Posts Tagged ‘Rafi’
Shubh din aaye shubh din aaye
Posted on: February 10, 2026
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6416 | Post No. : | 19911 |
Today’s song is from a social film, Rangeela-1953.
The film was produced and directed by Master Bhagwan for his own banner Bhagwan Art Productions, Bombay.The cast included Bhagwan, Poornima,Vivek, badri prashad, Baburao pehalwan, heera Sawant, Madhav Kale, Kammo, Cuckoo, Indira and a host of Bhagwan’s regular artists. Unlike other films of Bhagwan, C.Ramchandra did not give music to this film as he was busy with the film Anarkali-1953. So, Jamal Sen was the Music Director. Though a gifted and talented musician, he was known to be an unlucky Music Director.
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- In: Artist century song in blog | Asha Bhonsle songs | Blog century song | Century songs for the blog | Dance song | Debut song of movie in the blog | Duet | Rafi songs | Rafi-Asha Bhonsle duet | Rare song | Song from unreleased movie | Songs of 1980s (1981 to 1990) | Songs of 1987 | Tapori song | Yearwise breakup of songs
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 19900th song post in the blog. This article also marks the 600th duet of Rafi and Asha Bhonsle in the blog.
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6412 | Post No. : | 19900 | Movie Count : |
5187 |
It was 29 days ago (on 9 January 2026) that we had reached blog song post number 19800. That song post also happened to be 300th duets of Kishore Kumar and Asha Bhonsle. If 300 duets of a pair of singers is an enormous achievement then what will we say about twice that number of duets ? 600 duets !! That is a mind boggling mind numbing number of duets. This feat is achieved by Mohammad Rafi and Asha Bhonsle in the blog.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6411 | Post No. : | 19893 |
“Hazaar Raaten”(1953) was produced and directed by Jayant Desai for Jayant Desai Productions, Bombay. The movie had Rehana, Bipin Gupta, Manhar Desai, Cuckkoo, Satyanarayan, Kuldeep Akhtar, Rewashankar, Gajendra Singh, Yunus, Shakuntala, Ameer Banu etc in it.
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Samjho zara kehtee hai kya
Posted on: February 3, 2026
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6409 | Post No. : | 19885 |
Hullo Atuldom
Shatranj (meaning Chess) is a 1969 released, spy thriller film co-produced and directed by S. S. Vasan (in his final directorial venture.) N.N. Sippy was the co-producer. It starred Rajendra Kumar and Waheeda Rehman in the lead, with Mehmood, Madan Puri, Shashikala, Helen, Achala Sachdev, Manmohan Krishna and Agha in pivotal roles.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6406 | Post No. : | 19872 |
“Badnaam”(1952) was directed by D.D. Kashyap for Filmistaan Limited, Bombay. This “social” movie had Shyama, Balraj Sahni, Ulhas, Murad, Prabhu Dayal, Pappu, Narendra Kumar, Sheela, Jankidas, D.S. Panchotiya, Bhujbal Singh, Talwar, Shakeel, Mishra, Munna, Helen and others.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6404 | Post No. : | 19866 |
“Kalpana”(1960) was produced by Ashok Kumar and Ganesh and directed by Rakhan for Ashok Pictures Private Limited, Bombay. This social movie had Ashok Kumar, Padmini, Ragini, S Nazir, Sunder, Balam, Pachhi, Achala Sachdev, Sarita Devi, Baby Farida, Rani Kumar, Harbans, Amrit, Khatana, Iftekhar, Brahm Bhardwaj, Keshav, Ibne Hasan, Shakil Nomani etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6394 | Post No. : | 19834 |
Today ‘s song is a typical 1950’s Fun song from a Mythological film – Durga Pooja-1954.
