Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1944


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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The Voice of Mukesh #3
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As I come in to the third post in this series, I must put on record that I have still not been able to trace and secure a recording of the second duet from the film ‘Dukh Sukh’ (1942). The duet – “Mori Atariyaa Pe Aa Jaa, O Pardesi Panchhi”, is sung with Sitara. And I repeat my request to my friends and fellow contributors on this blog, to please inform in case one has any information about the availability of this song. I am hopeful we shall get to hear this song, since the physical record number is known – N26105. Right now, just waiting for the luck to strike.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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Lesser known singers- Singer 8 (Vatsala Kumthekar)
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Lord Byron had said,” Time is a great leveller”.
To paraphrase Lord Byron, Hindi film industry is a great leveller. This industry has taken some people from Rags to Riches and some others from Riches to Rags !
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his article is writteb by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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Lesser known singers- Singer 4 (Ira Nigam)
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India is a very peculiar country.

It is rather Unique.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In this blog we have discussed three pairs of Hindi film personalities having more or less the same name leading to considerable confusion. Shyam vs Shyam Kumar, Shashi (chand) F. Kapoor vs Shashi Kapoor ,and Arun Kumar(Ahuja) vs Arun Kumar (Mukherji).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

We all know that Mukesh was regarded as Raj Kapoor’s voice. The film audience accepted it, though in my view, Raj Kapoor’s voice matched more with that of Manna Dey. I came across a somewhat similar situation albeit on a smaller scale in the 40s with reference to a lead actor of that time viz Ragini and the playback singer Zeenat Begum. It is said that Zeenat Begum’s voice matched so much with that of Ragini that many filmgoers of that time felt that it was Ragini who was singing for herself on the screen. Obviously, during that period, Zeenat Begum became the main playback singer for Ragini and with this tag, she became the playback singer for many lead actors of that time. For those to whom these two names do not ring any bells, here are their brief profiles (with inputs from various sources on the internet).
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Talat Mehmood is today mainly known for the songs that he sang in Hindi movies. But he began his career as a non film singer. He had gone to Calcutta in late 1930s when he was still a teenager and he began to create waves there with his ghazals.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I just cannot believe that a song of 40s which I had completely forgotten over four decades, suddenly started rolling in my mind last month when a group of a political party workers came to my house to canvass for their party candidate from my area for the municipal election last month. The song was‘nagari meri kab tak yuhin barbaad rahegi’ from MAN KI JEET (1944).
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