Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1950’ Category


This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This song under discussion is from the film “Birha ki Raat”(1950). Another song I discussed from this film the other day “bahut purdard hai aye sunnewaale”” starts with the sh’er :

jahaan mein jin ki ummeedon ke bede
paar hote hain
woh khush qismat hazaaron mein kahin
do chaar hote hain

‘Beda paar lagaana’ is a saying in hindi/urdu meaning ‘achieving the ambition or reaching ones destination. The word ‘Beda’ literally means a “Fleet of big ships”. The opposite of this saying in a curse “Beda garq ho teraa” or a lament “beda garq hogayaa”. “Garq’ is drowning in water. The special thing about these sayings or muhaavra’s which are used in urdu/hindi, is that they can be used backwards, forwards, in singular/plural,past/present tense, negative/positive and in varied situation they can be applied.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

‘Kehat Kabeer Suno Bhai Saadho. . .’

A refrain that is now a well known by line by which one can recognize that a particular bhajan is by Kabeer. A name that is now a household word wherever Hindi is spoken and understood. And a poet whose verses and dohas (couplets) have found their way into the everyday spoken Hindi, as proverbs and adages. Yesterday, the Jayeshtha Poornima, was the birth anniversary of this great poet saint of India.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This movie “Birha ki Raat” (1950) had Dev Anand and Nargis playing lead roles, which is a rare occurance. Video links are not available on youtube for the songs of this film, so we make do with only the audio links. Only one song, a duet by Rafi-Lata is posted in the blog so far. When I heard this Rafi solo “bahut purdard hai ae sunnewaalon daastan meri” for the first time, it touched me. Then on second hearing I found it to be a very endearing ghazal.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a contributor to this blog.

Feroza Begum was the better-half of the famed music director Kamal Dasgupta who composed many Bangla movie and private songs and some unforgettable Hindi ones too – in particular for Jawab (1942) and Hospital (1943) which numbers are very much availableon this blog.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

For many years now, and please correct me if I am making this statement in error – for many years now, I do not recall having seen or heard about a film on mythological theme coming from the mainstream film industry. Maybe it is a sign of time, to be aware of. The industry seems to be getting more and more aligned with a global market and a global audience, that this genre of movie making appears to be dying out. And to think that the film industry started off in the first place with stories and themes based on mythology. Even in the 70s and somewhat in the 80s, some production banners dared to attempt making such films, but in the 90s and after, this genre has pretty much disappeared from the screen.
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If a movie title has nouns like “Behan”,”Bahu”, Bhabhi” etc in it preceded by adjectives like “Badi”, “Chhoti” etc then one can safely conclude that sacrificing characters lie ahead in the movie and unless one is masochistic in nature, one needs to steer clear of such movies.
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