Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Sudhir’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Sajjaad Hussain – the enigmatic genius of the industry. A self trained composer par excellence, for whom the venerated Anil Biswas has used the epithet of the “only original composer” in Hindi films. An artist whose composition have the capacity to surprise you and confound you at the same time. No other music director comes even close to creating the fusion of the spoken sound and the music so seamlessly and so beautifully, and one is left wondering at the depth of this genius as he will move from one arrangement to another one, as the song moves from one antaraa to the next one.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

When Manoj Kumar approached him for lyrics and music for his film on the life of Bhagat Singh, the first thing he did was he traveled to Banga village in Punjab, and personally met with the Bhagat Singh’s moher, Mata Vidyawati ji. He talked with her about the legendary martyr, his childhood, his time in college, and as a freedom fighter. And the time he spent in the prison. From these reminiscences of Mata Vidyawati, the incredible poetry that emerged from the pen of this extraordinary poet became the iconic song of patriotic inspiration – “Tu Na Rona Ke Tu Hai Bhagat Singh Ki Maa. . .”.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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The Voice of Mukesh #20
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We are discussing songs sung by Mukesh, in the year 1947. In this year, the film ‘Do Dil’ was a veritable bonanza for Mukesh, with the music director Pt. Gobindram getting Mukesh to sing for as many as six songs. Three of these songs are solo, and three duets. On this blog, we have already posted the three solo songs, and two of the duets (with Suraiyyaa). Here is the third duet, and the sixth Mukesh song from this film. The accompanying voice in this song is that of Rajkumari.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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The Voice of Mukesh #19
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‘Do Dil’ from 1947, turned out to be quite a bonanza for Mukesh. Thus far, the film 1945 ‘Pehli Nazar’ had been good, with four songs by him. In this film, Pt. Gobindram got Mukesh to sing as many as six songs. Three of these are solo, and three are duets – two with Suraiyyaa and one with Rajkumari. Two solos and two duets are already represented on this blog. With this post, I bring to this blog, the third remaining solo song by Mukesh, for your listening pleasure.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The year is 1993. It is twenty five years now that the Dada Saheb Phalke award has been instituted. For the first time after twenty years of its inception, this prestigious award that represents a lifetime of significant contribution to the Indian cinema, is announced for a lyricist. And the recipient – Majrooh Sultanpuri.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

‘Inkaar’ from 1977 is one of my more favorite cops-and-robbers films. Almost the entire picture is a study in understatement. A film that flows pretty close to the levels of realism, and all the characters seem very natural and very normal in the surroundings they are placed in. Most of the action and most of the histrionics is played very normally. There is not much in the film that can be singled out as something overplayed. A difficult feat to pull off, given that it is a crime and detection story.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Raj Ratan is the name that I am not familiar with. This music director is making a debut on this blog today. When I came across this name as I checked on this song, it did not sound very familiar. I did some quick scanning of the Geet Kosh, but am not able to locate too much more work done by this composer. In the quick scan I did, I am able to pull up just two more films by him, and that too in the years far apart (‘Ramu Ustad’ in 1971, and ‘Madine Ki Galiyan’ in 1979). It appears as if he is a person who is active in the industry as an assistant music director, and has had an occasional opportunity to independently score music, as a music director.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The film ‘Teesri Gali’ makes a debut on this blog today. It is one of the lesser known films from 1958. But being that the music direction is by Chitragupt, there are bound to be some very good songs included in this film. And sure enough, the song in this post is a gem that has stayed obscure for too long. A very wonderful and a lilting duet in the voices of Hemant Da and Lata ji.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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The Voice of Mukesh #18
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The year of 1947 was the most prolific yet for Mukesh. Having started his singing career for Hindi films in 1941, in the six years from 1941 to 1946, he had sung a total of 21 songs in eleven films. Of these, seven are solos and fourteen are duets. As far as incremental score is concerned, the years 1945 and 1946 were very good in comparison to the years from 1941 to 1944.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Ah yes, a surprise it is. This post is being written, as I am at the home of Khyati ji, in Fountain Valley, California. I reached here just earlier in the evening today, and Khyati ji and her husband, Jagdish Bhai picked me up at the airport. Folks may remember from an earlier exchange, that we had some specific plans for ensuring that we recognize each other, when we would meet for the first time at the airport (since we have never met before). But these plans did not work out, as planned. 🙂 I was supposed to be wearing a black trench coat, felt hat, and dark glasses, and carrying a red rose in my hand. And Khyati ji was supposed to be dressed like. . . well, without any description, I refer to the photograph she had shared in email.
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