Archive for the ‘Lata solo’ Category
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
अब क्या मिसाल दूँ में इस प्यारी आवाज़ की
इन्सान बन गई है तरंग वीणा के तार की
वीणा, माँ सरस्वती के हाथ की वीणा – जो सब ज्ञान का स्रोत है, जो समस्त सृष्टि के संगीत का उद्गम स्थान है, जो वाणी और ध्वनि का आरंभ है।
Veena, that is in the hand of Goddess Saraswati; veena, that is the source of all knowledge and all that is music in this creation.
Yes, the voice of Lata ji. A voice that is adorned in many a thousand ways, a voice that lives in the minds and memories through many a thousand songs, in Hindi films, in films of other regions, and songs that don’t belong to films. The legacy is a treasure. Quite so much has been written about this voice, my adding more would simply be repeating what has been said before. And much of that discussion is an overbearing analysis of the phases and careers, that are after all moot points, when arrayed against the qualities of the voice itself. That discussion is like ‘गूंगे की शक्कर’ – the description of the sweetness of sugar as expressed by a person who cannot speak. He would place the sugar on your palm, and tell you silently, to taste it, to eat it. After that tasting, no words are necessary, to discuss what sugar is. 🙂
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Hausley dil ke mitey
Posted on: June 7, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Bhedi Bangla”(1949), an obscure B grade mystery movie was directed by Bhagwan for Jagriti Pictures, Bombay. This movie had Baburao, Bhagwan, Azim, Shankar Mirajkar, Inamdar, K K Swami, Leela Gupte, Usha Shukla, Tarabai etc in it.
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Kar de zaraa ishaara
Posted on: June 7, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Khazaana”(1951) was produced by Bakshi Jang Bahadur and directed by M Sadiq for Bakshi Brothers, Bombay. This movie had Madhubala, Nasir Khan, Gope, Om Prakash, Cuckoo, Ramesh Thakur, Gujri, Abbas etc. in it.
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Dheere dheere gham ka zamaana gaya
Posted on: June 6, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Khazaana”(1951) was produced by Bakshi Jang Bahadur and directed by M Sadiq for Bakshi Brothers, Bombay. This movie had Madhubala, Nasir Khan, Gope, Om Prakash, Cuckoo, Ramesh Thakur, Gujri, Abbas etc. in it.
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Muhabbat pe itni jawaani na hoti
Posted on: June 4, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Khazaana”(1951) was produced by Bakshi Jang Bahadur and directed by M Sadiq for Bakshi Brothers, Bombay. This movie had Madhubala, Nasir Khan, Gope, Om Prakash, Cuckoo, Ramesh Thakur, Gujri, Abbas etc. in it.
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This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Lata’s Songs NOT YET covered on our Blog – 20
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“Bansariya” (1949) was a social ‘Nigaristaan Films Production’ movie. It was directed by Ram Narayan Dave. The movie had the star-cast consisting of, Geeta Bali, Ram Singh, Om Prakash, Randhir, Kuldip, Sofia, Gulab, Uma Dutt, Shanti Madhok, Ramesh Thakur, Raj Pal, Sham Lal, Madan Kapur, Raja Salim, Ram Avtar etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Chaar Paise” (1955) was produced and directed by N K Ziri. The movie had Kishore Kumar, Shyama, Johnny Walker, Agha, Kammo, Nishi, Nazir Kashmiri etc etc. in it.
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Rasiya pawan jhakore aaye
Posted on: May 29, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Chor”(1950) was directed by Anand Prasad Kapoor for Singh Arts Production, Bombay. The movie had Krishnakant, Cuckoo, Sona Chatterji, Meera Misra, Sankatha Prasad, Alkarani, Baby Asha, Shyama, Shanti Madhok, Shukla, David junior, Dixit, Kochar, Shekhar, Arora, Sachin Ghosh etc in it.
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Nanha Mora Doley Mori Anganiaa
Posted on: May 24, 2017
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
रोक सकता हमें ज़िन्दान-ए-बला क्या ‘मजरूह’
हम तो आवाज़ हैं दीवार से छन जाते हैंRok sakta hamen zindaan-e-bala kya ‘Majrooh’
Ham to aawaaz hain deewaar se chhan jaate hain.
[Can prison of calamity stop us?
We are the voice which can infiltrate the wall].
This she’r was written by the young Majrooh Sultanpuri probably sometime in the 1940s. Perhaps he was goaded by the idealistic impulses when he was associated with the Progressive Writers Association (PWA), a left-oriented ideological group. Nonetheless, for Majrooh Sultanpuri, it has been a quick transformation – from an idealistic poet of PWA to a lyricist in the film industry.
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