Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘G M Durrani


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3603 Post No. : 14378 Movie Count :

3969

“Mahasati Tulsi Vrinda” (1947), a mythological movie, was directed by Ishwarlal for Jayant Desai Productions, Bombay. The movie had Ishwarlal, Ranjana, Umakant, Reva Shankar, Bhagwandas, Sayyad Ahmad, Kantilal, Sukumar, Vidya Devi, Chandabai, Shabnam, Shanta Bai, Shalini, Lalita etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3524 Post No. : 14154

“Ajeeb Ladki” (1952) was directed by Mohammad Ehsan for Tajmahal Pictures, Bombay. The movie had Rehman, Naseem Bano, Cuckoo, Shashikala, Agha, Jayant, Shyam Kumar, Shakuntala, Samson, Kathana, Bakshi, A K Sagar, Munshi Munaqqa etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3456 Post No. : 13862

Today is 3 january 2018 and we are into the early days of 2018. This is that time of the year when most people feel extremely resolutionary (not to be confused with revolutionary). One regular of our blog commented in our whatsapp group that it is not safe to go on morning walk in these early days of the year as the streets would be full of this highly resolutionary early morning walkers. It is however expected that things would be back to normal after the first week. 🙂

Unlike many who keep away till midnight on new year eve, I went to bed early and when I woke up on first january 2018, it was 5:45. It was late by my standards, but I realised that there was no electricity. The state Electricity Board was letting people in my locality down for the second morning in a week. Previous morning was a sunday, but this first day of the year was a working day.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shaadi Ki Raat”(1950) was directed by Yashwant Pethkar for Prakash Pictures, Bombay. This “social”movie had Geeta Bali, Rehman, Vijaylami, Leela Mishra, Jankidas, Ansari, Shantta Kunwar, Baby Durga, anwari Bai, Arun etc in irt.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Nazaare”(1949) was directed by Prahlad Dutt for Ranji Movietone, Bombay. This “social” movie had Shashikala, Agha, Satish, Shanti Madhok, Khan, Anwari, Ramesh Thakur, Rajendra etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Dhoop Chhaaon” (1954), not to be confused with “Dhoop Chhaaon” (1935) was produced by M O Suhail and directed by S M Raza for Suhail Art Productions, Bombay. The movie had Bharat Bhushan, Shyama, N. A. Ansari, Mumtaz, Krishna Kumari, Shamim Akhtar, Agha, Maqbool, A Roshan, Ahmad etc in it, with S Nazir in guest appearance.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Dhadkan” (1947) was directed by Zahoor Raja for Raja Movietone, Bombay. This by now forgotten movie had Zahoor Raja, Jyoti, Mishra, Murad, Chandrika etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Nakhre”(1951) was produced by Mohanlal Wahai and directed by Surya Kumar for Paro Pictures, Bombay. This by now forgotten movie had Geeta Bali, Nasir Khan, Jeewan, David, Heera Sawant, Vijaya, Badri Prasad, Ramesh, Laxmanrao, M S Pathak, Paro etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Dilruba” (1950) was directed by Dwarka Khosla for Lotus Orient Films, Bombay. The movie had Rehana, Dev Anand, Yakoob, Cuckoo, Balam, Achala Sachdev, Gogia Pasha etc in it.

This movie had eleven songs in it which were penned by six lyricists. The breakup of lyricists is known for six songs. Lyricists for the remaining five songs are not known. P L Santoshi and D N Madhok are among the six lyricists and the songs penned by them are not known. So most likely these two lyricists had penned some/ most/all of these five songs.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Recently, I had the occasion to read an essay titled The Magical World of Bombay Talkies, written by Professor Lalit Joshi. The paper has been written in the context of making of the cultural space for the nation in waiting and the role of the Bombay Talkies Ltd. (BT) in the evolution of Bombay film industry. The essay sets out the growth of BT since its inception in 1934 until it closed down in 1954.
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