Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1950s (1951 to 1960)’ Category


I have discussed four songs from “Do Aankhen Baarah Haath” (1956) in the past. Here is another song from this movie that I heard for the first time only a few hours ago. This song is an inspirational children’s song. It is sung by Lata and it is picturised on Sandhya. The picturisation shows Sadhya giving a vigorous and energetic dance perfrmance to young kids on this song.
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“Jhaanjhar” (1953) is a movie which is lost to movie watchers because all its prints were damaged in a fire. Now all that is left of the movie is its music. And what wonderful music this movie had. The songs of this movie were great craze among music lovers those days.
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In Hindi movies, most songs are picturised on the lead actors. But then there are certain songs which are either background songs or songs picturised on lesser actors. These songs are often sung by part time singers who are better known for some other activities in movies. For instance, these singers may be better known as lyricists or music directors.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A wonderful “searching-for-a-lost-one” song. The movie is Chaalis Din (1959) with a reasonably good set of actors, i.e. Premnath, Shakeela, Nishi, KN Singh, Maruti, Shammi, Chaman Puri, Kuckoo etc. This particular song is picturized on Shakeela as the main singer on screen, supported by Shammi and Maruti. Maruti looks very different and somber, unlike his comical sidekick roles that he has played in many movies of Dara Singh, Sheikh Mukhtar etc.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Here is another gem of a duet from the film Apna Haath Jagannath (1960). Three song from this movie are already discussed in these pages. This one is a fun filled duet by Kishore and Asha Bhosle. I had seen this song many years ago on Doordarshan in the Chitrahaar program. The words and the music was all lost from memory, just the visual of Kishore Kumar walking, and being followed by a lady in a car remained in the mind. Recently, browsing through YouTube, I chanced to see this visual as the thumbnail image, and lo, I found this lost friend once again.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

With this post, we celebrate the 3900th song on this blog. Congratulations all. And wow, what a lovely musical journey it has been since the blog was started as a result of an online conversation between two cricket enthusiasts, Atul ji and Raja ji. After having sampled 3900 gems, the large ocean of Hindi film music still beckons for many many more songs to be discovered and re-discovered.
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Many of the songs of Hindi movies deal with rather “advanced” topics viz Husn, Ishq,Pyaar,bewafaayi etc. Youngsters and those young at heart often much prefer songs that deal with much simpler topics, viz topics dealt in their schools, such as alphabets, arithmetics etc. 🙂 There may be school kids who would disagree with me, but there is no denying the fact that songs that deal with A,B,C (or their Hindi/urdu equivalent) or “ek do teen” often become quite popular.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

Talat Mehmood started his musical career in 1939, singing ghazals on All India Radio, Lucknow. He had formally trained in music under Pt. SCR Bhat at the Morris Music College in Lucknow. His voice caught the attention of HMV, with whom he produced many records of non filmi ghazals. His records started gaining popularity, and in 1944 came the phenomenal hit, “Tasveer Teri Dil Mera Behlaa Na Sakegi”, which continues to be a very popular number on ghazal selections even today. The Calcutta film industry took notice and Talat moved to Calcutta. Initially, in Calcutta, he recorded many Bengali songs both for films and non-films, under the name ‘Tapan Kumar’. Talat as a person, had a handsome and commanding appearance and was offered cameo roles in the movies. In 1949, he moved to Bombay. After the release of “Aarzoo” (1950) and the unbeatable hit “Ae Dil Mujhe Aisi Jageh Le Chal”, composed by Anil Biswas, there was no looking back.
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