Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for August 2012


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I was aware of Behzad Lucknowi as a lyricist for the films mainly of the 40s. I found that he suddenly vanished from Hindi film industry after he wrote lyrics for a few songs in films released in 1951. Last week, I accidentally came across an audio clip of a ghazal sung by none other than Ghulam Haider from the film ‘Zamindar’(1942). This beautiful ghazal was written by Behzad Lucknowi. I was so touched by this poignant ghazal that I started looking for his other songs penned by him for Hindi films. Two songs among a few already covered in this blog were very familiar to me but I was not aware that those two songs were written by Behzad Lucknowi. Those two songs were : zindaa huun is tarah kigham-e-zindagi nahin, tumhaare bulaane ko ji chaahataa hai. After listening to these songs and the ghazal from the film referred to above, there was an urge in me to know more about Behzad Lucknowi. As it turned out, he was an interesting personality.
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When I was growing us in late 1960s and 1970s, I was only aware of a few festivals when we had holidays. There were days like Holi, Deewaali, Raksha Bandhan,Durga Puja (Dashara), Id, Chrishmas etc. Then there were a few days thaat were known as days, viz Children’s day (Jawaharlal Nehru’s bithday), Teacher’s day (Radhakrishnan’s birthday) etc.
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This article is written by Khyati Bhatt, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Recently (on 3 august), we were celebrating birth anniversaries of two legends of Hindi cinema, Shakeel Badayuni and Jaidevji. Atulji had posted a few melodious songs sent by contributors with all the information about these personalities, their contributions, movies, etc. As a tribute to Shakeel Badayuni, I was listening to many songs penned by him and finally decided to send the song “O jaane waalon jaa o na…” of Mother India, to pay tribute to SB. While writing the words of this song, I was thinking about another song picturized on the same situation, natural disaster, where people of the village/town are leaving because of the drought condition.
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“Fashion” (1957) was a Kuldip Pictures production. This movie was directed by Lekhraj Bhakri. The movie had Pradeep Kumar, Mala Sinha, Chandrashekhar, Manoj Kumar, Jabeen Jaleel,Sunder, Jabeen Jalil, Jagdish Sethi, Kammo, Leela Misra etc in it.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This is a Rafi solo from the film “Aan Baan” (1956). The song is written by Qamar Jalalabadi and composer is Husnlal Bhagatram. I was not able to find a video of this song and only an audio link is available.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The 1950s was the decade when Sur Saraswati Lata Mangeshkar showered scores of melodious gems on the music lovers which have defied time to linger in their memory like pangs of the first-love.
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“Mela” (1948) was a Wadia Films production. S U Sunny and Hila Wadia were its producers. S U Sunny had directed this movie which had Dilip Kumar, Nargis, Jeevan, Roopkamal, Amar, Rehman, Baby Zubaida, Noorjehaan, Chandabai, Allaudin, Khalil, Abbas, Maqbul Jr., Ghulam Mohmed Jr. etc in it.
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Kishore Kumar, popularly regarded as a happy go lucky individual was deep down a sensitive soul. After making a couple of light hearted movies, Kishore Kumar began to make some serious movies on sensitive issues. But unfortunately the Hindi movie audience were not ready for such movies. In fact even today there is only a very small audience for serious and sensitive off beat movies.
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“Laawaris” (1981) was Produced and directed by Prakash Mehra. The movie had Amitabh Bachchan, Zeenat Aman, Amjad Khan, Suresh Oberoi, Bindu, Raakhee Gulzar, Om Prakash, Ranjeet, Ram Sethi etc in it. The movie was criticised quite badly by the movie reviewer of the magazine that I used to read those days. The critic wrote that the best scene in the movie was one that had the words “The End” in it.
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