Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1954’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, May 8th 2016 is being celebrated as Mothers’ Day in many countries including India. Whether it is Mothers’ Day or any other day, whenever I remember my mother, I always recall the famous dialogue ‘mere paas maa hai’ written by Salim-Javed and delivered on the screen by Shashi Kapoor in the film ‘Deewar’ (1975). These four simple words say a lot about the importance of the mother. I used to wonder what gave Salim-Javed the idea to create this famous dialogue. I checked their profiles and came to know that both of them had lost their mothers in their respective childhoods. My own take is that somewhere in their sub-conscious minds, they missed their mothers and that was how this dialogue came about. In any case, this dialogue fitted well in the film. Shashi Kapoor had his mother as the only possession which he valued above materialistic possesions.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Ehsaan”(1954) was produced by J G Mohla and directed by Rajendra Sharma for Mohla Films, Bombay. The movie had Prithviraj Kapoor, Munawwar Sultana, Shammi Kapoor, Kamal Kapoor, K N Singh, Gulab, Chaman Puri, Praveen, Rajan Kapoor, Baby Nazar, Zarina, Narbada Shankar, Roopmaala, with Baby Naaz in guest appearance.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is unique. It is from the film Laadlaa-54.

One would like to know what is so unique about this song. The answer is that this is the only song in Hindi film music history which is sung by the combination of these four great singers. They are Mohd. Rafi, Talat Mehmood, Shamshad Begum and Asha Bhonsle. As far as I know, It was for the first and last time that these four singers came together to sing a song. Mohd. Rafi features in few songs combining four singers, but not these our four singers. I am amazed how composer Vinod thought of this combination in the first place !
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from film Naaz-54. It is sung by Meena Kapoor and chorus. This song has a very lilting tune and the Trademark chorus of Anil Biswas. I have realized, over a period, that he loved to have at least a song or two in almost every film, where Chorus is prominent in the song. What’s more, his own voice is always distinctly identifiable in every chorus.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I often gets confused in recognising the voice of Meena Kapoor while listening to mp3 clips of her rare songs and the reason is that I find her voice closely resembling that of Geeta Dutt. I feel that, in a way, Meena Kapoor is to Geeta Dutt what Suman Kalyanpur is to Lata Mangeshkar. I can understand as to why Suman Kalyanpur lagged behind Lata Mangeshkar in terms of playback singing assignments as, among other reasons, the latter had already established her footprint in Bollywood when Suman Kalyanpur entered some time in 1954. But why did Meena Kapoor not get as many assignments as a playback singer as Geeta Dutt got when both started their playback singing at the same time?
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (18 february 2016) is the birth anniversary of Nimmi (DoB 18 february 1933). Sri Lanka Broadcasting Service honoured Nimmi by playing solo songs picturised on her in “Film sangeet” and duet songs picturised on her in the “Puraani Filmon Ke Geet” programme today.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Two days ago, Suman ji completed the 79th milestone of her melodic life. It is so hard to believe that she is now so senior in years. Some months back, maybe almost a year, she was in Delhi and was present on stage for a singing performance. Unfortunately I myself was not able to make it. But other friends who had attended had said that she continues to be as impressive in her voice, as she was before. Still as sweet, and ‘sureeli’ as Bharat ji would put it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Mehbooba”(1954) was produced and directed by K Amarnath. The movie had Nalini Jaiwant, Shammi Kapoor, Hiralal, Achla Sachdev, Amar, Wazir Mohammad Khan, Ramesh Thakur, Amrit Rana, Gope etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Mehbooba”(1954) was produced and directed by K Amarnath. The movie had Nalini Jaiwant, Shammi Kapoor, Hiralal, Achla Sachdev, Amar, Wazir Mohammad Khan, Ramesh Thakur, Amrit Rana, Gope etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Pooja”(1954) was produced and directed by Bhagwandas Verma. The movie had Bharat Bhushan, Poornima, Shakuntala, Omprakash, Ulhas, Badri Prasad, Heeralal etc in it.
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