Advertisements

Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Madhuri Dixit


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3679 Post No. : 14572

He was born John Prakash Rao Janumala. He spent his childhood years in Mumbai’s Dharaavi and studied only upto class VII. Then he had to do odd jobs to overcome financial problems in the family. He was a good mimic. He started to perform in stage shows such as Tabassum Hit Parade and Kalyanji-Anandji Nite etc. He was noticed by Sunil Dutt at one of the stage shows and he got a chance in “Dard Ka Rishta” in 1981. His next big movie was Gul Anand’s – Pankaj Parashar directed movie “Jalwa”. Since then he has done around 350-400 movies.

Ok we adore him as Johnny Lever.

He is one from the current crop of comedians who were (I am sure) inspired by the likes of Mehmood and Johnny Walker. Can anyone forget his teaming up with Ashok Saraf in Rakesh Roshan’s ‘Karan Arjun’ or for that matter many Rakesh Roshan directed and produced movies be it ‘Kishen Kanhaiya’, ‘Koyla’, ‘Kaho Na Pyaar Hai’, ‘Koi Mil Gaya’. He was also part of any David Dhawan movies where his character was as important as the hero’s. He is a performer whose eyes all speak. And he is a decent dancer considering he has teamed up with Govinda, Shahrukh Khan, Aamir Khan etc. for many song and dance sequences. I just realized that he is 60 already and today (14th August) he will be 61. God!!!

Today’s song is from the 1997 Rakesh Roshan directed Shahrukh Khan Movie “Koyla”. The song is something like “Mere Saamne Waali Khidki Mein. . .” from ‘Padosan’ (1968) in the sense that on screen SRK is lip synching to Johny Lever’s singing. This is because SRK plays a mute character in the movie.

The song is in the voice of Udit Narayan, music direction is Rajesh Roshan and written by Indeevar. The song happens at the wedding reception of Raja, the tyrant zamindar role played by Amrish Puri, who has conned Madhuri into marrying him after showing the pic of the mute Shahrukh Khan (who is unaware of the con). Towards the end of the song SRK discovers the bride (who is supposed to be at the reception) sitting and crying in the bedroom with Deepshika filling in for her next to Amrish Puri.

 

Song – Ghunghate Mein Chanda Hai (Koyla) (1997) Singer – Udit Narayan, Lyrics – Indiwar, MD – Rajesh Roshan
Chorus

Lyrics

ghunghte mein chanda hai
phir bhi hai phaila
chaaron oar ujaala
ghunghte mein chanda hai
phir bhi hai phaila
chaaron oar ujaala
hosh na kho de kahin
josh mein dekhne waala
hosh na kho de kahin
josh mein dekhne waala
ghunghte mein chanda hai
phir bhi hai phaila
chaaron oar ujaala
hosh na kho de kahin
josh mein dekhne waala
arey hosh na kho de kahin
josh mein dekhne wala

hmm hmmhmmhmmhmmhmm

aaj sundarta dulhan bani hai
koyi kismat ka kitna dhani hai
aaj sundarta dulhan bani hai
koyi kismat ka kitna dhani hai
munh diklaayi ki khaatir
dil kya jaan bhi hai haazir
munh diklaayi ki khaatir
dil kya jaan bhi hai haazir
baadalon ko mor dekhe,
chaand ko chakor dekhe
tujhko naseebon waala
hosh na kho de kahin
josh mein dekhne waala
hey hosh na kho de kahin
josh mein dekhne waala
ghunghte mein chanda hai
phir bhi hai phaila
chaaron oar ujaala
hosh na kho de kahin
josh mein dekhne waala
arre hosh na kho de kahin
josh mein dekhne waala

oooo
oooo

paas tu door tak hain nazaare
mil rahe hain dilon ko sahaare
paas tu door tak hain nazaare
mil rahe hain dilon ko sahaare
leke bahaaren tu aayee
door huyi hai tanhaayi
leke bahaaren tu aayee
door huyi hai tanhaayi
ghar ko sanwaar dega,
dil ko karaar dega
roop ye tera niraala
hosh na kho de kahin
josh mein dekhne waala
hey hosh na kho de kahin
josh mein dekhne waala
ghunghte mein chanda hai
phir bhi hai phaila
chaaron oar ujaala
hosh na kho de kahin
josh mein dekhne waala
hosh na kho de kahin
josh mein dekhne waala

aaaaaaaaa
aaaaaaaaa
aaaaaaaaa
aaaaaaaaa
aaaaaaaaa
aaaaaaaaa

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

घुंघटे में चंदा है
फिर भी है फैला
चारों ओर उजाला
घुंघटे में चंदा है
फिर भी है फैला
चारों ओर उजाला
होश ना खो दे कहीं
जोश में देखने वाला
होश ना खो दे कहीं
जोश में देखने वाला
घुंघटे में चंदा है
फिर भी है फैला
चारों ओर उजाला
होश ना खो दे कहीं
जोश में देखने वाला
अरे होश ना खो दे कहीं
जोश में देखने वाला

