Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Kishore Kumar songs’ Category


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6297 Post No. : 19490

#the Decade of Eighties – 1981 – 1990 #
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(Kishore Kumar’s 39th Remembrance Day 13th October 2025)

Yesterday 13th October 2025 was the 39th Remembrance Day of the legendary singer Kishore Kumar. He was born on 4th August 1929 at Khandwa (now in Madhya Pradesh) and he passed away at the age of fifty-eight only on 13th Octorber 1987 at Bombay (now Mumbai).

We are all aware Kishore Kumar started his singing career with the 1948 movie ‘Ziddi’ where he had given playback for actor Dev Anand. This was the song ‘marne ki duaayein kyun maangoon’. Kishore Kumar’s peak-time came during the end-of-sixties, and the decade of seventies was when Kishore Kumar’s voice was heard everywhere. He sang songs for many of the established actors as well as new-comers in the industry. And of course he was well-known as the voice of Dev Anand and voice of the Superstar-Rajesh Khanna.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6296 Post No. : 19486

12th October was the date of birth of prominent Indian Urdu and Hindi poet, lyricist and dialogue writer Nida Fazli who’s birth name was Muqtida Hasan Nida Fazli. He was born in 1938, at New Delhi to a father who was also a well-known Urdu poet of his times. He had his education in Gwalior, where he also learnt English literature. Fazli moved to Bombay sometime in 1964 to earn a living. In 1965, eighteen years after the partition of India, his parents and other family members migrated to Pakistan. Fazli, however decided to stay back in India. The departure of his parents was an epochal event in his life, the pain and repercussions of which remained with him all his life.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6285 Post No. : 19456

#the Decade of Seventies – 1971 – 1980 #
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#Bhoole-Bisre Geet #
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Today is the last day of the ten-day long ‘Durga Pooja Utsav’ or ‘Navraatree festival’ of this year 2025. The effigies of the demon Ravana are being burnt all over the country to celebrate the victory of Good over the evil. The ten day long staging of Ram Leela will also come to an end today.

Ram Leela is performed in many parts of our country. I was thinking of the past decades from the mid-eighties onwards and I realised that many changes have taken place in the presentation of Raamleelaa thanks to the advancement of technology with time. This can be noticed when the scene on the stage changes from one part to other, where the set up is required to be changed. In olden times the curtains were rolled down to change the backdrop of the characters performing on stage. My guess is that this would have undergone a sea change nowadays where we have technology to help us.

People born before nineties who would have attended Raamleelaa shows in their town or villages must have been witness to funny situations arising during the plays because of various reasons such as forgetting the dialogues, or disruptions due to sudden power-cut etc. These unplanned events during the show would have created situations of laughter and comedy for the audiences.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6282 Post No. : 19443

Today’s song is from a unique film- Love in Bombay-1975.

It is generally said that records are for breaking. It means, in any field, if a record of achievement is made, sometime or the other, that record is broken. Some records are such that one feels, ‘now this will never be broken. It is the ultimate’.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6278 Post No. : 19432

“Parivartan”(1972) was produced and directed by DS Sultania for DS Pictures, Calcutta. This movie had Ranjit Mallick, Heena Kausar, Manisha, Sudha Shivpuri, Bhaskar Choudhury, Anoop Kumar, Ravi Ghosh, Subrat Chatterjee, Lalita Chatterjee, Mam Mukherjee, Smt. Sushila, Shekhar Chatterjee, Dyanesh Mukherjee, Rasraj Chakravarty, Shambhu Bhattacharya, Guddu, Rajiv, Hanumant Sethia, Baba Majgaonkar, Jayshree T etc in it.. Utpal Dutt and Jalal Agha had made guest appearances in this movie.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6273 Post No. : 19415

“Ye Vaada Raha”(1982) was a very popular movie with the teenagers of those days, but apparently the grown up section of the population did not like the movie much and so the movie received a lukewarm response at the box office. Personally I was barely aware of this movie and I did not watch it seeing that I only watched Amitabh Bachchan movies those days.

