Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Kishore Kumar


These are the days of instant connectivity when one can keep in contact with one’s beloved through calls, sms and what not !

It was just a decade or two ago that such communication took place via the medium that is now known as snail mail. Letters were sent to one’s beloved though post office, and in case of Hindi movies where the hero’s beloved lived in the same mohalla, he would try to send his love letter directly, without going through the formality of posting it through the post office.
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“Sagina” (1974) was produced by Tapan Sinha and directed by J K Kapur for Rupa-Sree International productions. The movie had Dilip Kumar, Saira Banu, Aprna Sen, Om Prakash, Anil Chatterji, Swaroop Dutt, Chinmoy Roy,Rajni Gupta,Kalyan Chatterji,Banu Bannerji, Qadar Khan, T.A.Liddle, Modi Cohen,Abe Cohen,Alok Choudhary,Panna Kapur, Rasoraj Chakravorthy,Nani Ganguly, Satu Majumdar,Ajit Bengali,Chandu, Pardesi, Shyam Kumar, Shantimoy Chatterji, Mustafa, Sayed, Naqi, Azia, Putan, K N Singh etc in it.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

It feels like only yesterday that I said I would post more non-Rafisaab, non-Kishoreda songs because these two singers dominate my posts and I want to pay tribute to other singers too. It feels like just yesterday. Wait, it WAS yesterday! ?
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This is his 100th writeup in the blog.

This article is the 8500th song post in the blog.

As I post this song here today on this blog, I have mixed feelings.

No, they are all good feelings – just, that they are mixed.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Here is a song that I have wanted to send for quite some now. I will call it rare in the sense that the duet is with male singers —Kishore Kumar and S P Balasubramaniam. The two heroes are Rishi Kapoor and Kamalhaasan. The picturisation shows the heroes dancing in a local joint- call it a bar or an eating house or Tavern (I think that is the right word) run by Dimple and her dad Saeed Jaffrey.
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The main male protagonist of the film Namkeen (1982) is the truck driver Gherulal (Sanjeev Kumar), who arrives in the life of an old woman (Waheeda Rehman) and her three daughters, and how his arrival changes their lives. He being a truck driver is always on the move, thus Gulzar’s musafir songs suit his character quite well.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Only a few days ago, on the 4th of August, many of us paid a tribute to our beloved Kishore Kumar on his birth anniversary. As is the practice, most of the songs posted on this blog on that date were tributes to him.
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This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Gulzar’s third film, as a director, Parichay (1972) has often been accused of being a copy of The Sound of Music (1963). I think that this is too much of an exaggeration, since the only common thing between the stories of the two films being a teacher, who wins over his unruly wards. That is a common theme enough in films and novels. The whole context and the treatment of the story is completely different. All said and done one can’t deny that the song saa re ke saa re has a similarity to doe a deer. The similarity is not in the tune but in the sense that both songs explain the seven notes of music.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Last night, when the 700th song of Kishore Da was posted, immediately there was a comment by Mahesh Bhai Mammadapur, requesting to know whether Kishore Da has any songs sung under the music direction of Naushad. Decidedly, this pairing is absolutely rare, because their peak periods were far apart. When Naushad was on the top in 50s and 60s, Kishore Da was considered less than a mainstream singer. And when Kishore Da ruled the world of Hindi film music in the 70s and 80s, Naushad Sb was a spent force, with really very few films to his credit during this period.
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