Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Sadanand Kamath’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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4131 Post No. : 15290 Movie Count :

4255

Hindi Songs in Bangla Films – 6
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A couple of months’ back, I had come across a Hindi song ‘ruke ruke se kadam’ from a Bangla film, ‘Laal Pathore’ (1964) sung by Mubarak Begum under the music direction of Salil Chowdhury. I could not locate the picturised version of the song. The tune of the song gives me an impression that it is picturised as a mujra song. While it was a new song for me, the ‘mukhda’ of the song sounded familiar to me. Oh! Yes. It was the more famous song, ruke ruke se kadam from ‘Mausam’ (1975) sung by Lata Mangeshkar under the music direction of Madan Mohan. Both the songs have almost the same lyrics which are accredited to Gulzar. So, it is one song, composed in two tunes by two different music directors, depicting two different emotions.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4128 Post No. : 15285 Movie Count :

4253

Hindi Songs in Bangla Films – 5
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What is the common between the Hindi film song, “Jaa Tose Naahin Boloon Kanhaiyya from ‘Parivaar’ (1956) and a devotional song in Sanskrit,  “Vatapi Ganapatim Bhaje”?  The answer is that they are based on Carnatic Raag Hamsadhwani (also written as Hansadhwani).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

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4123 Post No. : 15277 Movie Count :

4247

Hindi Songs in Bangla Films – 4
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For the general Hindi film audience, Suchitra Sen (real name: Roma Dasgupta) is synonymous with her lead roles in ‘Bambai Ka Babu’ (1960) with Dev Anand, ‘Mamta’ (1966) with Ashok Kumar and ‘Aandhi’ (1975) with Sanjeev Kumar. The second category of audience with academic interest in Hindi films will add four more of her Hindi films – ‘Devdas’ (1955) in the role of Paro with Dilip Kumar, ‘Musafir’ (1957) with Shekhar, ‘Champakali’ (1957) with Bharat Bhushan and ‘Sarhad’ (1960) with Dev Anand. Those in the latter category of Hindi film buffs would also know that Suchitra Sen worked in many Bengali films and the Bengali film audience loved to watch their favourite on-screen couple, Suchitra Sen and Uttam Kumar.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4115 Post No. : 15268 Movie Count :

4241

Hindi Songs in Bangla Films – 3
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I came to know about actress Chhaaya Devi for the first time some time in 2011 when I found her name mentioned in Kidar Sharma’s autobiography, ‘The One And Lonely Kidar Sharma’ (2002) in the context of the shooting of the film ‘Vidyapati’ (1937). At that time, I thought her to be one of many female actors connected with New Theatres who had short acting career. For me, the only female actor of that time who mattered in Kolkata film industry was actor-singer Kanan Devi. What a wrong impression I had about Chhaya Devi when I came to know later that she had a long filmy career of over 5 decades – both in Bangla and Hindi films.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4111 Post No. : 15262 Movie Count :

4238

Hindi Songs in Bangla Films – 2
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The troika of Satyajit Ray, Ritwik Ghatak and Mrinal Sen had taken Indian cinema to a great height from the 1950s onward. They were regarded as the harbinger of the new wave cinema, also called the parallel cinema. They were all from Bengal and made the films mostly in Bengali. But they had not only had the pan India reach but also, they were globally famous through their films. They won many awards – both National and International.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4098 Post No. : 15244 Movie Count :

4234

Films are regarded as director’s medium. He is like a captain of the ship. It is the director’s responsibility to make his film successful – critically as well as financially.

A film director may have directed many successful films but he will generally be known by his one classic cult film. For instance, when we talk about PC Barua, ‘Devdas’ (1935) comes to our mind first though he had directed other successful films like ‘Mukti’ (1937) and ‘Jawaab’ (1942).  In case of Mehboob Khan, it is ‘Mother India’ (1957) though he had directed many successful films in the 1940s. K Asif and ‘Mughal-e-Azam’ (1960), Guru Dutt and ‘Pyaasa’, (1957) and Kamal Amrohi and ‘Pakeezah’ (1972) are inseparable. In the international arena, Raj Kapoor is known more for his film, ‘Aawaara’ (1951) than other equally successful films. This is not an exhaustive list.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4092 Post No. : 15234

hamaare baad ab mehefil mein afsaane bayaan honge
bahaaren humko dhoondengi na jaane hum kahaan honge

rahen naa rahen ham mehakaa karenge
ban ke kali, ban ke sabaa, baag e wafaa mein

ek din bik jaayega maati ke mol
jag mein reh jaayenge pyaare tere bol
duje ke hothon ko dekar apne geet
koyee nishaanee chhod, phir duniya se dol

These three songs of Majrooh saab and some more are of the eminence that would have been categorised as poems of repute if they were not film songs.

Remembering Majrooh Sultanpuri (01/10/1919 – 24/05/2000) today on his birth centenary. In fact, Majrooh Saab’s birth centenary celebrations commenced on September 30, 2018 with a 2-day National Seminar on his contributions to Hindi films and the Urdu literature which was held at the Kalina campus of Mumbai University. Thereafter, a few more such celebrations were also held elsewhere. For instance, Hindustan Academy celebrated his centenary at Prayagraj on August 19, 2019. Paasbaan-e-Adab also arranged Majrooh Saab’s birth centenary celebrations on December 22, 2018 at Yeshwantrao Chavan Auditorium in Mumbai in which his non-filmy ghazals were show-cased in the form of songs by upcoming singers.  In Delhi, Jashn-e-Rekhta scheduled a special session on Majrooh Saab in its annual conference in December 14, 2018. I am sure many more such celebrations would have taken place all over India.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4075 Post No. : 15213 Movie Count :

4227

Hindi Songs in Bangla Films – 1
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It is a well-known fact that Shailendra wrote maximum number of songs for the music director, Shankar-Jaikishan (around 365 songs) out of about 750 songs he wrote during his life time. The second in line among music directors was Salil Chowdhury for whom Shailendra wrote around 105 songs. The third place was taken by S D Burman for whom he wrote around 70 songs. There were others music directors for whom he wrote songs albeit in comparatively lesser numbers. They were Roshan, S N Tripathi, Hemant Kumar, Anil Biswas, C Ramchandra, Ravi, Dattaram, and Kishore Kumar.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4066 Post No. : 15201 Movie Count :

4223

Today, September 5th is 24th Remembrance Day of Salil Chowdhury (19/11/1925 – 05/09/1995), the legendary music director who was the pioneer in fusion music – blending Indian melodies with the orchestration of western classical music. As he himself admitted during an interview on All India Radio, Salil Da was greatly influenced by the music of Beethoven and Mozart because his father used to play gramophone records of their music which he had listened during his childhood.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4056 Post No. : 15188

I am an ardent admirer of Ruskin Bond’s short stories. I do not remember as to when I started bonding with Ruskin Bond’s books. It could be sometime early 1990s when I read his first book titled ‘Beautiful Garhwal – Heaven in Himalayas’ (1988). Surprisingly, this book is not listed under the list of his published books. It is a ‘coffee-table book’ with 15 of his articles on the Garhwal Himalayas – from the village life, rivers, valleys, pilgrimage to trees and flowers, etc. It is an excellent and lavishly printed book in art paper with a lot of illustrations and beautiful pictures. This book was printed for Garhwal Mandal Vikas Nigam (GMVL) as a part of promotion of tourism in the Garhwal Himalayas.
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