Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Behzad Lucknowi


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Nisbat”(1949) was directed by S Shamsuddin for Hindustan Art Productions, Bombay. This social movie had Yakoob, Munawwar Sultana, Mirza Musharraf, S Mazhar, Baby Zubeida, H Prakash, Sofia, Jillo etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Nisbat”(1949) was directed by S Shamsuddin for Hindustan Art Productions, Bombay. This social movie had Yakoob, Munawwar Sultana, Mirza Musharraf, S Mazhar, Baby Zubeida, H Prakash, Sofia, Jillo etc in it.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Behzad Lucknowi was one of many Urdu poets who entered Hindi film industry in the 1930s. However, in my view, he was also one of the least visible poet-lyricists among those who had spent over a decade in the Hindi film industry in the 1930s and 1940s. Some of his high quality ghazals like zinda hoon iss tarah ki gham-e-zindagi nahin, tumhaare bulaane ko jee chaahta hai, rehne laga hai dil mein andhera tere baghair are still remembered today. Most listeners of these ghazals would identify these songs with Mukesh, Lata Mangeshkar and Begum Akhtar, respectively, as it so often happens in case of popular Hindi film songs.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

‘Pagle’ (1950) was directed by Pratima Dasgupta for Mercury Productions, Bombay. The movie had Begum Para, Madhuri, Jagirdar, Pratima Devi, Mubarak, David, Kukku, Agha Jaan, Sherry etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Zameendaar” (1942) was Moti B Gidwani for Pancholi Arts production. The movie had S D Narang, Manorama, Shanta Apte, Ghulam Mohammed, Anwari, M Ismail etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Andhon Ki Duniya” (1947) was directed by Keshavrao Daate for Rajkamal Kalamandir. The movie had Leela Chitnis, Manmohan Krishna, Munawwar Sultana, mahipal, Professor Hudlikar, Vikas, Gulaab, Parshuram etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

When the techniques of song recording were first introduced in India by a few music record companies, there was some initial myths and superstitions associated with it. A few of the professional singers believed that song recordings reduced the life span of singers as the electric gadgets suck away the lung power. A few even went to the extent in saying that the microphone takes away all the good qualities of a singer’s voice. It is said that Kesarbai Kerkar, the classical singer did not record a single song for music companies during her life time. Ustad Bade Ghulam Ali Khan, the doyen of Patiala Gharana initially evaded recordings on some pretext or other but the underlying factor seemed to be the fear of losing the quality of his voice.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A few months back, I watched the movie ‘In Custody’ ( Urdu title : ‘Muhafiz’, 1994) on the internet. The film was produced under the banner of Merchant-Ivory Productions and directed by Ismail Merchant. Probably it was a bilingual film – in English and Hindi/Urdu. The star cast included Shashi Kapoor, Shabhana Azmi, Om Puri, Neena Gupta, Sushma Seth, Tinnu Anand, Ajay Sahani etc. The film was based on Anita Desai’s English novel by the same name. A pleasant surprise to me was that the film had 4 ghazals composed jointly by two well known ustads – Ustad Zakir Hussain and Ustaad Sultan Khan in the style reminiscence of the compositions of 50s and 60s. After all, it is a period film. Of the four ghazals, three ghazals are of Faiz Ahmed Faiz.
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