Posts Tagged ‘Mahendra Kapoor’
- In: "Aankh" song | Asha Bhonsle Mahendra Kapoor duet | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | joie de vivre | Lyrics contributed by readers | Mahendra Kapoor songs | Post by Sudhir | Rail song | Rare song | Regulars' meet at Mumbai | Songs about a place | Songs of 1960s (1961 to 1970) | Songs of 1962 | Songs picturised in cities | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Yeh Hai Bombay Meri Jaan – 2
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Bombay Gangout – Part 2
After the Breakfast.
After having amicably negotiated the breakfast time, the gang members descended again to the secret basement chambers, to start the day’s proceedings in earnest. I will have to now write a little bit more about Bombay syndicate members, as we were getting more and more familiar with every passing minute. The most energetic and the most engaging personality of the hour was definitely the IndiaMan. He has a joke ready for every occasion, for every topic. Let me tell you why I used the epithet – ‘the antithetic patella specialist’ for him.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Parivaar”(1967) was produced and directed by Kewal P Kashyap. The movie had Jeetendra, Nanda, Rajendra Nath, Lata Arora, Krishan Dhawan, Sev Anand, Deen Dayal, Kamal Dukhia, Dilip Dutt, Gulshan, Sumati Gupte, Jankidas, Sarita Khatau, Raj Kishore, Sulochana Latkar, Madhavi, Manmohan, Junior Mehmood, Jagdish Raj, Randhir, Om Prakash, Padma Rani, Johnny Whiskey, Tuntun, Sunder, Ratna, Salochana Chatterjee, Ramesh, Sharifa, Onkar, Amar Kumar, Raja, Sharmaji, Dabboo, Ommi Katyal, Raju, Roma, Darshan, Abhimanyu, Shyam, Bancha, Swarndada, Signor, Chandra etc in it.
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Phoolon ki mehak lehron ki lachak
Posted on: January 7, 2015
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Kanyaadaan”(1968) was produced by Rajendra Bhatia and directed by Mohal segal for Kiron Productions. The movie had Shashi Kapoor, Asha Parekh, Dileep Raaj, Sayeeda Khan, Achala Sachdev, Omprakash, Sabita Chatterjee, Sarita Joshi aka Sarita Khatau, Laxmi Chhaaya, Gopal Sehgal, Tuntun, Rashid Khan, Indira Bansal, Madhumati, Meena, Nazir Kashmiri, Dayadevi, Pardesi, Sheel Kumar ,Assi,Hameed Jaffri, Banchha, Vishi Kapoor, Birbal, Bela Bose, Meena.T., Padma Rani etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today (5 january 2015) is the 93rd birth anniversary of Muhammad Umar Mukri (5 january 1922- 4 september 2000), better known as just Mukri.
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Izaajat ho to poochhen aap hi se
Posted on: January 3, 2015
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today is the third day of the year 2015. I was able to post songs during the first two days that resulted in all songs of those movies getting covered in the blog. Going by my new year resolution on this topic, I have to post the final song of movies everyday.
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- In: Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Lyrics contributed by readers | Mahendra Kapoor Sharda duet | Mahendra Kapoor songs | Post by Sudhir | Rare song | Sharda solo | Sharda songs | Song from unreleased movie | Songs of 1960s (1961 to 1970) | Songs of 1970 | Yearwise breakup of songs | Zulf song
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Songs to Tickle Your Memory – 5
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This rare offering comes to this blog at the express request of AK ji. I remember that a while back, someone, maybe AK ji only, had sent a message that this song needs to be searched. At that time, the name of the female singer accompanying Mahendra Kapoor was not known with certainty, and some guesses were being suggested. Anyway, I received a message from AK ji yesterday night, asking whether this song is traceable. I reproduce his message below.
