Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Mohammed Rafi


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6087 Post No. : 18886

Spy thriller as a genre of films has rarely been attempted during the first three decades of Hindi talkie films. The huge success of Eon Productions’ spy thriller films of James Bond series like ‘Dr. No.’ (1962), ‘From Russia With Love’ (1963), ‘Goldfinger’ (1964) etc when they were released in India prompted the Hindi film producers to make the films in this genre in the 1960s. The Indo-China war of 1962 and Indi-Pak war of 1965 created favourable situations for spy thriller films. Some of the Hindi films which were made especially during the second half of 1960s were ‘Farz’ (1967), ‘Spy in Goa’ (1967), ‘Spy in Rome’ (1968), ‘Golden Eyes Secret Agent 077’ (1968),’CID Agent 302’ (1968), ‘Aankhen’ (1968), ’Ham Saaya’ (1968), ‘Shatranj’ (1969) etc.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6014 Post No. : 18735

In my last article, I discussed the film, ‘Naache Naagin Baaje Been’ (1969) which was written and produced by Devi Sharma (19/10/2021 – 30/03/2010). I got acquainted with his name when I had watched his films, ‘Ganga Ki Laharen’ (1964) and ‘Gunaahon Kaa Devta’ (1967)” in my younger days. Meerut born Devi Sharma was a writer and got attracted to the glamour world of Hindi films. He shifted to Mumbai and debuted as a co-producer with Wasti for ‘Basre Ki Hoor (1956). His first independent film as a producer and writer under his banner, Janta Chitra was ‘Taxi Stand’ (1958). The next as a producer-writer was ‘Kaali Topi Laal Roomaal’ (1959).
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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5857 Post No. : 18416

Hullo Atuldom

‘Phir Janam Lenge Hum’ (‘PJLH’ – 1977)} was the directorial debut of Mehul Kumar, who later went on to make films like ‘Tiranga’, ‘Krantiveer’, ‘Kohram’, ‘Mrityudaata’ etc. in the 1990s. (He may have made more, but I am aware of these).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5845 Post No. : 18396

 

Today, 19 July 2024, is a special day for the blog. It was on this date 16 years ago that this blog had come into existence with its debut post “Miley Na Phool To Kaanton Se Dosti Kr Li” on 19 July 2008. We have come a long way in the blog from that small beginning. On this occasion, we will have quite a few posts today to celebrate the occasion. Keep watching this blog throughout the day.

Songs Repeated in Hindi Films – 32
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Ah, before anything about this song, the important start to this day is the Congratulations that must be given today, to all the readers of this blog, to all the members of this musical bandwagon, and most importantly, to dear dear Atul ji. Today, we begin the 17th year of this wondrous and overwhelming musical journey, that Atul ji had initiated 16 years ago. The year was 2008, and on the 19th July of that year, Atul ji had made the first post on this blog.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5813 Post No. : 18348

‘Daada’ (1978) was produced by Jugal Productions Combine, Bombay and directed by Jugal Kishore. This social drama movie had Vinod Mehra, Bindiya Goswami, Shashi Puri, Madhumalini, Amjad Khan, Indrani Mukherjee, Jayshree T, Jeevan, Seema Dev, Ramesh Dev, Jagdeep, Rajendra Nath, Raza Murad, Satyen Kappu, Vijaya Chaudhary, Mohan Choti, Maruti, Mohan Sherry, Sheikh, Baby Pallavi, Coca Cola, Ramaavtar, Shyam Kumar, Ratan Gaurang, Manmauji etc. in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5782 Post No. : 18312

Tu Chhupi Hai Kahaan
Main Tadapta Yahaan. . .

The anguished voice of Diwakar, the poet, that begins as a whisper from a famished throat, rises up to the heavens, as the poet is so painfully trying to search for his creativity – his muse, his love of life, a fantasy woman whom he has woven into his writings.

Mohini, whom he meets often at many a turn of the passages of life, is the romance that is rooted in his imagination, the power of creativity that propels his pen to create music and songs which are not understood, not accepted by his family and dear ones.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5780 Post No. : 18308

Phir Aane Laga Yaad Wahi Pyaar Ka Aalam

This, and many other iconic compositions flow through the mind when the name Iqbal Qureshi is mentioned. One of that group of hugely talented music directors who never could break into the so called ‘Legendary Club’, no matter so many of his creations have become legends in as of themselves. Starting with his first film ‘Panchaayat’ from 1958 – the iconic duets “Taa Thaiya Karte Aana, O Jaadugar Morey Sainyyan” (Lata and Geeta) and “Haal Ye Kar Diya Zaalim Tere Tadpaane Ne” (Rafi and Lata), and browsing through musical gems of such films as ‘Bindya’ and ‘Love In Simla’ (both 1960), ‘Umar Qaid’ (1961), ‘Ye Dil Kisko Doon’ (1963), the legendary ‘Cha Cha Cha’ and the lilting ‘Qawwaali Ki Raat’ of 1964, ‘Sarhadi Lutera’ of 1966, on to strumming the songs of the unreleased ‘Pyaar Bana Afsaana’, all the way up to ‘Lakhpati’ of 1991. An era that is dotted with lilting creations of Iqbal Qureshi.

Remembering Iqbal Qureshi on his birth anniversary on 12th May. At 6 feet 4 inches, he was arguably the tallest member of the industry in his time.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5496 Post No. : 17937

Rafi Sahab’s Legendary Associations – 12

maiñ akelā hī chalā thā jānib-e-manzil magar
log saath aate ga.e aur kārvāñ bantā gayā
मैं अकेला ही चला था जानिब ए मंज़िल मगर
लोग साथ आते गए और कारवां बनता गया
(Majrooh Sultanpuri)

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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5491 Post No. : 17928

Tribute to Mohammad Rafi on 43rd death anniversary

We come to that day again, when the death anniversary of Rafi Sahab becomes the subject of talk, discussion, posts in the blog, awe-inspiring for learners and a deep-thinking day for die-hard fans like me.  As I grow older, the word ‘fan’ in this context sounds basic and amateur. Not that it is anything great for me to be a ‘fan’ per se, because I am but a speck on this mortal earth, whereas Rafi Sahab’s voice and songs have attained immortality.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5126 Post No. : 17078

Rafi Sb.

So much written about him. So much said. The words have ended. But the emotions continue to flow. So much more remains unsaid. So much more still waits. But the articulation struggles to create new epithets, define new qualifiers that may go beyond, and say a little more about this Divine Voice, about this persona so aptly described as God’s Own.

And yet, some more, little more. As it is, there are still many more songs in his voice that have to be brought on board here on our blog. I bring today a short ghazal of three couplets, that is indeed an abbreviated version. The poet who wrote these lines is Bahadur Shah Zafar, the last Mughal emperor. As a character in history – the last Emperor of the glorious Mughal dynasty, he appears in some films. One of them is ‘Mirza Ghalib’ (1954).
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