हम्म हम्म हम्म हम्म हम्म हम्म हम्म

आज सुंदरता दुल्हन बनी है
कोई किस्मत का कितना धनी है
आज सुंदरता दुल्हन बनी है
कोई किस्मत का कितना धनी है
मुंह दिखाई की खातिर
दिल क्या जान भी है हाज़िर
मुंह दिखाई की खातिर
दिल क्या जान भी है हाज़िर
बादलों को मोर देखे
चंदा को चकोर देखे
तुझको नसीबों वाला
होश ना खो दे कहीं
जोश में देखने वाला
हे होश ना खो दे कहीं
जोश में देखने वाला
घुंघटे में चंदा है
फिर भी है फैला
चारों ओर उजाला
होश ना खो दे कहीं
जोश में देखने वाला
होश ना खो दे कहीं
जोश में देखने वाला

ओ ओ ओ ओ
ओ ओ ओ ओ

पास तू दूर तक हैं नज़ारे
मिल रहे हैं दिलों को सहारे
पास तू दूर तक हैं नज़ारे
मिल रहे हैं दिलों को सहारे
लेके बहारें तू आई
दूर हुई है तनहाई
लेके बहारें तू आई
दूर हुई है तनहाई
घर को संवार देगा
दिल को क़रार देगा
रूप ये तेरा निराला
होश ना खो दे कहीं
जोश में देखने वाला
हे होश ना खो दे कहीं
जोश में देखने वाला
घुंघटे में चंदा है
फिर भी है फैला
चारों ओर उजाला
होश ना खो दे कहीं
जोश में देखने वाला
अरे होश ना खो दे कहीं
जोश में देखने वाला

आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ

Advertisements

This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3624 Post No. : 14443

Hullo Atuldom

The song with this post is a Peevesie discovery. I don’t remember when exactly, but definitely a few years back she mentioned about this song to me. And it looks like she has seen and enjoyed the video too and it has stayed in her memory. She remembered exactly how the song starts. And the dance steps of Govinda and Madhuri. Awesome combination. Just like in the previous Madhuri Dixit song where with Prabhu Deva as her co-dancer, here too, she is excellent. She is in a different orbit when she has a dancer for a co-actor. In “Que sarasara” she matched Prabhu Deva step for step, here it is a typically Govinda dance that is a treat.

So what, if the lyrics are non-sensical. The song is set as a fun-song, going by the video I have a feeling that Madhuri has accidentally eaten or drunk something intoxicating and Govinda is trying his best to control her in the given circumstances.

A few days back I had sent a song from ‘Disco Dancer’ to Atulji and then I had made up my mind to follow it with another Mithun song which features a ‘mithai‘. There were other songs from the 70s which were running through my mind for this particular post which is for a very special occasion. Songs which showed the male running the household while the female is away at work. But on reviewing those songs I felt that the song which Peevesie suggested is better. Why? Well for one today is a party occasion and “mithai toh banti hai” – it is our Ranchiwaale Gaanewala’s birthday (now its about time to give him a new name, he is no longer in Ranchi 🙂 ). It has a lot of activity in it and our sutradhaar is a hyperactive person. I don’t need to give any proof to show his level of activeness, his commitment to his pets, work and the blog is proof enough. There have been days when I have found him online early in the morning with a post at 5:45 a.m. and a few times his last post has been at 12 in the night. Hats off to his dedication. Approximately 10804 posts (on the day this is being written) and still having a lot of ideas to connect with songs and give us new post daily – AMAZING. Thank you Atulji for giving us this group and site to turn to.

Before I sat to write all this, I read through what I had written last year and I feel the same even now- May God give Atulji health, peace of mind, lots of time and good infrastructural support in the form of unending internet and electrical connections. And we will not mind him being absent from the blog when his family is around as they are more entitled to his time. (Hope he enjoyed his first vacation, this year, after he started the blog) And hope he doesn’t mind us pestering him with our farmaishes. Here is hoping he gives us many opportunities to celebrate and we will keep presenting him with lovely songs.

