Posts Tagged ‘Kalyanji Anandji’
Akele hain chale aao
Posted on: October 18, 2008
“Raaz” was a Rajesh Khanna movie produced in 1967, before he had become a superstar. In those days, Rafi used to be the playback singer for male lead, and that is indeed the case in this movie.
This song “akele hain chale aao” has been sung by Rafi as well as Lata. Personally, I like the Rafi version more.
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Ramchandra kah gaye siya se
Posted on: October 11, 2008
We are told that olden days were golden days and that the present day are much worse. The days of Ram Rajya were the stuff of dreams, and the present age of Kalyug has seen deterioration in human values, we are told.
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“Gopi” was one of the last movies with Dilip Kumar as the hero. In this movie, Dilip Kumar sings a few philosophical songs. This song “sukh ke sab saathi” is perhaps the best known of the songs of this movie.
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We tend to discuss great songs from the past and go overboard discussing about the great message, great quality of melody, music, lyrics, voice etc contained in the songs. Here is one such song which has absolutely no pretentions of any kind about being a great song. It is a totally timepass song. This song was supposed to be there just to raise a few laughs in the movie. It indeed does so, but it has managed much more than that.
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Gussa itna haseen hai to
Posted on: October 5, 2008
Rajesh Khanna, the superstar of late 1960s and early 1970s had fans swooning over his mannerisms. Whatever he touched turned to gold those days.
Maryada was a movie where he acted opposite the ageing heroine Mala Sinha. This movie, though largely forgotten now, had some awesome songs. One Mukesh song from this movie, viz “jubaan pe dard bhari daastaan chali aayi” has already appeared in this blog.
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I have mentioned in the past that I had a diary in 1970s, in which I noted down the lyrics of the songs that I liked the most. A few of the songs noted at that time have become forgotten, though they are just as good to listen to now as they were then.
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This song from “Holi Aayi re” appeared as a solo as well as a duet in the movie. The solo song sung by Mukesh is the one that became more popular and I too like the solo song more.
Mukesh, as usual, paints a vivid picture of the feelings that the lyrics of indeewar seek to convey. The way his voice can almost make you enter the mind of the character and visualise what is going through there is simply amazing. There were those who said that Mukesh was classically not trained, but such people miss the real fact. The fact is, Mukesh’s ability to express different feelings in all their nuances was simply awesome and that was the reason why majority of his songs struck a chord with the listeners.
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Here is a Mukesh song from a 1971 movie called Upaasna. This song has Mukesh singing for Feroz Khan. The situation is that Feroz Khan has nursed Mumtaz back to health but he laments the fact that Mumtaz, earlier confined to wheel chair and now back on her feet, failed to notice Feroz Khan’s true feelings for her.
How does a male express his feelings to a lady of his dreams. The modern method is just to say “I love you” and be done with it. But that was not the way in Bollywood movies those days. Well, in bollywood movies those days, beating about the bush was often the way to convey one’s feelings to the lady of one’s dreams. Directly saying “I love you” was considered too crude and unsophisticated in those days. 300 words and 4 minutes were used to say what could have been said in 3 words and 3 seconds.
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Rajesh Khanna was just beginning his bull run as a superstar in late 1960s. Safar was one of the earlier movies of that time. That era coincided with an even bigger bull run begun by Kishore Kumar as a singer and R D Burman as music director. But the shape of things to come could not have been predicted from this movie. Here Mukesh sings for Feroz Khan ( yes, this Rajesh Khanna movie had Feroz Khan too ) and Kalyanji Anandji scores the music. One year later, it would all be about Rajesh Khanna, Kishore Kumar and R D Burman in a Rajesh Khanna movie.
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Some day I will make a list of all the sad songs of Mukesh, and then I will analyse them to find out which song expresses which kind of sadness. I may be able to identify scores of types of sadnesses listening to Mukesh’s songs, and then I will present my thesis to an university and take a doctorate. Not a bad idea, I think.
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