There was a wonderful Mahendar Kapoor song (a duet) in the late 60s/early70s: Teri zulf mein chunke champe ki kaliyaan, teri maang ko motiyon se sazaa dun/ Mera vash chale to ae jaane tamanna, tujhe main bahaaron ki malika bana dun from Jaan Bachi Laakho Paaye, composed by an unheard duo called Ajay-Vishwanath. Very popular on radio, but seems to have vanished. I am surprised that it Is not on YT. Any idea of the song?
Well, yes sir, AK ji, very much have the song and here it is being posted today at your request. 🙂
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Tum miley gham gayaa
Posted on: October 7, 2014
- In: Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Hemlata songs | Lyrics contributed by readers | Mahendra Kapoor songs | Mahendra Kapoor-Hemlata duet | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1969 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Greetings to Vinod Khanna on his 68th birthday. (6 october)
A commanding personality to contend with on screen. In whatever role he appears, he has the capacity to be the center of gravity in every scene. In the last scenes of ‘Mere Gaon Mera Desh’ (1971), appearing as the sardaar (leader) of a gang of dacoits, he is down and beaten, by Dharmendra. Even in that scene, he exudes strength, and gives the perception of being the stronger.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Ishaara” (1964) was produced and directed by K Amarnath. The movie had Joy Mukherjee, Vyjayantimala, Pran, Pratima Devi, Jayanth, Azra, Subbiraj, Shammi,
Sajjan, Murad, Praveen Paul, Kesri, Hari Shivdasani, Raja Amrohi, Ruby Mayer aka Senior Sulochana, Brahm Bhardwaj, Prem Sagar, Amrit Rana, Ravikant, Agha, Mridula Rani, Raani etc in it.
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Gar ye zameen nahin
Posted on: September 27, 2014
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
It was 1958. A singing contest was organized in Bombay, sponsored by Murphy radios. The judges of the contest were the ‘दिग्गज‘ music directors of that era – Naushad, Anil Biswas, C Ramchandra, Vasant Desai and Madan Mohan. With a battery of such illustrious composers sitting in the jury, just be able to participate and perform in their presence, would have been a privilege. And for sure, the best talented aspirants had applied to be part of this contest. The singer that this impressive selection panel honored to be the best singer was a young man, originally from Amritsar, but settled in Bombay since childhood. The interesting thing about this young man was that he had been earlier rejected in auditions by All India Radio and Young India Ltd. (the gramophone records company). Along with being honored as the winner the verdict of this panel, Mahendra Kapoor got an opportunity immediately to sing for some of the music directors on the judge’s panel.
Remembering Mahendra Kapoor on the anniversary of his passing away (27th September).
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London se aaya hoon albela
Posted on: September 23, 2014
- In: "Get together" song | Devnagri script lyrics by Sudhir | Duet | Guest posts | Introduction song | Kishore Kumar songs | Kishore Kumar-Mahendra Kapoor duet | Lyrics contributed by readers | Mahendra Kapoor songs | Post by Sudhir | Songs about a place | Songs of 1970s (1971 to 1980) | Songs of 1974 | Yearwise breakup of songs
- 5 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Prem naam hai mera. . .
Prem Chopra. . .
Thus happens the surprise introduction of this villain cum character artist, in the film ‘Bobby’ (1973). I call it a surprise because his name does not appear in the credits at the start of the film. ‘Bobby’ was one of the films that I got to see on the big screen, with family. Prem Chopra would be a familiar artist in the nascent mind of the school going ‘yours truly’, thanks to films like ‘Shaheed’ and ‘Upkar’. And so, when abruptly and unexpectedly on to the shining tinsel screen, appears this familiar face and the familiar voice, chewing on a blade of grass, and making his presence felt in a very lewd and unexpected manner, I remember I was aghast – “arre, is ka to naam bhi nahin hai, ye kaise aa gaya?”. For a split second, the thought did cross my mind – “cinema waalon ne koi galat reel laga di hai”. But immediately as the film continued, that thought would be discarded. “Achhaa, aisa bhi hota hai. B’gair naam ke bhi actor film mein aa jaate hain”.
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