Coming to today’s song it is from the 1990 release “Izzatdaar” which starred the stalwart Dilip Kumar in the lead with the south Indian actor Raghuvaran as villain. Another southern star- Swapna- played Dilip Kumar’s daughter, Madhuri played his grand daughter and Govinda plays a man who works for the underworld (I think) but gets reformed on falling in love. (the powers of the feeling of love 🙂 ). It was a revenge story with Dilip Kumar avenging his daughter’s death etc. with lot of Bollywood masala. It was directed by K Bapaiah, Anand Bakshi wrote songs which were composed by Laxmikant Pyaarelal. Amit Kumar and Alka Yagnik are the playback.

Wish you a very happy birthday Atulji

 

Song – Ek Rasgulla Kahin Phat Gaya Re (Izzatdaar) (1990) Singer – Alka Yagnik, Amit Kumar, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Alka Yagnik + Amit Kumar

Lyrics

sun o mister 
o mister 
sun o mister o mister 
mister o mister 
ek taaza khabar

mmmmmmmmm
mmmmm mmmmmm

mmmmmmmmm
mmmmm mmmmmm

ek rasgulla kahin phat gaya re..ae..ae
re baba re
phat ke jalebi se lipat gaya re 
phat ke jalebi se lipat gaya re
oooo ooooo ooo
ek rasgulla kahin phat gaya re..ae..ae
re baba re
phat ke jalebi se lipat gaya re 
phat ke jalebi se lipat gaya re

aandhi chali jor ka toofan aa gaya
aandhi chali jor ka toofan aa gaya
mandir se baahar bhagwan aa gaya
bhagwan aa gaya
log samjhe qayamat aa gayi re..ae..ae
re baba re
sara jag ulat pulat gaya re 
ek rasgulla kahin phat gaya re 
phat ke jalebi se lipat gaya re

meri haan mein haan tu milata jaa
gale pada dhol bajaata ja
meri haan mein haan tu milata jaa
gale pada dhol bajaata ja
bajaata ja
kaisi ye musibat mere galey pad gayi..ee..ee
kya bola re
bhoot koi mujhse chimat gaya re 
ek roshgulla kahin phat gaya re 
phat ke jalebi se lipat gaya re

ha ha ha ha ha haaa
wo roshogulla tha ya atom bam tha
atom bam se 
thoda sa hi kam tha
hey

wo roshogulla tha ya atom bam tha
atom bam se thoda sa hi kam tha
thoda sa hi kam tha
rashiya bhi sun ke darr gaya re 
re baba re
amrika bhi peeche hat gaya re 
ek rasgulla kahin phat gaya re 
phat ke jalebi se lipat gaya re 
ek roshagulla kahin phat gaya re 
phat ke jalebi se lipat gaya re 
phat ke jalebi se lipat gaya re

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

सुन ओ मिस्टर
ओ मिस्टर
सुन ओ मिस्टर ओ मिस्टर
मिस्टर ओ मिस्टर
एक ताज़ा खबर

म्मममममम
म्ममम म्मममम

म्मममममम
म्ममम म्मममम

एक रसगुल्ला कहीं फट गया रे॰॰ए॰॰ए
रे बाबा रे
फट के जलेबी से लिपट गया रे
फट के जलेबी से लिपट गया रे
ओss ओsss ओss
एक रसगुल्ला कहीं फट गया रे॰॰ए॰॰ए
रे बाबा रे
फट के जलेबी से लिपट गया रे
फट के जलेबी से लिपट गया रे

आँधी चली ज़ोर का तूफान आ गया
आँधी चली ज़ोर का तूफान आ गया
मंदिर से बाहर भगवान आ गया
भगवान आ गया
लोग समझे कयामत आ गई रे॰॰ए॰॰ए
रे बाबा रे
सारा जग उलट पुलट गया रे
एक रसगुल्ला कहीं फट गया रे॰॰ए॰॰ए
फट के जलेबी से लिपट गया रे

