai maiya
betee chalee pardes re
chalee paraaye des re
maathhe kee bindiya lahoo mein bhar gayee
maathhe kee bindiya lahoo mein bhar gayee
haay ree kismat ye kya kar gayee
ye kya kar gayee
lut gaya kajra
lut gaya gajra
badla dulhaniya ka bhes re
chalee paraaye des re
baabul kee laadlee
bhaiya kee pyaaree
chalee paraaye des re
chalee paraaye des re
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6385 | Post No. : | 19802 |
“Circus Queen”(1959) was produced by Homi Wadia and directed by Noshir Engineer for Basant Pictures, Bombay. The movie had Nadia, John Cavas, Samar Roy, Sheela Kashmiri, Sheikh, Habeeb etc in it.
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Saare jag mein pet ka dhandha
Posted on: January 10, 2026
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6385 | Post No. : | 19801 |
Today’s song is one of the very few songs sung by the Music Director Anil Biswas. Today’s film is Bhookh-1947.
In olden days, there were 3 major film centres-Bombay, Lahore and Calcutta. After 1947, all the Hindi film activity at Lahore shifted to Bombay. By mid 50’s even Calcutta almost stopped making Hindi films. Many Hindi speaking artistes in various disciplines of film making shifted to Bombay and finally Bombay became the only and the main Hindi film making Centre.
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Goree tere ang ang mein
Posted on: January 9, 2026
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 19800th song post in the blog. This article also marks the 300th duet of Kishore Kumar and Asha Bhonsle in the blog.
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Blog Day : |
6384 | Post No. : | 19800 |
That occasion is here again. The occasion when we reach a blog century post and then start wondering which song to cover as the century song. This time, I had a genneral idea that which artists should figure in the sopng. Apart from that, I was just as unprepared for the occasion as I generally am whenever a blog century appears. Acting at the eleventh hour and 59th minute has become aa hit with me it seems. 🙂
I was very clear in my mind (and this clarity came to me when the blog was still some 50 songs short of this century) that the song has to be a duet of Kishore Kumar and Asha Bhonsle. The reason was that together these two prolific and popular singers had as many as 295 duets in the blog and I wanted the blog century to coincide with their 300th duet in the blog.
I think most regulars will agree that the best duets sung by Kishore Kumar and Asha Bhonsle are already showcased in the blog. Take a sample of their songs that are already covered in the blog :-
We can see that the above list (which is indicative not exhaustive) is full of all time classic duets that have already been covered in the blog. Most of them were covered during the earlier days of the blog itself.
Seeing that most great Kishore Kumar-Asha Bhonsle duets were already covered in the blog, finding a suitable duet for the occasion was a tall order for me. I have looked at more than thirty as yet uncovered duets. They were all very good songs, but somehow I was not satisfied in my mind that they suited the occasion. After spending considerable time looking at over thirty songs, I finally decided that I had a suitable song from the occasion. This song, like most Kishore Kumar- Ashha Bhonsle songs listed above, is an all time popular song. There are some other all time popular songs by them in the same era but I did not pick them for various reasons, such as picturisation not upto the mark, the music sounding repetitive etc.
The song that I have picked is a great song to listen to, and a great song to watch. This song appears like a great example to team work. This kind of song situation have been seen quite a few times during the time when this song came up, and so it was a challenge for lyricists to come up with lyrics that would do justice to the song sitution. It must be said that the lyricist has come up with lyrics that were so catchy that the song quickly caught public imagination and the song became a very popular song on loudspeakers.
If one watched the picturisation, one realised that the people who were incharge of picturisation had left no stones (in this case kalse) unturned in getting the song picturised in a grand manner. Water vessels (Kalse) are the major attrackting of the picturisation. An enourmous number of kalse are arranged in different patterns as the song proceeds.
The song begins with female dancers standing in two columns. They throw kalash held by them into sky towards the femaledancersstanding on the opposite column, who catch then expertly like good cricket fielders, and the throw them back from where they came. All this while Sri Devi runs between the two columns,with such good timing that her run does not interrupt the kash throwing that is going on.
When the song begins, Jeetendra and Sri Devi are seen performing various PT exercises that passes for dance. 🙂 Yes, that is what I noticed about the dance movements of the lead pair. 🙂
Overall, it is great singing and great picturisation that keeps the music lovers enthralled throughout the song.
So, here is the 19800th song in the blog which also happens to be the 300th Kishore Kumar-Asha Bhonsle duet in the blog.
The movie is “Tohfa”(1984). It was produced by D Ram Naidu and directed by K Raghavendra Rao for Suresh Productions, Madras. The movie had Jeetendra, Sridevi, Jayaprada, Kader Khan, Shakti Kapoor, Mohan Choti, Urmila Bhatt, Leela Mishra, Jagdeep, Aruna Irani, Jayshree T, Master Rinku etc. Asrani was also there in a friendly appearance.
Tohfa had five songs in it. Two songs have been covered in the blog.
