Archive for the ‘Post by Sadanand Kamath’ Category
Nange baazoo nangi taangen
Posted on: October 27, 2021
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4849 | Post No. : | 16639 |
This is the tale of a Hindi film director whose first film he wrote and directed, became a super hit. Unfortunately, he also reached the pinnacle of his career as a director with his very first film. The reason was that none of his subsequent films could achieve the same scale of successes as was with his first film. He was associated with Hindi films as a director for nearly 3 decades, but he directed only 6 films. During the same period, he also produced 3 films. His name was Ram Krishna Nayyar, better known in Hindi film industry as R K Nayyar. In my view, he was a director whose expertise was in directing films in the genre of romantic mystery thriller.
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Man bhaawan sangeet suhaawan
Posted on: October 24, 2021
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4846 | Post No. : | 16634 |
The song, tum jo aao to pyaar aa jaaye zindagi mein bahaar aa jaaye was from a ‘B’ grade film, ‘Sakhi Robin’ (1962) sung by Manna Dey and Suman Kalyanpur. The song was written by a then struggling lyricist, Yogesh Gaud which was set to music by Robin Banerjee who was trying to establish himself as the music director in Hindi films but did not succeed. If this song was to appear in an ‘A’ grade film, probably this duet would have been sung by Mohammed Rafi or Mukesh with Lata Mangeshkar. Another popular song, na jaane kahaan tum thhe na jaane kahaan ham thhe from ‘Zindagi Aur Khwaab’ (1961) was sung by Manna Dey with Suman Kalyanpur set to music by Dattaram who was also trying his best to graduate from assistant to Shankar-Jaikishan to an independent music director since 1957.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4840 | Post No. : | 16627 |
‘Ye Gulistaan Hamaara’ (1972) was produced and directed by Atma Ram under the banner of Guru Dutt Films Combined. The star cast included Dev Anand and Sharmila Tagore in the lead roles supported by Pran, Iftikhar, Sujit Kumar, Johny Walker, Jaishree T, Lalita Pawar, Kanan Kaushal, Ramesh Deo, Raj Mehra, Keshav Rana, Janakidas etc.
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Jaanam yahaan koi nahin
Posted on: October 17, 2021
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4839 | Post No. : | 16625 | Movie Count : |
4589 |
In Hindi film industry, there have been many ‘rags to riches’ stories since its inceptions. There were instances where ‘rags to riches’ went back to their ‘rags’ status because they could not prudently handle their wealth and the fame. On the other hand, there are instances who could retain their rich status thanks to their dedication to work as well as prudent financial planning. One of them was Chandrashekar Narvekar, who is known in Hindi film industry as N. Chandra (born 04/04/1952).
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Deewaangi ye pyaar ki
Posted on: October 15, 2021
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4837 | Post No. : | 16621 | Movie Count : |
4588 |
‘Sonal’ (1973) was an obscure film which was produced under the banner of A K Productions. The film was directed by Prabhat Mukherjee. The star cast included Mallika Sarabhai and Jatin Khanna in the lead roles supported by Iftikhar, Gajanan Jagirdar, Sulochana, Sona, Gurnam Singh, Tarun Ghosh etc. It was debut film for Mallika Sarabhai and Jatin Khanna. The film’s censor certificate was issued on December 26, 1973. I am not sure if the film was released.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4835 | Post No. : | 16618 |
koi aaghe aaghe thhi venu vaay chhe
Thus sang the Nightingale of Gujarat, Kaumudi Munshi, who is regarded as the pioneer in popularising the semi-classical non-filmy songs in Gujarati.
Today, October 13, 2021 is first Remembrance Day of vocalist, Kaumudi Munshi, the Gujarat Kokila who regaled her Gujarati admirers spread all over the world with her beautiful renditions of semi-classical non-film songs. She sang in the genres of bhajans, ghazals, thumris, dadras and other forms of ‘sugam sangeet’ in Gujarati and Hindi for over 6 decades.
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Saanwariyaa re saanwariyaa
Posted on: October 7, 2021
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4829 | Post No. : | 16608 |
‘Anjaan’ (1941) was produced under the banner of Bombay Talkies and was directed by Amiya Chakraborty who made his debut as a director with this film. The star cast included Devika Rani and Ashok Kumar in the lead roles supported by Girish, P F Pithawala, V H Desai, Gulab, David, Fatty Prasad, Yusuf Suleiman, Master Suresh, Baby Madhuri, Rewashankar, Arun Kumar etc. For Devika Rani, it was her ‘comeback’ film after her last film ‘Durga’ (1939) and after the death of her husband, Himanshu Rai in 1940.
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Ek anaar aur sau beemaar
Posted on: October 5, 2021
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4827 | Post No. : | 16606 |
‘Sipahsalar’ (1956) was produced by F C Mehra under his banner, Eagle Films and was directed by Mohammed Hussain. The star cast included Shammi Kapoor and Nadira in lead roles supported by Kamal Kapoor, Sham Kumar, Samson, S Nazir, Cuckoo, Helen, Kumkum, Uma Dutt, Jagdish Kanwal, Rajan Kapoor etc. It is apparent from what I have seen from a few photographs of the films on the internet that the film belongs to the genre of costume drama.
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Hansi chaand ki aaj niraali
Posted on: September 28, 2021
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4820 | Post No. : | 16593 |
In the early 1940s, New Theatres (NT) was going through some lean period as some of its films like ‘Meenakshi’ (1942), ‘Saugand’ (1942), ‘Kashinath’ (1943), ‘Waapas’ (1943) etc could not garner box office success. During this period, there were exodus of some of the artists and technicians from NT to Bombay. In this background, NT produced ‘Udayer Pathe’ (1944) in Bengali with some new artists, new technicians and also with a new director, Bimal Roy who was the Cinematographer and the Editor with NT. The film became a big box office success, recouping to some extent the lost glory of NT.
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Aisa des hamaara santon
Posted on: September 16, 2021
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4808 | Post No. : | 16576 |
Few days back, I came across an obscure song rendered by Janardan Tanjorkar from the film ‘Kuchh Naya’ (1948). The surname ‘Tanjorkar’ sounded odd to me. It was apparent that Janardan was from Tanjore (now Thanjavur). But why did he use a Maharashtrian sounding surname? Was he a Maharashtrian whose family migrated to Thanjavur during the reign of Marathas in the 17th and 18th centuries? A search on the internet revealed a very interesting family background of Janardan Tanjorkar.
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