Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Actor-Singer song’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of hindi movie music and a regular contributor to this blog.

Janaury 31st is the death anniversary of Suraiyya who was India’s greatest female singer-actor of the post-partition period. While reading her profile and biography, I felt that her life had twists and tales worthy of making a full length feature film. For instance, her romantic involvement with Dev Anand, a dominating maternal grandmother who, apart from deciding her filmy career, played a spoilsport in her romantic relationship and finally her decision to quit films to live a life of seclusion, can be some of the ingredients for a cinematic presentation. Suraiyya’s life cycle can best be described in some of her own renditions like Laayi khushi ki duniya (Vidya) , Tere nainon ne chori kiyaa mera chhota sa jiya pardesiya (Pyaar ki jeet) and Raste pe ham khade hain dil e beqaraar le kar (Rajput) to Ye kaisi ajab daastaan ho gayi hai(Rustam Sohrab)(1963) and finally to Rahiye ab aisi jagah chal kar jahan koi naa ho (Mirza Ghalib) .
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This article is written by Sudhir, a fellow enhusiast of Hindi movie music and a regular contributor to this blog.

Greetings to all on the occasion of Basant Panchmi today.

Basant, the season of spring, is a season of new beginning, a season of rejuvenation and a season of arrival of happiness. It is the season of rebirth and bloom, the season of new love. In the Hindu tradition, Kaamdeva is the god of love and desire. As per the Rig Veda, the goddess Vasanta (Spring) is a companion of Kaamdeva. The weapon ascribed to Kaamdeva is a bow and arrow – the bow being made of sugarcane, stringed with honeybees, and the arrows are made of the fragrant flowers of spring. In the Hindu mythology, the season of spring is the season for love and amorous relationships. The first encounter of enchantment between Shakuntala and King Dushyanta is in Vasant ritu, the season of spring.
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Posting writeups during journey is turning out to be more difficult than I thought on this return journey. I was hoping that I would be able to discuss several songs in this return journey but so far I have been unable to do so. With difficulty, I have managed to post one song so far. Here is another song for the day.
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In Hindi movies, a female character singing a bhajan in front of the idol of a God used to be a standard scene from 1950s to 1970s. I have always wondered who pioneered this genre of songs. Now I believe that I have got my answer. Having watched a few such songs from the earlier days of Hindi movies, I have now come to the conclusion that Amirbai Karnataki could well be the first singer to sing such bhajans as well as the first actress to enact them on screen.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Mehlon Ke Khwaab (1960) is a romantic comedy cum chor-police story produced by Madhubala herself. The film is directed by Haider and the star cast is notable and includes Pradeep Kumar, Madhubala, Kishore Kumar, Chanchal, Pran, KN Singh, Cuckoo, Om Prakash, Sulochana Chatterjee, Leela Chitnis, Ram Avtaar, Anoop Sharma, Khataanaa, Balam, Rashid Khan, Parvin Paul, Haroon, Daraaz, Ravi Kant, Uma Dutt, Satish Batra, Ram Lal, Sham Lal etc. Just to add a bit of trivia for those who may not know, Chanchal is the real life sister of Madhubala. The music composition is by S Mohinder. The film boasts of seven very melodious tunes, with lyrics penned by three poets viz., Raja Mehndi Ali Khan, Raahil Gorakhpuri and Anand Bakshi.
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When you seek to look for obscue songs from yesteryears, you often come across unheard of gems. Many a times, these songs are sung/ created by the usual suspects, but sometimes they are created by people we normally would not suspect of being able to sing songs, leave alone singing songs that can be regarded as outstanding.
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