Archive for the ‘Club song’ Category
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6349 | Post No. : | 19677 | Movie Count : |
5157 |
#the Decade of Seventies – 1971 – 1980 #
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Today’s Asha Bhonsle song is from a shelved/ un-released movie titled as ‘Shehar Se Door’. Sources mentions that the records of this movie were released in the year 1972, but the movie was never released.
‘Shehar Se Door’ or ‘Shahar Se Door’ was directed by Chaman Nille for ‘Maya Deep International, Bombay’. It had Subhash Ghai, Neena, Heena Kausar, Roopesh Kumar, Nadira, Johny Walker, Raj Mehra, Krishan Dhawan, Anita Guha, V. Gopal, Jankidas, Uma Dhawan, Uma Khosla, Jerry, Monto, Satya Devi, Madhu Kapoor, Tarun Bose and others.
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Aa jaa aa zaraa aa jaa
Posted on: November 30, 2025
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6344 | Post No. : | 19656 |
‘Main Wohi Hoon’ (1966) was produced by S A Mehmood and was directed by A Shamsheer. The cast included Feroz Khan, Kumkum, I S Johar, Madan Puri, Murad, Roopesh Kumar, Bela Bose, Lata Sinha, Mirza Musharraf etc. The film was a murder mystery.
I have watched the film for the first time only recently after reading the synopsis of the film’s story which appeared to be an interesting murder mystery. A sole daughter of a wealthy father wants to marry a middle-class man. The father has some apprehension because he has two other suitors for his daughter who are rich. But the daughter is adamant to marry her preferred man. Finally, the father has made his mind to go with his daughter’s preference but she is yet to be told of his decision. All the three suitors attend daughter’s birthday bash. Soon, the father is murdered by an unknown assailant. The main suspects are the three suitors who have met the father in the birthday bash and have indirect interest in his wealth if Asha becomes their prospective bride.
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Di hai tera jaisa bhee hai
Posted on: November 25, 2025
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6339 | Post No. : | 19641 | Movie Count : |
5153 |
#The Decade of Seventies – 1971 – 1980 #
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#Bhoole-Bisre Geet # (Debutant Movie-Mastaan Daadaa-1977)
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In this post I am once again presenting a club-dance song sung by Asha Bhonsle. It is from the movie “Mastaan Daadaa-1977”. I have no recollections of having heard this song before. This songs appears to be a forgotten song which is a standard fate of songs from movies that have been forgotten.
“Mastaan Daadaa-1977” was directed by Satyen Bose for ‘Satyen Bose Pictures, Bombay’. This movie was passed by Censor Board on 07.03.1977. It had Ashok Kumar, Sanjay, Parveen Babi, Dev Kumar, Anita Dutt, Ranjeet, Bindu, Raj Mehra, Brahmachari, Habib, V. Gopal, Shekhar Purohit, Pardesi, Madhup Sharma, Sushil Bhatnagar, Major Anand, Bhagwan Sinha, Prakash Mishra, Ratna, Jerry, Bhola, Supariwala, Dubey, Master Anwar, Master Yusuf, Master Rajesh and others. Agha, Jagdeep, Gauri Verma and Sameer had a guest appearance in this movie.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6339 | Post No. : | 19639 |
The theme of a married woman who chooses her domestic responsibilities by giving up her flourishing singing career has been covered in some Hindi movies. The woman’s resultant emotional toll from her loneliness and the internal conflict between as a housewife and her unfulfilled aspirations was first explored in the film, ‘Anuradha’ (1960) as far as I know. In this film, Leela Naidu gives up her singing career to marry an idealistic doctor, Balraj Sahni who is completely engrossed in his work to serve the poor villagers. A somewhat similar situation is depicted in ‘Guide’ (1965) when Waheeda Rahman is forced to give up the dancing career by her husband, archaeologist, Kishore Sahu who is more passionate about his archaeological discoveries than about his wife. In Both these films, suppression of passion makes wife’s life miserable though the end result in both these films are different.
‘Abhinetri’ (1970) has a similar theme in which Hema Malini gives up her successful career as a dancer after her marriage with Shashi Kapoor. A scientist who gets completely engrossed with his research work in his laboratory. The film was produced and directed by Subodh Mukerji under the banner of Subodh Mukerji Productions. The cast included Shashi Kapoor and Hema Malini in the lead roles supported by Deb Mukerji, Nirupa Roy, Nazir Hussain, Asit Sen, Nazima, Badri Prasad, Bela Bose etc.
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Love can fly high and high
Posted on: October 27, 2025
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6310 | Post No. : | 19536 |
“Nayi Duniyaa Naye Log” was introduced on the blog by our friend Avinash Ji, with this post.
“Nayi Duniyaa Naye Log” was directed by B.R. Ishara for ‘Nitin Films International, Bombay. It was produced by I.M Kunnu who had also done the Editing of this movie.
It had Reena Roy, Satyen (new discovery), Manmohan Krihsna, Asit Sen, Nadira, Danny Denzongpa, Amal Sen, Baby Gauri, Abhijit Sen, Lalit Rai, Dr. Ravi, Malhotra, Sham, Ram Singh, Sheikh, Shetty, M. Abbas Sheikh, Shailashree and others
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Josh e jawaanee tauba re tauba
Posted on: October 14, 2025
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6297 | Post No. : | 19490 |
#the Decade of Eighties – 1981 – 1990 #
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(Kishore Kumar’s 39th Remembrance Day 13th October 2025)
Yesterday 13th October 2025 was the 39th Remembrance Day of the legendary singer Kishore Kumar. He was born on 4th August 1929 at Khandwa (now in Madhya Pradesh) and he passed away at the age of fifty-eight only on 13th Octorber 1987 at Bombay (now Mumbai).
We are all aware Kishore Kumar started his singing career with the 1948 movie ‘Ziddi’ where he had given playback for actor Dev Anand. This was the song ‘marne ki duaayein kyun maangoon’. Kishore Kumar’s peak-time came during the end-of-sixties, and the decade of seventies was when Kishore Kumar’s voice was heard everywhere. He sang songs for many of the established actors as well as new-comers in the industry. And of course he was well-known as the voice of Dev Anand and voice of the Superstar-Rajesh Khanna.
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