Posts Tagged ‘Rafi’
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6355 | Post No. : | 19703 |
#the Decade of Fifties – 1951 – 1960 #
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(Lyricist Kavi Pradeep-52)
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Today we remember Ramchandra Narayandut Dwivedi whom we fondly admire and respect as Kavi Pradeep or ‘Rashtra Kavi Pradeep’ on his 28th Remembrance Day. He was born on 6th February, 1915 and he passed away on 11th December, 1998 leaving behind a great body of work, including poetry and songs in his voice. Many of the songs penned by him and sung by him have now become immortal heritage of our country. Today we pay our tributes to Kavi Pradeep on his Remembrance Day.On this occasion I am presenting a song written by him for the movie ‘Dashehraa-1956’.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6355 | Post No. : | 19702 |
‘Sindbaad The Sailor” (1952), also known as ‘Sindbaad Jahaazi’ was produced by Balwant Bhatt under the banner of Deepak Pictures and was directed by his brother, Nanabhai Bhatt. The cast included Naseem Bano, Ranjan, Nirupa Roy, Pran, Jayant, Bhagwan, Yashodhara Katju, Samson, etc. In some places including the poster of the film, Sindbaad is written/printed as ‘Sinbad’. The Arabic name is ‘Sindibaadu’. So, using the title of the film as ‘Sindbaad The Sailor/Sindbaad Jahaazi’ seems appropriate.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6355 | Post No. : | 19701 |
Today’s song is from the film Veer Ghatotkach (aka Surekha Haran)-1949. The meaning of Ghatotkach is a person with a bald head.
The film was made by Homi Wadia’s Basant Pictures and it was directed by Nanabhai Bhatt, a veteran in directing such films. Music was by S.N.Tripathi, who, as usual, also acted in this film.
S N Tripathi was an actor, director, composer and a singer too. He acted in 83 films, sang 13 songs in 7 films, directed 18 films and gave music to 111 films, composing 863 songs. In the early cinema, we had many such multi-faceted artists.
The cast of the film was Vasantrao pehelwan (as Ghatotkach), Shahu Modak, Niranjan Sharma, Meena Kumari (as Surekha), Sumati Gupte, H.Prakash, S.N.Tripathi, Shyam sunder Sulochana and many others.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6352 | Post No. : | 19688 |
Today’s song is from a Mythological film-Mordhwaj-1952. This film was produced by M.N.Gautam and directed by a B grade film specialist Balwant Bhatt. Music was by a Debutant, Narayan (Datt). The cast included Durga Khote, Prem Adib, Ram Singh, Tiwari, Shashi Kapoor, Manju, Leela Mishra, Bindu, Neeru etc etc.
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Mere saaqiyaa mere dilrubaa
Posted on: December 5, 2025
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6349 | Post No. : | 19676 |
To change our mood and taste from Asha Ji’s rare songs, we move towards my most favourite amongst all the playback singers in all languages, the Legend worthy of being awarded the Bharat Ratna, Mohd. Rafi Saab.
We will keep the discussion about the Bharat Ratna for another day.
‘Rootha Na Karo’ is a film from the banner of Nirmal Pictures, Bombay, directed by Sundar Dar. All the seven songs in this film are written by Hasrat Jaipuri. The star cast of the film is led by Shashi Kapoor and Nanda, along with Naaz, Rajendra Nath, Aruna Irani, Sulochana, Lakshmichaya, Jaishri Talpade, Saroj, Shobha, Tuntun, Mirza Musharraf, and Reeta amongst others.
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Jaane chaman aa jaa
Posted on: December 4, 2025
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6348 | Post No. : | 19673 |
In Hindi films, in addition to heroines, there would be one or two secondary female characters. For examples, in the love triangle involving the hero, there would be ‘other woman’. To create a rift between hero and the heroine, there will be a vamp. Then, Hindi films’ model box office formula stories also require female characters of seducer, westernised women of high society, courtesans, hero/heroine’s sister and friend etc. There were some popular actresses who were known for doing such character’s roles like Kuldeep Kaur, Shashikala, Nishi, Aruna Irani, Helen, Bindu, Faryal, Naaz, Nazima and many more during 1950s to 1970s. There were some lesser known actresses doing such roles, one of them being Lolita Chatterjee. This diva from Kolkata with her glamorous look, drew the attention of Hindi film makers during mid-1960 to mid-1970.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6341 | Post No. : | 19648 |
Rest in Peace – Dharmendra (8/12/1937 – 24/11/2025)
During last week I have written posts of two Dharmendra -Hema Malini songs, and as I said, youtube was throwing up more such songs at me. I have saved many songs now featuring Dharmendra. Some of these are outdoor songs, showing refreshing locations, like riverside, mountains, trees etc.
Dharmendra has left this mortal world, where everything is mortal. We can hope that some memories will remain immortal till this “faani” intelligent humanity’s existence. So “Lafaani” is nothing. Dharmendra himself was among many things, an urdudaan, and wrote shayari in urdu. During his heydays as a star, he appeared shy of media. Only lately he has been giving some interviews and appearing on TV shows. That is when the real personality has come to light.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6341 | Post No. : | 19647 |
‘Aa Jaa Sanam’ (1975) was produced by S A Mehmood and was directed by Yusuf Naqvi. The cast included Feroz Khan and Tanuja in lead roles supported by Deven Verma, Shabnam, Sulochana Chatterjee, S N Banerjee, Shivraj, Mukri, Meenaxi, S A Baker, Kalyani Bai etc.
I have recently watched the film for the first time and I am surprised that it is shot in ‘Black and White’ for a 1975 released film by which time almost all the Hindi films were made in colour. Obviously, the film must have got held up for a long time before it was released. I guess that the film may have been shot around mid-1960s going by the trends of costume used by Feroz Khan who is seen with narrow bottom pants. By the starts of 1970, the fashion of bell-bottom pants was seen in many films. Also, the film has all three male voice songs of Mohammed Rafi whereas after the post-Aradhana (1969) period, Kishore Kumar would have got at least one song for the film if not more because the film distributors normally used to insist.
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This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6339 | Post No. : | 19643 |
Legends Don’t Die, They Leave An Immortal Legacy
I was as shocked as the entire world who loved the rustic original He-Man of the Hindi Film Industry – Dharmendra Singh Deol.
The curtains have fallen on the magnificent career of Dharmendra, one of Indian cinema’s most endearing and charismatic figures, who passed away on Monday, November 24, 2025, at the age of 89. His passing leaves a colossal void, marking the end of an era defined by his unparalleled charm, raw talent, and a filmography that became the very backbone of Bollywood.
Dharmendra was a paradox on screen—a formidable action hero with the innocence and tenderness of a poet. This rare combination allowed him to effortlessly inhabit the most diverse roles, captivating generations of audiences.
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