Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Asha Bhonsle


Barsaat Ki Raat (1960) – just take away everything else, all the story, the screenplay, the characters, the histrionics, all the songs and music, and on screen plays, just take it all away, and leave just the three qawwaalis, and the greatness of this film will not be dimmed one bit. The three qawwaalis are the epitome of what this music and art form is all about. The first in the sequence, Nigaah e naaz ke maaron ka haal kyaa hogaa was discussed yesterday. The third, and the best known iconic qawwali of the three, Na to kaarwaan ki talaash hai…ye ishq ishq hai(Barsaat ki raat) has been discussed almost a little over three years ago, and then recently updated to its complete form. We are now left with the second offering in sequence, which is the subject of this post.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

One song of the film Flat No. 9 (1961) is already posted on this blog. That one is the iconic Mukesh song, ‘Gaa Deewaane Jhoom Ke, Raat Ki Zulfen Choom Ke’. But the remaining songs in this film are no less a delight to listen to. Despite its wonderful music, there is literally no information available online, about this film. From the Geet Kosh, one finds that this film was produced under the banner of WS Films, Bombay. It is a social drama directed by Ramesh Sharma. There are a total of 6 songs in this film, four are sung by Lata Mangeshkar, one by Mukesh, and one by Asha Bhosle. The lyrics are written by Majrooh Sultanpuri, and the wonderful music is by Usha Khanna. The star line up for this film includes Ashok Kumar, Saeeda Khan, Tiwari, Jagdish Sethi, Helen, Dhoomal, Narbada Shankar, Ravikant, Dinesh Kumar, Kehsav, Prem Saagar, Razia, Aasi etc.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Film Barsaat Ki Raat (1960) is a tale of romance and love, built around a poet’s dream, and a troupe of singers who specialize in qawwaali singing. The storyline progresses as two sub plots intertwined with each other. The first is about Bharat Bhushan and his romantic interest in Madhubala. And the second is about Shyama and her family, who are the troupe of qawwaali singers, and their progression in the qawwaali competitions. Besides the wonderful songs that have been created for this film by Sahir Ludhianvi and Roshan, there are three iconic, and very famous qawaalis in this film, that basically defined its popularity in the minds of film goers.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The mention the word ‘qawwaali’ to a Hindi film buff, and 95 out of 100, the response will be the humming sounds of ‘Ye Ishq Ishq Hai Ishq Ishq. . .’. As a poetry form, qawwali originated in Persia and traveled to the subcontinent, during the emergence of the Sufi philosophers in the 12th and 13th centuries. In its original form, its intent is to sing the praises of Allaah, the Almighty, Prophet Muhammad, and other saints. The art was exclusively performed at places of religious worship and at dragaahs (mausoleums) of revered saints and teachers. The poetry is implicitly intended to be spiritual in its context, and its central themes are love, devotion and longing (of man for the Divine).
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“Ek Musaafir Ek Haseena” (1962) is a Filmalaya production movie. This movie was directed by Raj Khola. this movie had Joy Mukherjee and Sadhana in lead roles. Other actors in this movie included Dhumal, Rajendranath, Kamal Kapoor, Siddhu, Jagdish Raaj, Sulochana Chatterji, Chaman Puri, Shyam Chatterji, Neera Sameer, Gyani, Malika etc.
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This article is written by Greta (Memsaab), a fellow enthusiast of Hindi movies and its music and a regular visitor to this blog.

Atul is aware that this particular cabaret song and dance is one of my favorites, performed by the very lithe and graceful Faryal. It contains most of the peculiarly Indian cabaret traits that make me love them so: male background dancers, a fake Sheikh or two, a Boss lurking in silhouette, and a lively band clad in frilly outfits. So how perfect for it to be the 4700th song posted on this brilliant blog!
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“Main Hoon Alladin” (1965) was a quintessential B grade movie which was produced by Ramkrishna Films. It was directed by Mohammad Hussain. The movie had Ajit and Saeeda Khan in lead roles. Other actors in this movie were Madan Puri, Maruti, Jagirdar, Shyam Sunder, Mumtaz Begum, David Abraham etc.
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