Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Hasrat Jaipuri


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Raag Maalikaa in Hindi Films – 3
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Rajkamal Kalamandir’s Jhanak Jhanak Payal Baaje was a 1955 Indian classical dance (Katthak) based film, produced and directed by V Shantaram. Shantaram’s wife Sandhya and dancer Gopi Krishan were in lead roles along with Keshavrao Date, Madan Puri, Manorama, Bhagwan etc. One of the earlier Technicolor films made in India, it was a “Super Hit” at the box office.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Neelofar”(1957) was directed by P N Arora for All India Pictures. The movie had Suresh, Chitra, Sunder, Helen,Nishi, Amar, Shyam Kumar, W. M. Khan etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Roothha Na Karo” (1970) was a Nirmal Pictures Production. It was produced by Biswanath Prasad Shahabadi and written and directed by Sundr Dhar. The movie had Nanda, Shashi Kapoor, Aruna Irani, Kumari Naaz,Rajendranath, Sulochana Latkar,Tuntun, Laxmi Chhaya, Jayashree.T., Miraza Musharraf, Saroj,Rita, Hiralal etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Murder in Circus” (1971) was produced by B K Adarsh and directed by A Salaam for Adarshlok productions. The movie had Sujit Kumar, Jayamala, A. N. Ansari, Bela Bose, B. M. Vyas, Shetty, Sapru, Rajan Haksar, Dilip Dutt, Daisy Irani, Kundan, Baby Poonam, Rajan, Akash etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Samrat Chandragupta” (1958) was directed by Babubhai Mistry for Mukti Films Production. The movie had Bharat Bhushan, Nirupa Roy, Lalita Pawar, B. M. Vyas, Ullhas, Anwar Hussein, Krishna Kumari, Samra Roy, Dalpat etc in it.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular conributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In keeping with the festive season and party atmosphere, here is a party song. This is a duet song of Mohammed Rafi and Asha Bhonsle, from the film ‘Andaz’ (1971). The lyricist is Hasrat Jaipuri and composers are Shankar-Jaikishan.

The picturization is a Christmas, New year, masquerade, holloween all rolled into one party. If there was a cake visible, it would have been a birthday. In the movie I think it was Christmas party. David is the host and Shammi Kapoor and Hema Malini are singing this song.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Hare Kaanch Ki Choodiyaan” (1967) was produced and directed by Kishore Sahu. The movie was made by him as a launch vehicle for his daughter Naina Sahu. But unlike his predecessors like say Jaddanbai, V Shantaram and Shobhana Samarth, who managed to launch the careers of their daughters with their home productions, Kishore Sahu’s home production failed to ensure a successful film career for his daughter.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Divas of Hindi film music (11)
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Two days back I found a link on youtube, tagged as ‘duniya banaanewaale- Mukesh-Suman K- SJ”. The clip was 12 minutes long, and it had all 5 stanza’s in it by Mukesh on Raj Kapoor, with intermittent dialogues and a small portion or rather a stanza of the song by Suman Kalyanpur on Waheeda Rehman.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Rishte Naate” (1965) was directed by K S Gopalkrishnan for Amarjyoti Films. The movie had Raj Kumar, Nutan, Nazir Hussain, Kanhaiyalal, Jamuna, Deven Verma, Shakila, Ameeta, David Abraham, Madhvi, Dhumal etc in it.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

When this song Khit pit khit karey aur kat kat ke girey was shared, it immediately reminded me of another song which I had heard during 1985-86 either on radio or in the collection of the music centre which I used to visit daily evening during those days.
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