The film was produced by Dhirubhai Desai and his son Sharad Desai for their family banner Sharad Productions, Bombay. The director of this film was Dhirubhai Desai. Music Director was a veteran of such films – S.N.Tripathi. He used 4 lyricists for the film’s 10 songs namely, Bharat Vyas (3 songs), G.S.Nepali (2), B.D.Mishra (3) and Saraswati Kumar ‘Deepak’ (2). The cast included Nirupa Roy, Trilok Kapoor, Shahu Modak, Kamal( wife of comedian actor Maruti), Yashodhara Katju, Ratnamala, S.N.Tripathi, Rajkumar Khatri, Indira Bansal, Yashwant Dave etc.
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Ye bata ae zindagee ke paasbaan
Posted on: January 18, 2026
This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6393 | Post No. : | 19832 |
ہر ایک بات پہ کہتے ہو تم کہ تو کیا ہے
تمہیں کہو کہ یہ انداز گفتگو کیا ہے
نہ شعلہ میں یہ کرشمہ نہ برق میں یہ ادا
کوئی بتاؤ کہ وہ شوخ تند خو کیا ہے
یہ رشک ہے کہ وہ ہوتا ہے ہم سخن تم سے
وگرنہ خوف بد آموزی عدو کیا ہے
چپک رہا ہے بدن پر لہو سے پیراہن
ہمارے جیب کو اب حاجت رفو کیا ہے
جلا ہے جسم جہاں دل بھی جل گیا ہوگا
کریدتے ہو جو اب راکھ جستجو کیا ہے
رگوں میں دوڑتے پھرنے کے ہم نہیں قائل
جب آنکھ ہی سے نہ ٹپکا تو پھر لہو کیا ہے
وہ چیز جس کے لیے ہم کو ہو بہشت عزیز
سوائے بادۂ گلفام مشک بو کیا ہے
پیوں شراب اگر خم بھی دیکھ لوں دو چار
یہ شیشہ و قدح و کوزہ و سبو کیا ہے
رہی نہ طاقت گفتار اور اگر ہو بھی
تو کس امید پہ کہیے کہ آرزو کیا ہے
ہوا ہے شہہ کا مصاحب پھرے ہے اتراتا
وگرنہ شہر میں غالبؔ کی آبرو کیا ہے
हर एक बात पे कहते हो तुम कि तू क्या है
तुम्हीं कहो कि ये अंदाज़-ए-गुफ़्तुगू क्या है
न शो’ले में ये करिश्मा न बर्क़ में ये अदा
कोई बताओ कि वो शोख़-ए-तुंद-ख़ू क्या है
ये रश्क है कि वो होता है हम-सुख़न तुम से
वगर्ना ख़ौफ़-ए-बद-आमोज़ी-ए-अदू क्या है
चिपक रहा है बदन पर लहू से पैराहन
हमारे जैब को अब हाजत-ए-रफ़ू क्या है
जला है जिस्म जहाँ दिल भी जल गया होगा
कुरेदते हो जो अब राख जुस्तुजू क्या है
रगों में दौड़ते फिरने के हम नहीं क़ाइल
जब आँख ही से न टपका तो फिर लहू क्या है
वो चीज़ जिस के लिए हम को हो बहिश्त अज़ीज़
सिवाए बादा-ए-गुलफ़ाम-ए-मुश्क-बू क्या है
पियूँ शराब अगर ख़ुम भी देख लूँ दो-चार
ये शीशा ओ क़दह ओ कूज़ा ओ सुबू क्या है
रही न ताक़त-ए-गुफ़्तार और अगर हो भी
तो किस उमीद पे कहिए कि आरज़ू क्या है
हुआ है शह का मुसाहिब फिरे है इतराता
वगर्ना शहर में ‘ग़ालिब’ की आबरू क्या है
No need to say here that the above ghazal is the kalam of Mirza Ghalib. His takhallus is his signature in the last Shair. Like the painters sign at the bottom of the canvas. Newer trend here is the thumb impression, biometric is the new signature. Going back in time.
The trigger for the above ghazal is here in the last stanza of this song:
aakaash se taare toot padey
aankh se tapki jo meri daastaan
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