मेरी हाँ में हाँ तू मिलाता जा
गले पड़ा ढोल बजाता जा
मेरी हाँ में हाँ तू मिलाता जा
गले पड़ा ढोल बजाता जा
बजाता जा
कैसी ये मुसीबत मेरे गले पड़ गई॰॰ई॰॰ई
क्या बोला रे
भूत कोई मुझसे चिमट गया रे
एक रसगुल्ला कहीं फट गया रे॰॰ए॰॰ए
फट के जलेबी से लिपट गया रे

हा हा हा हा हा हा हा॰॰आ॰॰आ
वो रोशगुल्ला था या एटम बम था
एटम बम से
थोड़ा सा हि कम था
हे
वो रोशगुल्ला था या एटम बम था
एटम बम से थोड़ा सा हि कम था
थोड़ा सा हि कम था
रशिया भी सुन के डर गया रे
रे बाबा रे
अमरीका भी पीछे हट गया रे
एक रसगुल्ला कहीं फट गया रे
फट के जलेबी से लिपट गया रे
एक रोशगुल्ला कहीं फट गया रे
फट के जलेबी से लिपट गया रे
फट के जलेबी से लिपट गया रे


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3589 Post No. : 14342

Hullo Atuldom

Back to writing after a gap of 3 weeks. Lovely three weeks. Spent among the hills of North- East India and South India. Must thank my nephew for insisting that I accompany them. If the Himalayas and its snow-clad peaks are a heavenly sight so are the mountain ranges of the Nilgiris in the south – the common feature being acres of tea gardens. For the second weekend outing to the Nilgiris, I hold my son and niece responsible.

Trust humans to spoil a good thing. Where there was a lot of discipline among the locals at both places; tourists have ruined Ooty as much as say Lonavla, Khandala or Mahabaleshwar in Maharashtra. Thankfully Sikkim has not faced much tourist onslaught and so is much cleaner. The air in these hill stations are so pollution free one doesn’t feel like returning to pavilion and the reality of daily routine. I am sure our Sadanand ji will be nodding in agreement being an avid traveller and having visited many such pristine locations. Hope I am right?

More about my travels some other time, I will get straight to the topic of this post.

This post is to wish the lady with the dazzling smile a very happy birthday. Unbelievable that she turned 51 yesterday. The dancer who out-dances her co-star without meaning to and effortlessly at that. But she is not all song and dance only; she is great in exhibiting all emotions with her eyes, face and voice. Just like the heroines of yesteryear, specially Madhubala, with whom she used to be constantly compared. Yes yes. I am speaking of Madhuri Dixit (now Nene). Having made her debut in movies through the 1984 Rajshri Productions ‘Abodh’ and tasting success with ‘Tezaab’, ‘Ram Lakhan’, ‘Tridev’, etc. she made a place for herself among the top-ranked heroines of Bollywood. Her teaming with Anil Kapoor, Sunny Deol, Sanjay Dutt, Govinda, Jackie Shroff (all the reigning stars of that period) was well received by the audiences. In the later half of the 90s she also teamed successfully with the 3Khans. She was lucky to have roles written specially for her as in Prakash Jha’s ‘Mrityudand’ and MF Hussain’s ‘Gaja Gamini’.

As much as I love Madhuri and her movies with their songs and dances, there are some songs of her’s which I don’t approve of. For example, her song in the movie ‘Anjaam’ – “Athraa Baras Ki Kunwaari Kali Thi. . . Choodi Tooti Chane Ke Khet Mein” or the song from ‘Khalnayak’ – “Choli Ke Peeche Kya Hai”; and then there is ‘Mera Piya Ghar Aaya O Ram ji” in ‘Yaarana’ or even “Dhak Dhak Karne Laga” from ‘Beta’. All these songs and some more of that type, which made Madhuri Dixit a dancing-star, are full of double meanings and were lapped up by the public. But there also is a greater number of Madhuri songs which are just as popular and have more ‘decent’ lyrics. For example, “Didi Tera Devar Deewana”, and her songs from ‘Devadas’, ‘Saajan’, ‘Sangeet’ etc. (no, I am not going to list her filmography here 🙂 ). The song with this post is one such song.

It is from Rajkumar Santoshi’s 2000 release ‘Pukaar’ (making a debut on the blog).  The main cast of this film is Madhuri with Anil Kapoor and Namrata Shirodkar and a supporting cast of Om Puri, Kulbhushan Kharbanda, Rohini Hattangadi, KD Chandran, Neeraj Vora, Danny and Prabhu Deva (just for a song). It is a well-made film based on espionage in the army and had a love triangle added for spice which gives the central characters a lot of scope to showcase their ‘sacrificing attitudes’. The songs are penned by Javed Akhtar and AR Rehman is the composer. This song is sung by Shankar Mahadevan and Kavita Krishnamurty. It is a stage show to celebrate some event in the army cantonment. The song shows Madhuri decently matching steps to Prabhu Deva’s vigorous dance. Anil Kapoor, Namrata and the other members of the cast are in the audience which join in towards the song’s climax.

