Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Sadanand Kamath’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

When Kidar Sharma wrote the lyrics of the song so jaa rajkumari so jaa, he might not have been aware that he wrote the first lori (lullaby) song for a Hindi film. Another thing he did differently was that he wrote the lori lyrics for a male singer-actor (K L Saigal) whereas the lori is traditionally sung by women. This could happen because, as he said in his autobiography ‘The One and Lonely Kidar Sharma’ (2002), he had in fact written a lori ‘so jaa raj dulari so jaa, so jaa main balihaari so jaa’ especially for his wife Raj Dulari. But K L Saigal fell in love with it and pressurised Kidar Sharma to make it public. It was only after his wife agreed that Kidar Sharma consented to use this lori for the film ‘Zindagi” (1940) by changing ‘raj dulari’ to ‘rajkumari’. This lori sung by K L Saigal became very popular all over India.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

There are some old film and non-filmy songs of 30s and 40s which I was aware of during my childhood not because of the radio or later the internet but by words of mouth. I heard those songs from my parents, relatives and even some friends of our family. During my childhood, I was not very fond of those songs. Later, as a teenager, I had heard some of those songs on Radio Ceylon which gave me a sort of reminder that I had heard those songs earlier. I got 78 RPM records of a few of those songs mostly by accident during early 70s. Since then, I have developed a liking for those type of songs. Later, with the advent of internet, it was a ‘memory recall’ for me when I listened to most of these songs again.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

When the system of playback singing started in Hindi films in early 30s it paved the way for playback singers like Rajkumari, Amirbai Karnataki, Zohrabai Ambalewaali and Shamshad Begum in becoming the top playback singers by 40s. With the emergence of new playback singers in the late 40s like Geeta Dutt and Lata Mangeshkar, demand for playback singers with heavy and high throated voices were on the decline, relegating them to the background. The only exception to this trend was Shamshad Begum who weathered the ‘onslaught’ of Mangeshkars in the 50s and remained fairly active up to early 60s.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Lata Mangeshkar has sung with G M Durrani only 11 songs, six of them are light-hearted, teasing or ‘sawaal-jawaab’ (question-answer) type. Here is one of such songs ‘ hello mister dil betaab ho kiske liye’ from the film ANAND BHAWAN (1953) sung by them. The star cast included Manhar Desai, Nigar Sultana, Trilok Kapoor, Durga Khote, Tiwari etc. The film had eight songs of which four each were written by Raja Mehdi Ali Khan and Noor Lucknawi. The songs were composed by Vasant Desai. One song from the film has been covered in the blog. The song under discussion was written by Raja Mehdi Ali Khan.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Lata Mangeshkar sang only 11 duets with G M Durrani. 6 out of these 11 have been sung in 1948-49. In the book ‘Lata Mangeshkar …. in her own voice – Conversations with Nasreen Munni Kabir’ (2009), she has mentioned that her first song for Naushad was a duet with G M Durrani haay chhore ki zaat badi bewafaa for ‘Chaandni Raat'(1949). At that time Durrani made some personal remarks about the necklace she was wearing. She did not like his remarks and brought this to the notice of Naushad. Knowing that she was a sensitive person, Naushad replaced Durrani and took Sadat Khan for her second duet in the same film. However, this duet was edited out from the film.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Traditionally, ghazals are supposed to be rendered in a soft voice and in a slow tempo to make the listeners understand the deep meaning behind each words. Ghazals rendered in an appropriate mood can awaken emotional feelings even in a stone-hearted person. Perhaps it was in these context that ghazals were sung in thumri style in the early 20th century, creating a melancholic mood and offering the opportunity for singers to emphasise on some specific words in the ghazals which were important in understanding the meaning in the ghazals. Singers like Begum Akhtar, Kamala Jharia, Master Madan, K C Dey, K L Saigal etc sang ghazals mostly in thumri style.
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This article is wtitten by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

It is such a frustrating exercise to get information on a poet-lyricist whom I admire for his light romantic and neo-devotional lyrics of Hindi non-filmy songs. Yes, many connoisseurs of Hindi NFSs may have correctly guessed him as Madhukar Rajasthani. I got familiar with his name only because of Vividh Bharati. It is surprising that not much information about him is available on the internet or in any other published materials. There was a time when at least one of the songs written by him used to be played in an early morning programme of devotional songs or in the afternoon programme of sugam sangeet (light semi-classical songs).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

GUNAAH (1953) was produced under the banner of Ambitious Pictures and directed by Kidar Sharma. The star cast included Jagdev, Geeta Bali, Vijay Laxmi, Jankidas, Pratima Devi, A S Gyani, Pesi Patel, Baby Naaz, Tun Tun etc. The film had seven songs of which two songs have been covered in the blog. All the songs were written by Kidar Sharma. Of the 7 songs, Snehal Bhatkar composed six songs and Roshan composed one ghazal “mere khayaalon mein aake gale laga jaa mujhe”.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This is his 200th writeup in the blog.

SHOKHIYAN (1951) was produced and directed by Kidar Sharma under the banner of Ambitious Pictures. The star cast included Premnath, Suraiya, Jeewan, Kamlesh Kumari, Nazira, Shanta Kanwar, Achala Sachdev, Ramesh Sinha etc. There were 8 songs in the film of which 6 were penned by Kidar Sharma and remaining two songs by his brother Himmat Rai Sharma. Kidar Sharma was impressed with Jamal Sen’s classical and Rajasthani folk tunes he demonstrated to him and thus got the music direction of the film.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

PHOOLON KI SEJ (1964) was produced by the maestro P Adinarayana Rao under the banner of Anjali Pictures. The film was based on a novel ‘Andhere Chiraag’ written by Gulshan Nanda and directed by Inder Raj Anand who also wrote screen play and dialogues for the film. The star cast included Ashok Kumar, Vyjayntimala, Manoj Kumar, Nirupa Roy, Mehmood, Shubha Khote, Anjali Devi, Lalita Pawar, Kanhaiyalal, Mukri etc. All the songs of the film were written by Hasrat Jaipuri and set to music by P Adinarayana Rao. Orchestration of the songs was done by Laxmikant-Pyarelal.
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