“Ye Vaada Raha”(1982) was produced by Ramesh Bahl and directed by Kapil Kapoor for Rose movies, Bombay. This “social” movie had Rishi Kapoor, Tina Munim, Poonam Dhillon, Sarika, Rakhi, Rakesh Bedi, Ifthikar, Agha, Sunder, Gulshan Bawra, Hari Shivdasani, Chandu Prakash, Madan Joshi, Shrimati Mistri, Prasad, Pappu, Geeta, Aditya, Shanta, Salma, Asha, Avinash Thakur etc in it. Shammi Kapoor had played a special role in this movie.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6270 Post No. : 19406

#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet #
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In this post I am again presenting a lesser heard song which may well be considered a rare song. This song is in the voice of Kishore Kumar. The movie is ‘Raani Aur Jaani-1973’. This seems to be a very obscure movie of its time. Though this movie made its debut on the blog long back in the year 2009 the movie still remains un-Yippeeee’ed’ on the blog.

“Raani Aur Jaani-1973” was directed by K.S.R. Dass for ‘P.N.R. Pictures, Madras’.This stunt movie was passed by Censor Board on 08.11.1973. The cast of this movie had Anil Dhawan, Aruna Irani, Jyoti Lakshmi, Narendra Nath, Jagdeep, Sulochana, Ramaprabha, Brahm Bharadwaj, Shetty, Coca Cola, Shekhar, Swaraj, Prem Kumar, Master Ripal Sapru, Baby Dally, Baby Charulata and others. Bindu had a special appearance in this movie.
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This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6264 Post No. : 19387

“ Meri Baaton Se Tum Bore Ho Gayi Ho” is sung by Kishore Kumar and Usha Timothy, written by Saawan Kumar and composed by Kalyanji Anandji from Anokha 1975.

As per details given by Avinash Ji when he posted the first song of this film – Anokhaa-1975’ was directed by Jugal Kishore for ‘Jugal Productions, Bombay’. It had Shatrughan Sinha, Zareena Wahab, A.K. Hangal, Imtiaz, Kanhaiyalal, Maruti, Jayshree T., Paintal, Mohan Shery, Jeevan and others.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6260 Post No. : 19366

‘Shrimaan Shrimati’ (1982) was produced by B Nagi Reddy under the banner of Vijaya Productions and was directed by Vijaya Reddy. The cast included Sanjeev Kumar, Rakhee, Rakesh Roshan, Deepti Naval, Amol Palekar, Sarika, Dheeraj Kumar, Lalita Pawar, A K Hangal, Paintal, Naaz, Leela Mishra, Dinesh Hingoo etc with special appearances by Dr. Shreeram Lagoo and Ramesh Deo. The film was a remake of the Telugu film, ‘Tayaramma Bangarayya’ (1979) which was also remade in Tamil as ‘Sathya Sundharam’ (1981). This was B Nagi Reddy’s last Hindi film as a producer. It is interesting to note from his filmography as producer that his last four Hindi films had Sanjeev Kumar in the lead role with music director, Rajesh Roshan.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6258 Post No. : 19359

In the Indian traditional societal setting, the men are regarded as the bread winner for the family while the women are assigned as homemakers who stay at home and manage the kitchen, housekeeping, taking care of the children etc. In urban setting, some women have dual roles. They are not only the homemakers, but they are also the working women giving the financial support to the family. Men are not expected to be homemakers. These gender-based responsibilities have been majorly followed in India since long. The role reversal in responsibilities between husband and wife was unthinkable even in the last century and it is still not fully appreciated.

There has been some cases of role reversal taking place especially in metropolitan and urban India. I had known one such case in my office as early as in 1965 when the wife was working in my office and her husband was employed in a private firm. But the situation in the family forced the wife to think of resigning from her service to look after her infant when the alternative arrangements did not work out. Her husband volunteered to resign from his private job on a realistic consideration as the wife was getting higher salary than him. At that time, her husband was the talking point in my office as it was thought to be a revolutionary step by him.
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