Wish you a very Happy Birthday Madhuri!

Song – Que Sera Sera Sera, Jo Bhi Ho So Ho (Pukaar) (2000) Singer – Shanker Mahadevan, Kavita Krishnamurthy, Lyrics – Javed Akhtar, Kaly, MD – AR Rehman
Female Chorus
Male Chorus
All Chorus

Lyrics

naujawaano
baat maano
kabhi kisi se
na pyaar karna
naujawaano
baat maano
kabhi kisi se
na pyaar karna
hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho
hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho

pyaar zindagi
pyaar har khushi
pyaar jisne paaya hai,
wahi dil phool jaisa khila
pyaar galti hai
pyaar dhokha hai
pyaar dhalti chhaaya hai,
dekho phir na karna gila
oo oo
pyaar zindagi
pyaar har khushi
pyaar jisne paaya hai,
wahi dil phool jaisa khila
pyaar galti hai
pyaar dhokha hai
pyaar dhalti chhaaya hai,
dekho phir na karna gila
pyaar hi dhadakano ki kahaani hai,
pyaar hai haseen daastaan
pyaar ashqon ki deta nishaani hai,
pyaar mein hai chain kahaan
pyar ki baat jisne na maani hai
uski na to zameen hai na hai aasmaan
naujawaano
baat maano
kabhi kisi se
na pyaar karna
hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho
hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho

pyaar jaise hai purab-pashchim
pyaar hai uttar-dakkhin,
yahaan hai pyaar hi har disha
pyaar rog hai
pyaar dard hai
pyaar tode dil ek din
ye hi hai pyaar ka silsila
oo oo
pyaar jaise hai purab-pashchim
pyaar hai uttar-dakkhin,
yahaan hai pyaar hi har disha
pyaar rog hai
pyaar dard hai
pyaar tode dil ek din
ye hi hai pyaar ka silsila
pyaar se hi to rangeen jeevan hai
pyaar se hi dil hai jawaan
pyaar kaanto ka jaise koi ban hai
pyaar se hi gam ka samaan
pyaar se jaane kyon tum ko uljhan hai
pyaar to saari duniya pe hai meharbaan
naujawaano
baat maano
naujawaano

hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho
hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho

na na na na naujawaano
na na na na
na na na na
na na na na
na na na na
naujawaano
na na na na
na na na na
na na na na
na na na na
na na na na
na na na na
na na na na

hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho

hamein pyaar ka ho aasra
phir chaahe jo ho
hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho
hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho

pyaar pyaar pyaar pyaar pyaar pyaar

ok ok ok ok. . .

pyaar pyaar pyaar pyaar pyaar pyaar

hamein pyaar ka ho aasra
phir chaahe jo ho
hamein pyaar ka ho aasra
phir chaahe jo ho

hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho
phir chaahe jo ho
phir chaahe jo ho
phir chaahe jo ho


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3561 Post No. : 14279

Today’s song is from the blockbuster of the 90’s decade, ‘Hum aapke hain kaun’-94 (HAHK). The song ‘Didi tera devar deewana’ is sung by Lata Mangeshkar, S P Balasubramanyam and chorus. The Dev Kohli song is composed by Ramlaxman.

Many of the readers may find it difficult to digest that this comparatively ‘New’ song is discussed by a person who usually writes on ‘antiques ‘, i.e. songs from films of 30s and 40s. A solid jump of 50+ years ? Wonder pe Thunder ! You need not be surprised.

It is not that I do not like new films or songs, but nowadays everything about these films or songs is discussed on Print and TV media so much, that there is hardly anything left to write about. In any case, I have discussed earlier many songs from films of 80s,90s and 2000 and after that also. For example a song from film Lagaan-2001 was discussed,also from Zubeida-2000, Chameli ki shaadi-88 etc were discussed by me. In this connection, my favourite thinking is “Not all that was made before 1970 was good and not all that is made after 1970 is bad “.

