Posts Tagged ‘Rafi’
Dhal gaya din ho gayi shaam
Posted on: October 22, 2008
This song is also known as “dhal gaya din THUK ho gayi shaam THUK jaane do THUK jaana hai THUK“.
The lyricist Anand Bakshi had not included the word THUK in the lyrics. This additional word is there in the song thanks to the picturisation, where the heroine Leena Chandawarkar plays badminton with Jeetendra and the sound THUK is generated as the wooden racket hits the shuttlecock.
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Akele hain chale aao
Posted on: October 18, 2008
“Raaz” was a Rajesh Khanna movie produced in 1967, before he had become a superstar. In those days, Rafi used to be the playback singer for male lead, and that is indeed the case in this movie.
This song “akele hain chale aao” has been sung by Rafi as well as Lata. Personally, I like the Rafi version more.
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Akele akele kahaan jaa rahe ho
Posted on: October 16, 2008
Shammi Kapoor, who started his career with a whimper in 1950s, began to create waves in 1960s, beginning with “kashmir Ki kali”, and ever since, all his subsequent movies saw him playing similar roles in movies with similar story lines.
One common thread in all these movies used to be lilting music, typically sung by Rafi with gusto.
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Usha Khanna, the sole female music director in Bollywood movies in the last 50 years remained confined to lesser movies for most of her career. But every once in a while, she tended to rise above the mediocrity of the movies she gave music in.
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“Gopi” was one of the last movies with Dilip Kumar as the hero. In this movie, Dilip Kumar sings a few philosophical songs. This song “sukh ke sab saathi” is perhaps the best known of the songs of this movie.
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Parbaton ke pedon par
Posted on: October 8, 2008
There are many instances when songs from obscure movies went on to become evergreen. This song from a barely remembered movie called Shagoon (1964) is one such song. I have listened to this song and I liked it too, but I had no other information other than the fact that the male voice belonged to Rafi.
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Bade miyan deewaane aise na bano
Posted on: October 3, 2008
In case one wants to learn driving from a driving school, the trainer takes the beginner on the road and gives him hands on training.
In this case, I S Jauhar wants to learn the art of impressing the fair sex. His trainer, Joy Mukherjee, like a driving trainer, takes him on the road and gives him theoretical as well as practical training.
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When one talks of tragic actors, what are the names that come to mind ? Guru Dutt and Meena Kumari ? It may be news for people, but in the first decade of their career viz 1950s, they were both known for playing positive, energetic ,bubbly characters oozing with zest for life.
The crown for being the first major tragedy queen of that era should rightfully belong to Nutan. She played quite a few memorable tragic roles in movies. She in fact played a tragic role as early as in 1955 in a movie called “Seema”.
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This song is one of the oldest in this blog, and one of the most cherished one. Noorjahan makes her debut in my blog with this song. Rafi figures in this song too. This was one of the earliest hit filmy song of Rafi.
Except this song and singers, most other things about this song have been largely forgotten. This movie was called Jugnu ( I only knew a Dharmendra- Hema Malini movie of this name in 1970s). The lyricist is someone called Tanvir Naqvi, a namesake of the current Pakistani new ball bowler. Music director was someone called Feroz Nizami.
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As a small kid, I had heard about three monkeys of Gandhiji that symbolised- “bura mat suno, bura mat dekho, bura mat kaho.” So when I actually heard a song with the same lyrics, I naturally liked this song. It became one of my favourite songs of that era.
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