Archive for the ‘Songs of 1950s (1951 to 1960)’ Category
Ramaiyya bin neend na aawe
Posted on: April 3, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
In the 30s and 40s, two groups of female actor-singers emerged prominently. The first group excelled in both acting and singing. Barring a few exceptions, they confined to playback singing on themselves. This group consisted mainly of Khursheed, Kanan Devi, Noor Jahan and Suraiya. The second group though started their filmy career as actor-singer in a smaller way, later they concentrated mainly on playback singing. This group comprised mainly of Rajkumari, Amirbai Karnataki, and Zohrabai Ambalewaali.
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Naach re mayuraa
Posted on: April 1, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
During my younger days, Radio Ceylon (later Sri Lanka Broadcasting Corporation) and Vividh Bharati service of all India Radio (Aakashvani) were the two sources on which I used to listen to Hindi film songs’ programmes. I got to know only sometime in late 60s that Aakashvani stations were not broadcasting Hindi film songs prior to the setting of Vividh Bharati in 1957. Later I came to know that this policy decision was taken by the Ministry of Information and Broadcasting in 1952 when Dr B V Keskar, the then Information and Broadcasting Minister felt that Hindi film songs had become vulgar and westernised. It was decided that some songs having literary value such as those written by poets like Bhagwati Charan Verma and Pandit Narendra Sharma should be turned into songs and played on Aakashvani in place of Hindi film songs. It is said that some of such songs were composed by Anil Biswas. It was during this time that Lata Mangeshkar sang her first non-filmy song ‘yug ki sandhya krishak vadhu si’ written by Pandit Narendra Sharma and composed by Anil Biswas during. Unfortunately, this song’s disc was damaged during its first play on the radio and was thus lost forever.
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Ham aaj safar ko chaley
Posted on: April 1, 2013
“Raja Vikram” (1957) was a Sharad productions movie. It was directed by Dhirubhai Desai. The movie had Shahu Modak, Usha Kiran, Bhagwan, Nigar Sultana, Suryakant etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
An old adage – they say that the real geniuses leave early. Many an instance are scattered all over the history timeline. Gosh, she was still 4 months short of her 40th birthday when she gave up her resistance to the personal tragedies and tribulations, making her way out of the miserable labyrinths of control and manipulations that she was subjected to most of her life. Ah but, what a color her own life, rubbed on to her on screen persona, as she moved from one perfection to the next in the tragic milieu of tangled relationships and human miseries. A performer too young, too vivacious, to be baptized as the Tragedy Queen. And the vicious circle moved from real life to screen and back, so many times over, that her cup of life proved to be diminutive, unable to hold all the sorrows that the world put in it.
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Dil dil se keh raha hai
Posted on: March 31, 2013
“Parchhaain” (1952) was a Rajkamal Production movie. It was produced and directed by by V Shantaram. The movie had V Shantaram, Jayshree, Sandhya, Lalita Pawar, Wasti, G. Nirula, Shams Lucknavi, Saroj, Sandhya, Baran, Nimbalkar etc in it.
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Jeewan ek adhoora sapna
Posted on: March 30, 2013
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
In 1968, when HMV brought out an LP of CH Atma’s non film songs, the disc was titled as ‘Lingering Melodies’. Such an appropriate epithet and such a fitting description of the quality of this voice – ‘lingering’. The baritone sounds rendered by this wonderful singer, assuredly have this lingering quality. The sound and the words stay with the listener, as if still around, as if still playing somewhere, even after the song is complete. That is the kind of effect this voice has on the listener.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Remembering Anand Bakshi on the anniversary of his passing away.
Anand ji, a most prolific songwriter that this industry has seen. His claim to fame is having penned more than 3,500 songs for nearly 640 films. A writing career that lasted for more than four decades, and his creations continued to appear in films as late as last year (2012), ten years after his passing away from this world. In his lifetime, he was nominated for no less than 40 times for the Filmfare awards, which sounds like almost one nomination every year of his active career from 1957 to 2002. That in itself may be a record that no one may be close to in the industry. He won this award four times.
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When I had watched “Mother India” (1957) for the first time during late 1970s/ early 1980s, I did not realise that the movie had so many songs in it. I throught that the movie have about five or six songs in it. As it is, we have already discussed as many as ten songs from this movie in the blog and there are some more songs still left to be discussed.
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Udaasiyon mein nazar kho gayi
Posted on: March 29, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Majrooh Sulatanpuri’s filmy career as a lyricist started with ‘Shah Jehan’ (1946) under the music direction of Naushad. In the same year, he also wrote lyrics for ‘Keemat’ (1946) for which Naushad was the music director. It was only after the success of ‘Andaz’ (1949) that Majrooh Sultanpuri got his foothold in Hindi film industry. Unfortunately, this success was short lived as he was arrested in 1949 for his anti-establishment poems. He was given an option of either to apologise or face two years of prison. He opted for the later. At the time of his arrest, he was writing lyrics for the film ‘Aarzoo’ (1950) and it was his first collaboration with the music director Anil Biswas. This film also became a hit and all the songs including the iconic song ae dil mujhe aisi jagah le chal became very popular.
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