These days I have lost patience to sit through 2 and more hours to watch a film, but I do have some new films listed as my favourites too. ( I saw these films in instalments,on TV). In recent times, few films impressed me no end. Film ‘Hum apke hai kaun'(hereafter called HAHK)-94 is one of them. I genuinely liked the film and few of its songs. The film came as a Puff of fresf air amidst the cluster of third rate meaningless movies. This Rajashri film totally fulfilled its purpose of clean entertainment. Though established in 1947, Rajashri films’ first noteworthy film was Aarti-62, followed by Dosti-64. From the 60s to the 80s, they gave many successful clean family entertaining films.

In 1988, Rajashri brought an era of Love stories that crossed class barriers. Film ‘Maine pyar kiya’-88 was a love story that touched hearts of youngsters. The film introduced a young Director Sooraj Barjatya ( grandson of the founder of RF) and also brought a star Salman Khan to make him a Superstar. It was his just second movie in career.

The same team came back in 5 years with HAHK and the film made all other hits like Sholey and Jai Santoshi Maa look like ‘also ran ‘! Few people know that HAHK is a remake of Rajashri’s own film “Nadiya ke paar-82”, starring Sachin, Sadhna Singh,Inder Thakur, Mitali etc etc. ( Inder Thakur died in Air India crash soon after.)

As is well known, the famous painter M F Hussain had crush on Madhuri. He saw film HAHK 85 times-as per a report in Indian Express (variously differing in other news portals from 60 to 90 times !). He then made a film ‘Gajgamini ‘-2000, with Madhuri. As expected, the film was a disaster at the Box Office. He also made lot many paintings of Madhuri ( she took payments per sitting).

As per a report in Indian Express, Madhuri got paid an amount of 2.75 crores for HAHK role of Nisha. It was also the first film to cross a collection of 1 Billion. With an investment of just 43 million, the film grossed 3.1 Billion in all. In 1994, mind you ! It was described as “the biggest Block Buster of Modern Era”. The film won Film Fare awards for Best Film, Best Director and of course best Heroine. It bagged the National award for Best popular film providing Wholesome Entertainment.

Why did the film become so captivating for the Indian audience ? The reasons could be…..

1. We like big business families with big houses with big lawns, so that Cricket can be played.
2. We love big weddings with all details,games,dance and music.
3. Nowadays, as a result of HAHK, no wedding is complete without Dance and music.
4. We love to see beautiful girls and handsome naughty boys falling in Love.
5. Comedy plots are a must.
6. Interesting characters like Anupam kher and Bindu.
7. New meaning for coughing…for young boys and girls.
8. Chhup Chhup ke Pyaar !
9. Active and clever Dog.
10. A Happy Ending !

Madhuri Dixit is my favourite actress ( but I am not MFHussain,please). Once I had a pleasure to get introduced to her when I went to a relative who stayed on the first floor of the same building where Madhuri stayed on second floor. She had come to them like an ordinary Marathi Mulgi in casual dress and still looked beautiful. Madhuri was born on 15-5-1967 and her first film was Abodh-84. She acted in 71 films. She came in limelight with her dance on song ‘Ek do teen…’from Tezaab-88. It was choreographed by Saroj khan. Same year she did a controversial scene with Vinod Khanna in film “Dayavaan”-88. In 1993, she created waves with her dance and song “Choli ke peeche..” in film Khalnayak. This too was choreographed by Saroj khan. Her last film released is ‘Total Dhamaal”-2018, directed by Inder Kumar.

Salman khan ( Abdul Rasheed Salim Salman khan) was born on 27-12-1965. Except for his first 2 films, I never liked him, as an actor and a human being. That of course is besides the point. His films mostly run full houses. Till today he acted in 106 films,his latest being Loveratri-2018. 2 films are slated for release in 2019 already.After success of these 2 initial films, Salman khan thought that the Filmy name of ‘ PREM ‘ was lucky for him. Subsequently, till 2015, he has used name PREM in 15 films. ( by the way, Amitabh Bachhan used the name VIJAY in 20 films till 2010, Jeetendra used it in 18 films and Mithun used it in 16 films.)

The film’s music played a major role in its success. The Music Director was Ramlaxman. Originally, it was a team of two brothers- elder was Surendra and the Younger was Vijay Patil. They used to be a part of professional orchestras, doing public shows all over Maharashtra. The popular and very successful Comedian of Marathi cinema- Dada Knodake was impressed with the duo and offered them his film, ” Pandu Havaldar-75″. It was Dada Kondake who gave them the name Ram Laxman since they were brothers. Film’s music became very popular and they gave music to Dada Kondke’s 11 films in a row, from 75 to 82. Their first break for Hindi films came in 1977 with Agent Vinod.

