Archive for the ‘“Aankh” song’ Category
Najariya mein aaiho
Posted on: May 6, 2013
“Nadiya Ke Paar” (1948) was a Filmistan production. It was directed by Kishore Sahu. The movie had Dilip Kumar, Kamini Kaushal, Hari Shivdasani, Maya Banerji, S. L. Puri, Samson, Ranibala, Tiwari, David Abraham, Kanta Kumari etc in it.
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Hamen jo koi dekh le ek nazar bhar ke
Posted on: May 5, 2013
“Deewaana” (1952) was a Kardar Production movie. It was produced and directed by A R Kardar. The movie had Suresh, Suraiya, Sumitra Devi, Shyam Kumar, Ramesh, Madan Puri, Banerjee, Amirbai Karnataki, Amir Ali etc in it.
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“Beqasoor” (1950) was a Madhukar Pictures production. It was produced by M R Navalkar and directed by K Amarnath. The movie had Ajit, Madhubala, Pramila, Yakub, Mangla, Gope, Geeta Nizami, Ramesh, Durga Khote etc in it.
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Chori ho gayi raat nain ki nindiya
Posted on: April 26, 2013
“Ishaara” (1964) was produced and directed by K Amarnath. The movie had Joy Mukherjee, Vyjyantimala, Jayant, Subbiraj, Azra, Pratima Devi, Agha, Pran, Shammi, Sajjan, Murad, Praveen Paul, Hari Shivdasani, Kesari, Raja Amrohi, Ruby Meyers (Sulochana), Brahm Bhardwaj, Prem Sagar, Amrit Rana, Ravikant etc in it.
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When I came to know that Shamshad Begam (14 april 1919- 23 april 2013) was no more, I decided to discuss some rare songs sung by her. Accordingly, I some rare songs sung by Shamshad Begam were discussed yesterday (24 april 2013). Those songs were rare, but their links were still available. It was only in one case that the link available contained incompele song and so I uploaded a complete version of the song to enable me to discuss that.
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O dil mein basaane waale
Posted on: April 24, 2013
“Jeewan Nauka” (1952) was a K and K Production. This movie was directed by K Vembu. The movie had Thikkurissi, B. S. Saroja, Girija etc in it.
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Shamshad Begam (14 april 1919- 23 april 2013) is no more. She was the seniormost among all the survivors from the earliest days of Hindi movie music. She in fact was senior to all the legends of the golden era of Hindi movie music. She was more or less a contemporary of the likes of K L Saigal, Khursheed, Amirbai Karnataki etc.
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Kaahe nainon mein naina daale re
Posted on: April 22, 2013
“Jogan”(1950) was a Ranjit Film Company Production. This movie was made at a time why the studio was on the verge of bankruptcy. This movie, based on a seemingly flimsy looking story line rescued the company. Here is what Mr Arunkumar Deshmukh, our beloved inhouse encyclopaedia, has to say about this movie:-
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Lagi mast nazar ki kataar
Posted on: April 21, 2013
This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Looking for old songs picturized in the desert, I was about to give up, and thought of switching to ‘dessert’ songs instead. 🙂 I have some more newer desert songs in my list, which I absolutely will discuss, having only explored the desert of Rajashtan, bhuj etc. What with Egypt and even Arizona dersert featuring in some songs, there is a lot still left to be covered. But listening to all those new songs, I got a little bored. Today I was thinking of taking a break from this series and discussing some thing else. That was when I found this Lata-Rafi duet from film “Sehra- 1963′. And ‘ sone pe suhaaga ‘ I found a Rafi solo too , not yet discussed in the blog, picturized in the desert. And hero is singing this song while performing acrobatics riding a Camel, no less. So this is what I call a desert-cum-dessert song. 🙂
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Aankh se aankh milaata hai koi
Posted on: April 20, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
It is a human nature that most top professionals would think that they are perfect in their professions, be it in the fields of sports or fine arts. Then why do we need coaches, guides, trainers etc ? A few years back, it looked odd to me to know that top seeded professional lawn tennis players have personal coaches. Some of the coaches may not have even played in any of the grand slam tournaments. Even in cricket, some of the teams’ coaches have not been top cricketers in their own national team. Now I know of two maxims in professional sportsman-coach relationship. First, all top players need not be perfect and coaches of these top players need not be top sportsmen in their fields. Second, the best coaches have the wherewithal to extract from the top professionals something more than the perfect which makes a vast difference in closely fought competition. This led me to think why not have a system of coaches (in Indian musical parlance, ‘guru’) for professional singers as well?
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