Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Sudhir’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

About two weeks ago, I had posted the qawwaali ‘Waaqif Hoon Khoob Ishq Ke. . .’ from the film Bahu Begum (1967). As promised, here is the second qawwaali from the same film, that is another wonderful specimen of Roshan Saab’s compositions.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

About six weeks ago, the request for this song appeared on the Reader’s Farmaishes page. The request has been put in by Dr. Mona Shah. And the song itself I believe does not need any introductions. An iconic song that hit the radiowaves in 1981, was a rage with teenagers and young people of that era and beyond. The film Kalyug (1981) has just this one song, and this song has become a cult icon all by itself. But there is also a tribulation that is attached with this song. It is rare.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Another wonderful song, actually a qawwaali, that I discovered recently to be composed by Usha Khanna. The singer of this qawwaali is Jaani Baabu Qawwaal. When I had heard this qawwaali many year ago, and associating the name of Jaani Baabu with it, I had presumed this to be non-film offering, since Jaani Baabu is a professional mainstream qawwaali singer. Only recently, as I was selecting songs composed by Usha Khanna, for posting on this blog, I came across once again this wonderful qawwaali on YouTube, and then realized that it is actually from the film Do Khilaadi (1976).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

1969 was the debut year for Bindu and Vinod Khanna was just one year into the industry (having his debut in the ‘Man Ka Meet’ (1968)). In personal life, Bindu was already a married lady by this time. As far as I can review her filmography, the film Nateeja (1969) is apparently the only film in which she has played the role of a leading lady. Having played small roles in Anpadh (1962), as the college going daughter of Mala Sinha, and a supporting role in Aurat (1967), 1969 was the year that that she arrived on the film scene with five releases to her credit, viz. Doli, Ittefaaq, Do Raaste, Aayaa Saawan Jhoom Ke and Nateeja. With a combination of both positive and negative roles, she made her mark this year, and embarked on a career that would make her famous as Mona Darling (Zanzeer, 1971). She played the oomph girl in many films (Kati Patang (1971), Hawas (1974), Imtihaan (1974) etc.), and she also did serious supporting roles in Abhimaan (1973), Chaitaali (1975), Arjun Pandit (1976) etc.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Welcome all readers to another century celebration. With this post, this blog now has completed publication of 4900 songs, which is a remarkable feat by many standards. And this milestone is yet again marked with the consistency and continuity that has been unbroken for more than three years now. Much more than the number and the content of the posts, it is the perseverance and commitment to this effort, that are the outstanding qualities of maintaining the healthy pace of growth on this blog. And I present all kudos and praise to Atul ji, for spearheading this effort. A singular effort that is unparalleled in the cyber space. Heartfelt greetings to Atul ji and all readers of this blog, and best wishes and all my support in the cause of what this blog is attempting to accomplish.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

While Helen rules the roost as the phenomena of the dance number in Hindi films, there came a phase in the 1960s and 70s, when a number of contenders stepped in to the arena of dance item exponents. As the dance number became progressively an important ingredient of the formula, especially a cabaret, and then especially in the ‘cloak and dagger’ type of films, the demand for dance item experts increased. To fill in a void that was probably beyond the bandwidth of Helen’s availability, the opportunities were taken up by actresses whose names became synonymous with sizzling dance numbers on the screen, and they made a place for themselves in the B/C grade films. The leaders in this group of actresses are Bela Bose, Faryaal, Lakshmi Chhaayaa, and JaishreeT. In their own right, these dancers have carved out a niche in the annals of Hindi films dance item.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In this post I present a qawwaali written by Sahir Saab. In the string of qawwaalis, I had some time back posted the iconic qawwaali from the film Kaala Samunder (1962), with the mukhdaa (title) “Meri Tasweer Le Kar Kyaa Karogey Tum” . There is one more qawwaali from the same film, not as well known, and is somewhat rare and obscure. But then, bless this YouTube that I am able to trace this qawwaali finally.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I apologize to the readers if they feel that I seem to be stuck in the second half of 60s, while I am selecting songs from Usha Khanna’s films. It seems to be true. Hard as I may try, I am not able to extricate myself from the films of the years from 1966 to 1970. And the reason is that I simply keep bumping into one wonderful gem after another, and the music itself compels me to continue writing about this era of Usha ji’s career. From all counts that I can admit so far, the 60s was the most prolific and the also the most tuneful decade for this composer.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A soft and very sensuous piece of music from the 1969 film, Bandish. The film is produced under the banner of JJ Films, Bombay and directed by Charandas Shokh, the star cast of the film includes Shailendra, Sonia Sahni, Azra, Ulhaas, Sham Kumar, Mirza Musharraf, Kundan, Brahmchari, SK Prem, Sarita Devi, Uma Dhawan etc. The lyricist is yet another new name for this blog, Akmal Hyderabadi. The music is composed by Usha Khanna.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Insaan Aur Shaitaan, a film from 1970, came in the time when Sanjeev Kumar had already moved into significant and leading roles in A grade films. Probably this films would be one of his last few commitments in the action thrillers of the B/C category where he was fighting off criminals and saving the honor of young ladies and the nation.
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