The elder brother expired immediately after their first film itself, due to Jaundice. Vijay decided to continue the name Ramlaxman. His first major break in Hindi came after 25 films. ‘ Maine Pyar Kiya”-89 was a Musical hit film. Within next 5 years and another 25 films he gave music to HAHK. This time he hit Gold. The success was unprecedented and long lasting. Till 2016, he gave music to 61 Hindi films, with 433 songs to his credit. Side by side, he was doing Marathi films also. From 1975 to 2011 i.e. in 36 years, he did 37 Marathi films.

The story of Hum Apke hai kaun-94 was–

It is a very simple plot. Mohnish Behl ( Rajesh Nath) and Salman ( Prem Nath)are brothers raised by their bachelor uncle Alok Nath ( Kailash Nath). Alok Nath arranges an engagement for Mohnish Behl with Renuka Shahane ( Pooja), daughter of his old friends Anupam Kher ( Prof. Sidharth Caudhary) and Reema Lagoo ( Mrs. Chaudhary). At the engagement, Salman meets Renuka’s younger sister Madhuri ( Nisha). Through the engagement, marriage, and then preparations for the birth of Renuka and Mohnish’s first child, Salman and Madhuri secretly flirt and become closer and closer. Finally, they reveal their love to Renuka who immediately approves and declares her plan to arrange their engagement (in her role as the oldest female in Salman’s family). But before she can tell anyone else, she dies after a tragic fall, leaving her son motherless. In an effort to provide a mother for the baby, Alok suggests to Anupam and Reema that Mohnish should marry Madhuri. Madhuri at first misunderstands them to mean Salman. However, even when she learns the truth, she decides not to say anything as it has brought so much joy to everyone to plan this wedding. Salman understands and accepts her decision. At the last moment, the truth is revealed, through a Dog Redo ( Tuffy ). The families understand immediately the purpose of their sacrifice and applaud them for making it, but insist that it is purposeless, Madhuri can move into the household as an aunt rather than a mother to this orphaned baby. Happy Ending with another wedding.

Today’s song ” Didi tera devar deewana” was easily the most popular song of the film ( though I like ” Paise de do joote le lo” more), out of the 14 songs the film had.This number (14) was much above the average number of film songs per film during a period from 1950 onwards- that is about 45 years. The film too was longer than average films. It was 3 hours and 43 minutes running time. Very few people know that this song was ‘ inspired’ ( read copied) from the song ” Saare Nabian”, sung by Ustad Nusrat Fateh Ali Khan. The song tune was forced upon the composer by the producers and the director. The film’s album sold like hot cakes.

Let us now enjoy the teasing song, which is easily one of the longest songs spanning 7m and 38 seconds.

( Credits- Some of the materials for the above article is used from Times of India, Indian Express, Rediff.com, dontcallitbollywood.com,Marathi Chitrapat Sangeetkar kosh, wikipedia,muVys and Encyclopedia of Indian Cinema. Thanks.)


Song-Didi tera dewar deewaana (Hum Aapke Hain Kaun)(1994) Singers-Lata Mangeshkar, S P Balasubramanyam, Lyrics-Dev Kohli, MD-Ram Laxman
Chorus

Lyrics

laa lalala
lailailailai
laalala
laalalaa
lailailailai
laalala

didi tera devar deevaana
ho didi tera devar deevaana
haay raam
kudiyon ko daale daana
haay raam
kudiyon ko daale daana

dhandha hai ye uska puraana
arre dhandha hai ye uska puraana
haay raam
kudiyon ko daale daana
haay raam
kudiyon ko daale daana

laalalala
lailailailailaalalaa
laalalala
lailailailailaalalaa

main boli ke laana tu imli ka daana
magar vo chhuhaare le aaya deevaana
main boli ke machle hai dil mera haaye
vo kharbooja laaya jo nimbu mangaaye
pagla hai koi usko bataana
arre pagla hai koi usko bataana
haay raam
kudiyon ko daale daana
haay raam
kudiyon ko daale daana