While covering a previous song from this movie, I had commented that Kishore Kumar and Asha Bhonsle had the ability to make an otherwise ordinary song with average lyrics sound wonderful. In a way, they were keeping the standard of HFM high with their singing even though the quality of lyrics and music was going down after 1980s.
Here is a great song from post golden era of HFM that was as good as those composed during the golden era. A song fit to be the 19800th song in the blog and also a song fit to be the 300th Kishore Kumar-Asha Bhonsle duet in the blog.
So we will again take fresh guard and will continue remoselessly in our onward musical journey. Here is hoping that we continue to reach many more destinations in our journey and we continue to find many hidden and forgotten musical gems along the way.
I take this opportunity to thank one and all for their support and encouragement that keeps this musical bandwagon going on and on. We are now just 200 songs short of the magic figure of 20000. A mind boggling figure, but one that is within striking distance.
Video
Audio
Song-Goree tere ang ang mein (Tohfa)(1984) Singers-Kishore Kumar, Asha Bhonsle, Lyricist-Indeewar, MD-Bappi Lahiri
Female Chorus
Lyrics
aa aa
aa aa
aa aa
aa aa
sa sa sa sa ma ma ma ma
ga ga ga ga re re re
sa sa sa sa ma ma ma ma
ga ga ga ga re re re
sa sa sa sa ma ma ma ma
ga ga ga ga re re re
sa sa sa sa ma ma ma ma
ga ga ga ga re re re
aa aa
aa aa
aa aa
aa aa aa
ho o
ho o
ho ho
ho ho
ho ho
goree tere
ang ang mein
roop rang ke
saje huye hain kalse ae ae
haan haan kalse
goree tere
ang ang mein
roop rang ke
saje huye hain kalse ae ae
haan haan kalse
jawaanee
toofaanee
behka ker
ye maanee
dekho na iske jalse ae ae ae ae
dhim taara dhim taara dhim taara
mere nazaare ne maara
dhim taara dhim taara dhim taara
tera nazaara bada pyaara
o o
dhim taara dhim taara dhim taara
mere nazaare ne maara
hey
dhim taara dhim taara dhim taara
tera nazaara bada pyaara
goree tere
ang ang mein
roop rang ke
bhare huye hain kalse ae ae
haan haan kalse
re re re
ma ma ma
sa sa sa
sa ma ga re
sa sa sa sa ma ma ma ma
ga ga ga ga re re re
sa sa sa sa ma ma ma ma
ga ga ga ga re re re
hoga ghaayal
ki naache paayal
ki gaaye kangan mera aa aa
teree ada
hai meethhee sada hai
goonje aangan mera
hoga ghaayal
ki naache paayal
ki gaaye kangan mera aa
teri ada hai meethhee sada hai
goonje aangan mera
pehle to dil mein tu aana na
aayee to dil se tu jaana na
chhed chhed mujhko sata na na na
goree tere ang ang mein
roop rang ke
bhare huye hain kalse ae ae
haan haan kalse
jawaanee
toofaanee
behka ker ye maanee
dekho na iske jalse ae ae ae
dhim taara dhim taara dhim taara
mere nazaare ne maara
haan
dhim taara dhim taara dhim taara
tera nazaara bada pyaara
sa sa sa sa ma ma ma ma
ga ga ga ga re re re
sa sa sa sa ma ma ma ma
ga ga ga ga re re re
bhanvra jise nahieen chhoo saka
hai tu vo kunvaaree kalee
khinchtee gayee main teree taraf
ki aa pahunchee teree galee
bhanvra jise naheen chhoo saka
hai tu vo kunvaaree kalee ee
khinchtee gayee main teree taraf
ki aa pahunchee teree galee
kab se khadee main to teree raahon mein
tu jo chaahe bhar le mujhe baahon mein
tu hee tu hai meree bhee nigaahon mein aen
goree tere ang ang mein
roop rang ke
bhare huye hain kalse ae
haan haan kalse
jawaanee
toofaanee
behka ker
ye maanee
dekho na iske jalse ae ae
dhim taara dhim taara dhim taara
mere nazaare ne maara
haan
dhim taara dhim taara dhim taara
tera nazaara bada pyaara
ho o
dhim taara dhim taara dhim taara
mere nazaare ne maara
arre
dhim taara dhim taara dhim taara
tera nazaara bada pyaara aa
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6384 | Post No. : | 19799 |
Kamsune/Unsune songs of Asha Bhosle – 82
“Na Saathi Hai Na Manzil Ka Pata Hai” sung by Asha Bhosle is written by Asad Bhopali and composed by Datta Naik. This song is from “Badnam Farishte” (1971).
‘Badnaam Farishte-1971’ was directed by Qamar Narvi for ‘Films & Films International, Bombay’. It had Sona, Aatma Prakash, Arvind Rathor, Amrut Patel, Bharat Kapoor, etc. Anwar Hussain makes a guest appearance in the movie. And Sharmila Tagore and Rajesh Khanna make friendly appearances in this movie.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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