Archive for the ‘Post by Sadanand Kamath’ Category
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6366 | Post No. : | 19744 |
‘Jumbish’ (1986) was produced and directed by a newcomer, Salahuddin Parvez who also wrote the story, screenplay, dialogues and lyrics for the film. Surprisingly, he had no connection with the film industry. He was an Urdu poet and writer having published 13 books of his poems and 3 novels. In this film, Akbar Khan and Padmini Kolhapure acted in lead roles.
I have already covered the story of the film in details in one of my earlier articles on the film, the link of which is here. The theme of the story is that since time immemorial, there has always been the tug of war between divines and devils in the world, the former wanting the peace and prosperity on an enduring basis and the latter worked to sabotage the same. This tug of war will go on in future also. But on every occasion, it is the peace-loving people who will be the ultimate winner.
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Tum na maano magar haqeeqat hai
Posted on: December 20, 2025
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6364 | Post No. : | 19736 | Movie Count : |
5170 |
‘Aurat Pair Kee Jootee Naheen Hai’ (1985) was produced by B K Adarsh and was directed by Prithviraj Chatterjee. The cast included Marc Zuber, Deepti Naval, Gulshan Grover, Sachin, Satyen Kappu, Anjali Sen, Goga Kapoor, Jagdeep, Brahm Bhardwaj, Shivraj, Dulari, Vikas Anand etc.
The VCD of the film is available on one of the video sharing platforms but with a poor quality of video. It is obvious from the title of the film that it is a feminist film. Before watching the film, I read the synopsis of the story which gave me an impression of tackling the feminist subject in an amateurish way. But a ghazal in the film forced me to watch the film. I am happy that despite a poor quality of video, I have watched the film in one sitting and felt satisfied the way the theme was handled in a matured way without the additional doses of songs and sub-plots. The story of the film was written by B K Adarsh and probably it was his first film (out of about 15 films he produced) which tackled an important social issue. Unfortunately, the film failed badly at the box office.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6361 | Post No. : | 19725 |
In this short write-up, I present the last song, ‘aaya hoon gharbaar chhod main ban ne filmi star’ to be covered on the Blog from an obscure film, ‘Bahke Kadam’ (1971). The song is written by Dharmesh Dutt which is set to music by Usha Khanna. The film was produced and directed by Dharmesh Dutt who also acted in the film and wrote the songs. The cast included Agha, Aprajita, Dharmesh Dutt, Madan Puri, Jagirdar, Sundar, Mridula, Sulochana, Kanu Roy etc. This appears to be the only film of Dharmesh Dutt as a producer, director, actor and song writer. The VCD/DVD of the film is not available on any video sharing platform.
The song under discussion is rendered by Mohammed Rafi. Since video clip of the song is not available, I can only make a guess based on the lyrics that the song may have been picturised on Agha. Two features of this song are that in the last stanza, suddenly the mukhda part of the song, ‘dil dekhe dekho’ gets incorporated. Incidentally, the old song was also rendered by Mohammed Rafi and set to music by Usha Khanna.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6360 | Post No. : | 19722 |
In this short write-up, I present a duet song, ‘gulaabi nazaare nazaare gulaabi’ rendered by Mohammed Rafi and Suman Kalyanpur from an obscure film, ‘Lakhpati’ (1991). It was the only film produced and directed by Jal Baliwala. The film was certified by Censor Board on April 5, 1991, but it could not get the theatrical release. Later, the film was released on VCD. I have given the story of the film in my earlier article while covering the song, nashe mein choor nazar hai mujhe.
The musical composition of at least three songs including the one under discussion gives a feel of the golden period of Hindi film music of 1960s and I am not completely off the mark. Music director, Iqbal Qureshi came into prominence in the 1960s. Lata Mangeshkar was not singing with Mohammed Rafi in most part of 1960s. The song under discussion is a duet of Rafi with Suman Kalyanpur.
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Dil dil se milegaa
Posted on: December 15, 2025
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6359 | Post No. : | 19718 |
Hrishikesh Mukherjee has been known to make the family-oriented and ‘slice of the life’ types of films such as ‘Anuradha. (1960), ‘Anupama’ (1966), ‘Aashirwaad’ (1968), ‘Satyakam’ (1969), ‘Anand’ (1970), ‘Guddi’ (1971) and many more. When the film, ‘Sabse Bada Sukh’ (1972) was announced to be produced and directed by Hrishikesh Mukherjee, it became a topic of discussion in the film magazines at that time because it was a sex comedy which was a departure from the usual theme of his films. It was a low budget film probably because Hrishikesh Mukherjee was taking a risk of experimenting with a story which was out of his comfort zone. The cast included Vijay Arora, Faiyyaz, Robi Ghosh, Naarghita, Rajnibala, Utpal Dutt, Asrani, Keshto Mukherjee, Tarun Ghosh, Meena Rai etc.
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- In: "Mehmood" song | Artist century song in blog | Century songs for the blog | Dance song | Duet | Guest posts | Manna Dey Rafi duet | Manna Dey songs | Movie not mentioned in HFGK | Post by Sadanand Kamath | Rafi songs | Song from unreleased movie | Song not figuring in HFGK | Song unlisted in HFGK | Songs from Unreleased Films of 1960s | Songs of 1960s (1961 to 1970) | Songs of 1961 | Songs of 1980s (1981 to 1990) | Songs of 1983 | Songs reused again in subsequent movies | Yearwise breakup of songs
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article marks the 600th song post of Chitragupta in the blog as a music director.
