Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Shyama


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6089 Post No. : 18889

‘Mera Bhai Mera Dushman (1967) was an obscure film produced by Jagdish Kumar (also known as Jay Kay) under the banner of Seth Productions and was directed by Mohammed Hussain. The cast included Premnath and Shyama in lead roles with the supporting cast of Nalini Chonkar, Jagdish Kumar, Kamal Kapoor, Rajan Haksar, Chand Burq, Mukri, Pratima Devi, Bela Bose, Maya Das, Laxmi Chhaya, Indira Bansal, Raj Verma, Polson etc. The film belongs to the genre of ‘family drama’.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6007 Post No. : 18720

‘Raaz Ki Baat’ (1970) was produced by N A Yusuf under the banner of Zainab Pictures and was directed by Bolton Ci Nagi. The cast included Sujit Kumar and Simi Grewal in lead roles supported by Abhi Bhattacharya, Shyama, Nigar Sultana, Sulochana, K N Singh, Hiralal, Madhumati, Agha, Ulhas. Mohan Choti etc.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5876 Post No. : 18455

#the Decade of Sixties – 1961 – 1970 #
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(Khayyam Saab’s Sixth ‘Remembrance Day’ 19th August’2024)

Today 19th of August’2024 is the fifth ‘Remembrance anniversary’ of legendary music director Mohammed Zahur “Khayyam” Hashmi Saab, whom we fondly know as Khayyam Saab. He was born on 18th February 1927 in a village Rahon in the District of Jalandhar- Punjab.

From Jalandhar he came to Delhi and from Delhi to Lahore to Mumbai again back to Lahore and finally to Mumbai to start his career in Hindi Films in 1948.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5387 Post No. : 17670

“Do Dulhe”(1955) was directed by K J Mahadevan for United Film Arts, Madras in association with Gemini, Madras. The movie had Shyama (As Parvati, Sajjan (as Kanhaiya, Kundan), Vanaja (as Dulari), Agha (as Banke), David as (Devi Dayal), Kanhaiyalal (as Purohit), Lalita pawar ((As Sethani), Achla sachdev (as Kundan`s mother), B.M.Vyas (as Vrijmohan Gupta), Suryakantam (as dumb woman), G.V.Shama (as Rikshaw-Wallah), Venkat (as dance master), Ishwarlal (as Ekadashi Vaidya), H.Krishnamurti (as clerk), L.R.Mudaliar (as Postman), Vijaya Rao (as doctor), Indravadan Mehta (as Kundan`s father), Deshraj (as Soda subedar), Sugeshini (as Beggar girl), Koushal (as beggar), Jaya etc in it.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5321 Post No. : 17449

#the Decade of Sixties – 1961 – 1970 #
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Today’s song is from the movie “Saara Jahaan Hamaara-1961”.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4867 Post No. : 16659

Today, November 14, 2021 is the 4th Remembrance Day of Shyama (real name – Khurshid Akhtar) who enthralled the Hindi film buffs with her blinks and smiles in her Hindi films of 1950s. There was a spontaneity and energy in her performances reflecting, what I guess, her joie de vivre nature.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4377 Post No. : 15720

“I worshipped Bimal Roy. For me, his worth as a man was more than his films… It is impossible for me to describe what a man he was.”

The above quote was by Ritwik Ghatak, one of Bimal Roy’s desciples who later became an internationally known director of parallel cinema in Bangla films.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3537 Post No. : 14207

An interesting observation regarding the Yippeee process for the film that is getting Yippeee’d today. Regular readers would have noticed a pattern in the manner that the films are getting Yippeee’d these days. Generally, in the case of films with just two or three songs remaining to be posted, the last two (or last three) songs kind of appear at a very rapid pace, almost on a daily basis, one right on top of the other. With such films, the penultimate one (or two) songs appear in quick succession followed by the final song of the film, on the next day.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3533 Post No. : 14188

“Inquilaab”(1956) was produced by Kailash Kapoor and J P Sahgal and directed by Kedar Kapoor for W S Films, Bombay. This movie had Ranjan, Shyama, Kuldeep Kaur, Tiwari, Ramesh Sinha, S K Prem, Indu Paul, Praveen, Khairati, Pt Iqbal, Pal Sharma, Khursheed, Bihari, Bakshi, Sando, Bachcha, Sundar etc in it with guest appearances by Helen, Sapru, Bhagwan and Johny Walker.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

ना जाने क्यों॰ ॰ ॰ होता है ये ज़िंदगी के साथ
अचानक ये मन
किसी के जाने के बाद
करे फिर उसकी याद॰ ॰ ॰

Aah, Shyama. . . the vivacious, bubbly, chirpy, charming Shyama. That is the image that the mind always carries, of this spirited young lady, so full of life on the screen. Some memories and some reflections are so firmly engraved in the mind that it simply does not register or acknowledge the passage of time and the passing of eras. That is the beauty of these memories – that their beauty simply never fades away.
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