Archive for the ‘Rafi solo’ Category
Banda parwar thhaam lo jigar
Posted on: April 30, 2012
This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
As I see in the “some stats” page, Lyricist poet Majrooh Sultanpuri has 525 songs in the blog, which is the highest so far for a lyricist in the blog. The word “Majrooh” could not have been his real name. It is the “takkhallus” (Pen name) of the poet. “Majrooh” means injured/pained or a someone broken hearted and in pain. Others may have a different view of this words meaning, but I hate to go to online dictionaries to find meanings of urdu words. I would rather go by the feel.
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Ye pyaar ka jhagdaa hai
Posted on: April 29, 2012
“Aag aur Daag” (1970) was produced by Swarn singh and directed by A Salaam. this movie had Joy Mukherjee, Komal, Jayant, Zeb Rahman, Helen, Master Bhagwan, I. S. Johar, Madan Puri, Sudhir, Rajan Haksar, Kundan, Paro, Sumeet Pathak, Raj Rani, Roopali, Samina, Shabana, Shaloo, Shefali, M.B. Shetty etc in it.
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“Jee Chaahta Hai” (1964) was a Mitra Production Movie. It was produced and directed by Bibhuti Mitra.
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Ae meri jaane chaman
Posted on: April 27, 2012
There have been quite a few Rafi songs where Rafi has sung with such high energy levels that the listeners are left gasping for breath literally. To this day I keep wondering how a singer can sing with such high energy level throughout in a song lasting well over three minutes and sometimes more. Songs of “Junglee”(1961), “Rajkumar”(1964),”Prince” (1967),”Saawan Bhaadon”(1970) etc readily come to mind as songs whose energy levels could have lit up a few households if harnessed properly.
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Meri chaahat rahegi hamesha jawaan
Posted on: April 26, 2012
At any moment of time, I have lots and lots of contributions lying with me for discussion and I am unable to cope with them satisfactorily. I just realised that it is like sitting on a pile of gems and not finding time to appreciate them.
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“Dastak” (1970) was a movie on a theme that called for mature audience, But Indian audience, media as well as the censors were not mature at that time. Such movies were regarded as obscene and were given A certificates. Instead of attracting mature audience to the movie halls, such movies attracted immature audiences hoping to find some titillating scenes in the movies.
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Shaayar to nahin hoon lekin
Posted on: April 25, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
I do not know as to why I suddenly remembered Sanjeev Kumar (real name Haribhai Jariwala) today early in the morning when I was preparing for my morning walk. His anniversary dates were nowhere near and I have not seen any of his films and video clips for a long time. As it is, my ‘area of operations’ on YT are mainly confined to the watching/listening of video/audio clips pertaining to the period between 1940-1960, straying sometime up to late 60s and most of his his songs does not fit in to my preference. Probably, this was a reminder to me from Sanjeev Kumar donning a white suit and trouser in true suspense film style echoing “old man, have a peep at me too sometime”.
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“Aao Pyaar Karen” (1964) was a Filmalaya Production. It was produced by S Mukherji and directed by R K Nayyar. The movie had Joy Mukerji, Saira Banu, Shyam Chatterji, Rajendranath, Madhvi, Merlyn, Sanjay, Brijmohan, Manavendranath, Jayant M. Shah etc in it.
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Ujad gaya panchhi ab tera baseraa
Posted on: April 24, 2012
“Ghar Ki Laaj” (1960) is quite an obscure movie. This movie was a Navkala Niketal Production. It was directed by V M Vyas. The movie had Sohrab Modi, Feroz Khan, Nirupa Roy, Kumkum, Sheela Kashmiri, Johnny Walker etc in it.
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Just as pet songs are few and far between in Hindi movies, much to my disappointment, swimming pool songs with bikini clad ladies are also very few in Hindi movies, much to the disappointment of a large number of movie watchers.
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