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6357 | Post No. : | 19710 | Movie Count : |
5167 |
In this article, I am presenting a song, ‘suno aye duniyawaalon ek naya paighaam laaya hoon’ from an incomplete film, ‘Naya Mandir’ (1961). It was directed by Kishore Sahu. It had Manoj Kumar, Mala Sinha and Mehmood in main roles. I came to know of this song on the audio album of ‘Film Hi Film’ (1983). Unfortunately, this song seems to have been deleted from the VCD of the film available on one of the video sharing platforms. Since video clip of the song is available in continuation of the scene from ‘Film Hi Film. (1983), it can be construed that the song was included in the film.
Shahab Ahmed, the producer of ‘Film Hi Film’ (1983) had earlier produced ‘Cinema Cinema’ (1979). During his visit to Bombay Film Laboratory, he was astonished to see cans of more than 2000 unfinished films lying in the laboratory. Shahab Ahmed thought that a lot of efforts had gone into making these films which unfortunately remained incomplete for various reasons. So, he came with the idea of incorporating scenes and songs from a few select incomplete films to make a full-length feature film [Source: ‘…and Pran’ (2005) by Bunny Rueben].
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O sanam mera saathh denaa
Posted on: December 12, 2025
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6356 | Post No. : | 19705 |
‘Beqasoor’ (1969) was produced by Vijaykumar and was directed by Kamran. The cast included Dara Singh, Sanjana, Sham Kumar, Maruti, Ulhas, Ratnamala, Habib, V Gopal, Sadhana Khote, Dilip Dutt, Madhumati, Meenakshi etc. It was ‘B’ Grade action-thriller film. Dattaram composed the songs of the film during his waning career as a music director.
Dattaram Wadkar (1929 – 08/06/2007) predominantly worked with Shanker-Jaikishan (about 70 films) as his music assistant, taking care of the rhythm section of the songs during 1953-77. During this period, he also independently worked as the music director in 19 films spread over between 1957 and 1971.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6355 | Post No. : | 19702 |
‘Sindbaad The Sailor” (1952), also known as ‘Sindbaad Jahaazi’ was produced by Balwant Bhatt under the banner of Deepak Pictures and was directed by his brother, Nanabhai Bhatt. The cast included Naseem Bano, Ranjan, Nirupa Roy, Pran, Jayant, Bhagwan, Yashodhara Katju, Samson, etc. In some places including the poster of the film, Sindbaad is written/printed as ‘Sinbad’. The Arabic name is ‘Sindibaadu’. So, using the title of the film as ‘Sindbaad The Sailor/Sindbaad Jahaazi’ seems appropriate.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6354 | Post No. : | 19698 |
Today, December 10, 2025, is the 24th Remembrance Day of Kumudlal Ganguly, well-known by his screen name, Ashok Kumar (13/10/1911 – 10/12/2001), the first super star and the Bhishma Pitamah of Hindi films. He was conferred the Dadasaheb Phalke Award in 1988 for his contributions to Indian Cinema and Padma Bhushan Award in 1999.
Ashok Kumar was the eldest among four siblings and his father, a practicing lawyer in Khandwa wanted him to follow his profession. He was admitted to a law college in Kolkata where he may have been influenced by New Theatres films thus creating his interest in cinema. But his interest was confined to the technical side of the film making. He joined The Bombay Talkies as a laboratory technician where his brother-in-law (sister’s husband), Sashadhar Mukerji was a sound engineer and production manager in 1934.
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Man naaheen laage mitwaa
Posted on: December 9, 2025
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6353 | Post No. : | 19696 |
In Sindhudurg district of Maharashtra and in Goa, there used to be Devdasi (servants of God) customs under which select girls (especially trained singers and dancers) were attached to local temple for temple duties. Since they were regarded as wedded to the deity of the temples, they were expected to live a life of celibacy. They were supported by the patrons of the temple which included royalties. However, with the abolition of royalties, the Devdasi custom as envisaged in the beginning came under financial strain, forcing them to rely on rich patrons, sometime becoming their mistresse. The girls born out of such relationship were initiated into Devdasi customs.
In 1970, Jaywant Dalvi, a Marathi novelist, playwright and journalist, who was from the South Konkan region, published his novel, ‘Mahananda’ highlighting the burning issues in Devdasi customs in the Konkan region of Maharashtra as evolved over a period of time, now almost extinct. The story is about a city-based college lecturer, Babulnath (Babul for short). He while on a visit to his native village, falls in love with Mahananda (Mannu for short), a daughter born out of Devdasi custom. However, her mother opposes their marriage as Mahananda is destined to serve the temple as Devdasi. It is a tragic love story which is doomed from the beginning due to societal pressures and superstitions resulting in the emotional turmoil for the affected lovers. The end result is that Mahananda is betrayed by her own mother due to her superstitions and later by Babul due to his timid nature though he remains unmarried.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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