Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Arunkumar Deshmukh’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6219 Post No. : 19215

Today’s song is from a failed, potent comedy film Andher Nagari Chaupat Raja-1955.

The film was made by Chitramahal, Bombay and produced by Ashalata Biswas- ex wife of Music Director Anil Biswas. Though she had separated from Anil Biswas in 1954 itself, she continued using his surname till she was in films. The film was directed by Shamim Bhagat, about whom my guess is that he may be Ashalata Biswas’s brother. Her name before marriage was Meharunnisa Bhagat. The Music Director of this film was Avinash Vyas, ably assisted by Sanmukh babu Upadhyaya, who later on became an independent MD for film Lalkar-1956. He gave music to only 7 Hindi films, mostly B and C grade films. The cast of the film was Chitra, Amarnath, Gope, Umadevi and many others.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6218 Post No. : 19210

Today’s song is a chorus song from the Mythological film Hanuman Patal Vijay-1951.

I liked to see and enjoyed Mythological films. This was primarily due to the exposure to such films since early childhood. Thanks to the elders in our huge joint family, I got appointed as their caretaker who would take a group of elders to see such films. That is why from childhood I developed a religious mindset. However, my father ensured to impress on me that Religion is strictly a personal matter and one must decide how much importance one should give to Religion in one’s life. I have followed this principle till today and I treat all religions with the same reverence. Excess or exhibition of Religion must be avoided. This is my opinion.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6217 Post No. : 19205

Today’s song is from the film Alladin ka Beta-1955.

Can there be a child who has not read the story of Alibaba or Alladin or Sindbad the sailor ? All of us have read these stories in our younger days,but not many know that these stories are from ‘Arabian Nights’ or ‘The 1001 Nights’.

These are collections of stories from West and south Asia.The history of this book is very complex.Suffice to say that it is a composite work and that the earliest tales came from India and Persia. Perhaps in the 8th century,these were translated into Arabic and authors from every generation went on adding stories to it. However,the basic Frame story remains the same for centuries.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6216 Post No. : 19202

Today’s song is from the film Babuji-1950.

The film was made by Uday Productions, Bombay. It was a regular stunt film from the stable of Master Bhagwan – who had done a great job of keeping this genre alive through the 1940’s. In the beginning of the 1950s, Bhagwan turned to making social films, with the Blockbuster musical film Albela-1951.

Bhagwan was elated highly with the unexpected success of his foray into the social Genre and he went on making such social films. He had, however, not realised that 10 Albela was a novelty for his captive audience and 2) 75 % success of Albela was due to superb music by C.Ramchandra, who was at the pinnacle of his career that time !
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6215 Post No. : 19198

Today’s songs from an unknown or a less known film – Paisa-1941. This was the first film, having the first word ‘Paisa’ in its title. After this film, every decade, there were films having the word Paisa in its title. In 1956 – Paisa hi Paisa, in 1957- Paisa, in 1969- Paisa ya Pyar, in 1974- Paise ki Gudiya, in 1985- Paisa yeh Paisa, in 1992- Paise ke Peechhe, in 2001- Paisewali, and in 2004- Paisa Vasool. Obviously, the importance of Paisa had established itself in the film industry !

Film Paisa-1941 was one of those Bilingual films (Hindi and Marathi), which just came and went without making a noise. Even the Marathi version, it seems, had the same fate. I have not seen this film and actually came to know about this film only after I purchased the HFGK Volume-2.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6213 Post No. : 19188

Today’s song is a duet from the film Aage Kadam-1943.

The greatest problem with the old films is that many times information on some films is not available at all. Even the film booklet is not available. All that is known about them is what is given in the HFGK. Some of the actors and actresses are not familiar and to get their information is almost impossible. While writing about their songs, this becomes a challenge. We have to then discuss whatever is available at hand.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6208 Post No. : 19167

Today’s song is from a dubbed film Ek Tha Raja-1951.

I consider myself a mixture of south and marathi culture. From childhood, I grew up in an atmosphere which was truly cosmopolitan – in Hyderabad state. Exposure to south customs and following a Marathi lifestyle. My paternal grandparents stayed with us. My father, uncles and aunts addressed my grandmother as ‘Amma’, a typical way of calling mother in southern style. However, I called my mother as “Aai”, like a Marathi kid !

To be a multilingual person is good. Knowing more languages-not just knowing, but speaking many languages has its own advantages. I had the built in advantage of having been born in a Multilingual state of Hyderabad. Starting with Urdu, I soon learnt Marathi(Mother tongue), Hyderabadi and Pure Hindi, Telugu and Kannada. Because of my father, I learnt Sanskrit, but could not master it, though I am well conversant in it. After coming to Bombay,I learnt Gujarati so well that I can read Gujarati papers, books and E Mails etc.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6207 Post No. : 19165

Today’s song is from the Cult film Ram Rajya-1943.

This is one film which I must have seen many times. I was too young when it was released, but in its “n’th run during the 1949 to 1954 period, I led the groups of seniors in the family to see the film several times. My friends used to laugh at me and ask if I was not bored. Honestly, I was never tired of seeing this film.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6206 Post No. : 19163

Today’s song is from the Mythological film Navratri-1955.

Made by Bhagyodaya Pictures, Bombay, it was directed by Raman B. Desai. It was produced by R.U.Patel and Natwar Shyam. The music was by the king of Melody – Chitragupt, ably assisted by Dilip Dholakia. The cast of the film was Nirupa Roy, Manahar desai, Sapru, S.N.Tripathi, Lalita Pawar, Kumkum etc. Songs were by G.S.Nepali (6) and Bharat Vyas (2).

Two major actors, who featured in many religious films in Hindi were Manhar Desai and Shahu Modak. You may be surprised to know that both were Christians. Actors who were not Hindus and doing Hindu Gods’ roles in Hindi films, is not new. I remember, there was an actor, Syed Hasan Ali Zaidi aka Mijjan Miyan, with New Theatres, Calcutta. He did the role of Bhakta Pooran in a film with this title in 1933. Just before the release of the film, there were communal riots in Calcutta.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6205 Post No. : 19161

Today’s song is from the film Naulaakha Haar-1953.

Making films on folklore – well known or less known – is easy, because a lot of liberties can be taken while making the film. There is no copyright or any authentic version of any folklore. The same story may circulate in different regions/states in a different garb. Film Naulaakha Haar-1953 was also based on the love story of Alha- Udal.
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