Archive for the ‘Post by Sadanand Kamath’ Category
Ae dil mere na ro
Posted on: March 15, 2016
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
I often gets confused in recognising the voice of Meena Kapoor while listening to mp3 clips of her rare songs and the reason is that I find her voice closely resembling that of Geeta Dutt. I feel that, in a way, Meena Kapoor is to Geeta Dutt what Suman Kalyanpur is to Lata Mangeshkar. I can understand as to why Suman Kalyanpur lagged behind Lata Mangeshkar in terms of playback singing assignments as, among other reasons, the latter had already established her footprint in Bollywood when Suman Kalyanpur entered some time in 1954. But why did Meena Kapoor not get as many assignments as a playback singer as Geeta Dutt got when both started their playback singing at the same time?
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Forgotten Melodies of the 1940s – 20
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Today is the 83rd birthday of Sulochana Kadam (nee Chavan) whose singing career started, more or less, at the same time that of Lata Mangeshkar and Geeta Dutt. While the latter two playback singers are well known even to the current generation, the name of Sulochana Kadam may not sound familiar to them. However, she is well known as lavani Singer Sulochana Chavan in Maharashtra, South Madhya Pradesh and North Karnataka.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Forgotten Melodies of the 1940s – 19
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GEET GOVIND (1947) was produced under the banner of Kanu Desai Productions and was directed by Ramchandra Thakur. The star cast included Prem Adib, Leela Desai, Sulochana Chatterjee, David, Bhagwan Das, Ram Singh, Pesi Patel, Kantilal, Rampiyari etc. There were 14 songs in the film penned by Pandit Indra (11) and Balam Pardesi (3) which were set to music by Gyan Dutt. The film was released on 3rd January 1948 at Majestic Cinema in Bombay (Mumbai).
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Pardes mein jaane waale saajan
Posted on: March 11, 2016
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Forgotten Melodies of the 1940s – 18
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CHAAND TAARA (1945) was produced under the banner of Asiatic Pictures and was directed by Mahesh Chandra. The star cast included Charlie and Swarnlata in lead roles with Jagdish Sethi, Indira, Kesari, Pandey, Ghulam Rasool, Ghory and Pesi Patel in the subsidiary roles. There were 10 songs in the film, all penned by Swami Ramanand Saraswati which were set to music by Gyan Dutt.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Forgotten Melodies of the 1940s – 17
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If I were to define ‘Assistant Music Directors’ in the context of Bollywood, I will define them as those talented musicians whose talents are exploited by some of the top music directors for furthering their own brand of music in Bollywood. No doubt, they are paid for the job and their contributions may be appreciated by the masters, but there is no recognition from the public at large for their talents. They remain the unsung artists among many other musicians who contribute to the success of film music.
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Bairan ban gayi nindiya ho
Posted on: March 9, 2016
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Forgotten Melodies of the 1940s – 16
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CHHAMIA (1945) was produced and directed by Protima Dasgupta under the banner of PDG Films. The star cast included Begum Para, Arif, Protima Dasgupta, David, Azoorie, Gulab, Dixit etc. There were 11 songs in the film. Only one song from this movie is available on YT which has been covered in the Blog in the past. There were two lyricists – Pandit Indra and Qabil Amritsari. However, the distribution of 11 songs between them is not known. The songs were composed by Gyan Dutt.
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Gehoon ke phulke khilaa de
Posted on: March 5, 2016
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Forgotten Melodies of the 1940s – 15
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During the British rule in India, film censorship was introduced under Indian Cinematography Act, 1918 under which the films could be exhibited only after getting certification from the Censor Boards. During the height of freedom struggles, film censorship was used as a tool to discourage political and socio-economic issues which were perceived to be anti-British rule in India. In the talkie era, ‘Mill’ (Mazdoor, 1934) was probably the first Indian film to be banned for exhibition by the Censor Board after the film was released. The story and script written by Munshi Premchand dealt with the exploitation of labourers by a Mill owner. The film was considered to contain inflammatory undertones creating a rift betwen the labourers and owners in factories.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Forgotten Melodies of the 1940s – 13
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Naqsh-e-khayaal dil se mitaaya nahin hanooz
Bedard maine tujh ko bhulaaya nahin hanooz
——Josh Malihabadi
Dil se tera khayaal na jaaye to kya karoon
Main kya karoon koi na bataaye to kya karoon
—–Hafeez Jalandhari
Both these ghazals have been written in the same metre expressing almost the same sentiments. I have no idea as to which one of them was written first. But these ghazals have become a source of inspiration for writing lyrics for songs in Hindi films for situations like ‘broken heart’, separation from the beloved etc.
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Aa teri tasweer banaa loon
Posted on: February 24, 2016
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Forgotten Melodies of the 1940s – 12
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Readers of this Blog may recall Talat Mehmood’s iconic song aa teri tasweer banaa loon from ‘Naadaan’ (1951) which was composed by Chic Chocolate (Antonio X. Vaz). Recently, I came across the mp3 clip of a song with the same starting verse from an obscure film ‘Rekha’ (1943). There is no mention of the names of singers and lyricist of the song. I got some information from the internet about the film but drew a blank on the names of singers. I could not locate the song on YT.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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