Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1960s (1961 to 1970)’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Troika of Blog’s latest century singers – Mukesh, Rafi and Kishore Kumar : 2. Mohammed Rafi
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With the completion of Rafi’s 2400th song , this Blog has covered nearly 50 per cent of the Hindi songs rendered by Mohammed Rafi during his active career (1948-1980). There is still a long way to go before this blog covers almost all the songs sung by him.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Maa Ka Aanchal” (1970) was produced and directed by Jagdev Bhambri for Harintaraj Films. The movie had Sanjeev Kumar, Abhi Bhattacharya, Anjana(Mumtaz), Leela Mishra, Jagdev, Sheela.R., Satpal Nishan, Sushma, Johnny Whisky, V.Gopal, Gopal Segal, Amol Sen, Dilip Dutt, Deena Nath, Master Rattan, Abdul, RajKumar Dutt, Abdul etc in it.
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This article is written by Striped Lungi (aka Ravi), a fellow enthusiast of Hindi movie music and a new contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

As a new entrant to the blog and to the field of blogging, an introduction is in order. A few mutual friends know me by reputation if not by virtue of meeting me in person . For example, Raja pai has had the misfortune of stumbling into me twice. Once in NYC and then again in Hyderabad. Atul has the dubious distinction of being a very good online friend of mine.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

When ‘Anand’ was released in theatres in 1970, I was still in school. I remember I did not get a chance to see this film on the big screen in the first run.  It would be later re runs that I got to see this film.  Being still not very involved with cinema and music, the best fare for us used to be what we could see on Doordarshan.  Rather, whatever was telecast on Doordarshan was always the quality stuff in my mind.  So having watched films like ‘Sikander’ (1941) and ‘Roti’ (1942) and ’Baazi’ (1951) on TV, the micro mind of mine carried them as benchmarks and anything that we would see on posters and billboards going to and from school, would be just so so.  I remember, when we came to know about this film ‘Anand’, the names Rajesh Khanna and Amitabh Bachchan did not mean much to us.  Rajesh Khanna, to some extent, as we had all heard the “Mere Sapnon Ki Raani Kab Aayegi Tu” that became popular the year earlier.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 19
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There is a film from 1969 – ‘Tumse Achhaa Kaun Hai”. This film has a classic song, Rafi Sb singing for Shammi Kapoor, that has not yet made it to this blog.  (Yes, I am surprised too 🙂 ).  The mukhdaa of the song is an animated yet a resigned expression of helplessness – so many ladies to be loved, whom should I love – “Kis Ko Pyaar Karoon, Kaise Pyaar Karoon”.  The situation is not too different, when I am trying to select a song for posting here.  Atul ji mentions a specific requirement, and as I sit down to choose a song according to that, I find myself in the same quandary – “Kis Ko Post Karoon, Kaise Post Karoon – Ye Bhi Hai, Wo Bhi Hai. . .”.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Fabulous Foot Tappers – 1
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The write up on this music director by AK ji (see here) opens with the lead in comment, that “. . . his music towers over his films”.  I am whole heartedly in agreement with this comment.  As he goes on to say that just “. . . one song of his – “Paas Baitho Tabiyat Bahal Jaayegi” (‘Punarmilan’, 1964) sung by Rafi Sb is enough to give him immortality.”  And then one reviews the list of films with him as the music director – ‘Main Aur Mera Bhai’ (1961), ‘Punar Milan’ (1964), ‘Ek Saal Pehle’ (1965), ‘Chale Hain Sasural’ (1966), ‘Suhsila’ (1966) aka ‘Subah Zaroor Aayegi’ (1977), and then of course the iconic ‘Jai Santoshi Maa’ (1975) – the film that gave its run for the money, in a stiff competition to the big time grosser of the same year (viz. ‘Sholay’), and still continues to be on the list top grossing films of all time.  About two decades of active work in the industry, with just sixteen films listed against his name.  But then, as AK ji says, it is just one song that confers immortality on him.

Remembering music director C Arjun on the anniversary of his passing away today (30 April).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Yeh Hai Bombay Meri Jaan – 5
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         Bombay Gangout – Part 5
         The Day After.

The next day to the gangout meeting, we had plans for a visit to our dear Arun ji. As the readers may be aware, Arun ji had not attended the gangout meeting. The personal family circumstances in the recent past, had been exigent to the extreme.  His life partner had passed away just 10 days prior to the scheduled meeting. We had decided to go ahead with the meeting, sans his participation.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The twinkling eyes and the arresting smile get to your heart when she sings “Kabhi Aar Kabhi Paar Laaga Teer e Nazar”. An accomplished dancer, who has the capability to take a song, many levels higher.  Witness that in “Diya Na Bujhe Ri Aaj Hamaara” (‘Son of India’, 1962), “Dagaa Dagaa Wai Wai Wai” (‘Kaali Topi Laal Roomaal’, 1959), “Tera Jalwa Jisne Dekha Wo Tera Ho Gaya” (‘Ujaala’, 1959), “Tera Teer O Bepeer Dil Ke Aaram Paar Hai”, (‘Sharaarat’, 1959), “Madhuban Mein Radhika Naache Re” (‘Kohinoor’, 1960), “Rang Rangeela Saanwra Mohe Mil Gayo Jamna Paar” (‘Baarood’, 1960), “Ab Na Chhupo Re Chhalia” (‘King Kong’, 1962), “Kaanha Jaa Re Teri Murli Ki Dhun” (‘Tel Maalish Boot Polish’, 1962), “Zulmi Hamaare Saanwariya Ho Ram” (‘Mr X In Bombay’, 1964), “Tujhse Wo Neha Lagaaye” (‘Shreeman Funtoosh’, 1965), “Door Kahin Door Hamen Le Chalo Sanam” (‘Ek Sapera Ek Lutera’, 1966), “Main To Khadi Re Khadi Re, Aankh Ladi Re Ladi Re” (‘Sab Ka Ustad’, 1967), “Mera Naam Hai Chameli, Main Hoon Maalan Albeli” (‘Raja Aur Runk’, 1968), and many more.  Once again request Atul ji to create a new category – ‘Kum Kum Dances’.

Greetings to Kum Kum on her birth anniversary today (22nd April).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 18
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Bring up and test this, works every time.  Looking for a good melodious song that will strum the strings of the heart – just pick an obscure film from 1950s or 60s.  If the lyricist and music director and the singer(s) are from the proverbial ‘lesser known’ category, all the better.  Just run through the song list of such a film.  I promise you will find a memory tickler hidden in there, which will make you exclaim – “achhaa, ye gaana is film ka hai”  (“Aha, so this song comes from this film”).  I have tried this many times; always been a success.

Take this film, and this song.  I have wonderful humming memories of this song from the radio listening days.  For all this time, I was unaware of the details.  Searching for songs by Chitragupt, I ran into this a few days ago, and had that ‘Aa Haa’ reaction.  Wow, so this is it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Not many debuts can be better than starting with the song “Afsaana Likh Rahi Hoon. . .” (‘Dard’, 1947).  His innings lasted for 23 years.  A long time in which he could not even complete a century of films.  He has written about 750 songs in 89 films across his career.  Typecasting, or more correctly to state, pairing groupism was responsible for this state of affairs.  All along his career, his partnership with music directors remained primarily confined to just three – Naushad Sb, Ghulam Mohammed Sb and Ravi.  His films with other music directors are really few and far between.

Remembering Shakeel Badayuni on the anniversary of his passing away today (20th April).
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