Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Actor-Singer song’ Category


Today (22 september) is the death anniversary of Durga Khote (14 january 1905 -22 september 1991). Many younger day movie watchers may associate her with mother and grandmother roles, but she was one of the earliest leading lady of Hindi movies and one of those who paved the entry of women from respectable background to Hindi movies.
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“Jugnu” (1947) was a major Hindi movie in many ways. It was Noorjehaan’s last Hindi movie. It was this movie which gave us Dilip Kumar, who till then was a struggler. Noorjahaan acting opposite Dilip Kumar gave Dilip Kumar’s career a big fillip and he never looked back since.
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“Elaan” (1947) was a Mehboob Production movie. It was produced and directed by Mehboob Khan. The movie had Surendra, Munawwar Sultana, Zebunissa, Agha, Shahnawaz, W. M. Khan, Leela Mishra, Rita, Shaheda, Subhasini, Reehan, Mohammad Afzal etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Shamim (also known as Shamim Bano and Shamim Kamal Pasha) was one of the female actors who was active in the 40s as a heroine/side heroine. She was the niece of Khursheed Bano, one of the top singer-actor of the 40s. I was not aware of Shamim until I found her name mentioned in Kidar Sharma’s autobiography ‘The One and Lonely Kidar Sharma’. There is a trivia mentioned in this book about selecting Shamim as the heroine of the film ‘Armaan’ (1942). Kidar Sharma insisted that Motilal and Shamim would be his hero and heroine for the film. Chandulal Shah, the owner of Ranjit Movietone said “ if you take Shamim, Khursheed will never work with you in any films as she is very jealous of her young and charming niece”.
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“Achhoot Kanya” (1936) was made at an era far far removed from the present day. It was produced by Bombay Talkies. Its producer was Himanshu Rai and it was directed by a German director called Franz Osten. It was a case of an indophile German directing a Hindi movie on a sensitive topic like untouchability and doing a great job. And those were the days when India was under British occupation too. And Ashok Kumar, a lab assistant with Bombay Talkies found himself being made the hero of the movie when the heroine Devika Rani eloped with the original hero, only to come back subsequently. And she was the wife of Himanshu Rai ! And the music director of this movie, a Parsi lady faced stiff resistance from members of her community who were against her decision of joining the film line as a music director.
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