oy hoy hoy hoy
didi tera devar deevaana
haay raam
kudiyon ko daale daana

laalalalaa
lailailailailaalalaa
laalalalaa
lailailailailaalalaa

main boli ki laana tu mitti pahaadi
magar vo bataashe le aaya anaadi
main boli khilaa de mujhe tu khataai
vo baazaar se leke aaya mithaai
hmm mushqil hai yoon mujhko phansaana
ye mushqil hai yoon mujhko phansaana
haay raam
kudiyon ko daale daana
haay raam
kudiyon ko daale daana

ui maa
didi tera devar deewaana
haay raam
kudiyon ko daale daana

hoy hoy hoy hoy haan re haan
hoy hoy hoy hoy haan re haan

bhaabhi teri bahna ko maana
o bhaabhi teri bahna ko maana
haay raam
kudiyon ka hai zamaana
haay raam
kudiyon ka hai zamaana
rabba mere mujhko bachaana
o rabba mere mujhko bachaana
haay raam
kudiyon ka hai zamaana

hoy
haay raam
he he he he he
kudiyon ka hai zamaana

pappa papa
tururururururu
pappa papa
tururururururu
hukum apka thha
jo maine na maana
khataavaar hoon main
na aaya nibhaana
saza jo bhi doge
vo manzoor hogi
aji meri mushqil
tabhi door hogi
banda hai ye khud se begaana

hey
aji banda hai ye khud se begana
hey hey hey hey hey
haay raam
kudiyon ka hai zamaana

haay raam
kudiyon ka hai zamaana
haay raam
kudiyon ka hai zamaana
haay raam
kudiyon ka hai zamaana
haay raam
kudiyon ka hai zamaana
hahahahahaha


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in atuldom.

This kingdom called Atulsongaday is eight years complete and it is running in its ninth year. It has covered 12725 songs from 3570 movies out of which 850 have all their songs posted. This is no mean feat.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Greetings to Dear Lord Ganesh on the celebration of His birthday today.
Good wishes of auspiciousness, prosperity and happiness to all readers and friends – may your household be blessed with His presence, today and always.

Lord Ganesh – probably the most recognized representation of the Sanaatan Dharm.  With a form that is like an elephant from neck above, His image is the most easily identifiable, in the entire pantheon of the Gods of our Dharm.  Around the globe, this image with the trunk and ears of an elephant is the most easily associated icon with our country and our belief systems.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs have become an integral part of Hindi films since the advent of talkies in 1931. In the early 1930s, most of the Hindi film songs were influenced by the Hindustani classical ragas. This was understandable as most of the music directors of that period had exposure to Hindustani classical music. However, from the 1940s, songs based on semi-classical genres such as Thumri, Dadra, Khayal and folk music began to playe a predominant role in Hindi film music. The impact of Begum Akhtar on film music was evident as even ghazals were sung in thumri format in the films. At the same period, Kolkata based music directors were greatly influenced by Rabindra Sangeet while composing Hindi and Bengali film songs.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Hi all

I am discussing another great to watch Jodi today. Anil Kapoor and Madhuri Dixit. This is on farmaish from my daughter. She feels that they did some great work together in “Beta”, “Ram Lakhan”, “Kishen Kanhaiya”, “Khel” etc. These two acted together for the first time in “Tezaab” and Anil Kapoor has said in some interview a long time back that he was so impressed by the (then) young and hard working Madhuri that he recommended her to Subhash Ghai for the then under making “Karma”. And it seems they even shot a whole song after which Ghai thought that it was not wise to waste such a lot of talent for a guest appearance song and took her on for his next “Ram Lakhan”.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I am on a different thought track today. I was thinking of the approaching birthday season in my family. Thats what I call it as 3 from a family of 4 have their birthdays in the 15 day period from 23rd December to 6th January. My daughter leads the pack and son (he is the older one) brings up the rear. So I was down memory lane thinking of the time when they had just begun to walk, talk, sing or dance etc. So that put me on to the song I want to discuss today. This was a song to which my one year old daughter first shook her leg for.
Read more on this topic…


Advertisements

Important Announcement

(© 2008 - 2018) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14600 song posts by now.

This blog is active and online for over 3700 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14650

Number of movies covered in the blog

Movies with all their songs covered =1147
Total Number of movies covered =4002

Total visits so far

  • 10,808,163 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,626 other followers

Bookmark

Bookmark and Share

Category of songs

Current Visitors

Archives

Stumble

visitors whereabouts

blogcatalog

Music Blogs - BlogCatalog Blog Directory

blogadda

Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

Advertisements
%d bloggers like this: