Archive for the ‘Songs of 1973’ Category
“Dil Ki Raahen” (1973) was a Majida Movie presentation. It was directed by B R Ishara. The movie had Rakesh Pandey, Rehana Sultan, Amrit Lakhanpal,Dilip Dutt, Rakesh Pandey, Sulochana, Johnny Whisky etc in it.
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Kali se nazaaron se bahaaron se
Posted on: June 18, 2012
This blog is like a long distance journey which is going on and on. We are passing milestones after milestones on a regular basis. We do not stop at the milestones, rather we zip through them at high speed and continue our onward journey.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Vijay Anand, the youngest of the Anand brothers clan, is a name very familiar. More so as a producer and director, who has to his credit such rollicking hits like ‘Nau Do Gyaarah’ (1957), ‘Kaala Bazaar’ (1960), ‘Teesri Manzil’ (1966), ‘Jewel Thief’ (1967), ‘Johnny Mera Naam’ (1970) and ‘Tere Mere Sapne’ (1971). He was the director for the magnum opus production of ‘Guide’ (1965) for Dev Anand, arguably the best film of Hindi Cinema.
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“Nirdosh” (1973) was a Navsampati Productions movie. It was produced by Nariman H Baria and A Khaliq and directed by S M Sagar. The movie had Yogita Bali, Vinod Mehra, Padma Khanna, Sujit Kumar, Ifthekar, Junior Mehmood, Mohan Choti, Nazneen, Mumtaz Begum, Lalita Kumari, C.S.Dubey (Chandrashekhar Dubey),Murad, Brahmachari, Yunus Parvez, Shivraj, etc in it.
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Baabul tere baagaan di main bulbul
Posted on: May 30, 2012
A few regulars of this blog were recently wondering if Hindi movies have got a song where a daughter pays her last respects to her father who is leaving for his heavenly abode.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Asrar-ul-hasan Khan, better known as Majrooh Sultanpuri (1st October 1919 to 24th May 2000), was one of the foremost Urdu poets to have graced the Hindi film industry. His first film as lyricist was “Shahjahan” which immortalised him in the annals of Hindi film music. The film’s music was by Naushad and it starred K. L. Sehgal in the title role.
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Mujhe kuchch kehna hai
Posted on: March 30, 2012
This article is written by Ava Suri, a fellow enthusiast of Hindi movie music and a new contributor to this blog.
In the early 70s Bangalore was heaven on earth. It was a city you could walk around in, full of gardens and broad sidewalks. If you were a movie lover, this was the place to be. My best friend Aruna lived a few houses away from me, we were constant companions to each other. A short distance from our house was Kempegowda Circle, or KG Circle, that was like a jungle of cinema houses. There were times when we found an empty ticket window, bought a couple of tickets, got into the hall and asked people in seats next to us about the movie that was playing. Some of the halls were so close together, it was hard to figure out where we were.
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De de Khuda ke naam pe pyaare
Posted on: March 14, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
De De
Khuda Ke Naam Pe Pyaare
Taaqat Hai Gar Dene Ki
Eighty One years ago today, 14th March, 1931. The sounds of this song heralded the arrival of talking films on Indian screen.
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This article is written by Khyati Bhatt, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Here is a qawwali not for “how did I forget…..” category, but to wish Pran , a most respectful, loved by all generations of Hindi Cinema, a nice human being and the best character actor that our hindi film industry has ever produced, a Happy 92nd Birthday on Feb 12th, from all of us.
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Hamsafar ho hamsafar
Posted on: January 30, 2012
Hindi movies has one genre of song that I call Villain’s den song. In this song, hero or his accomplices enter villain’s hideout in disguise while singing a song. Another genre of song related to villain’s den song is “diversion” song. In this a female accomplices sings and dances and the villains minnows are easily lured by her, and that allows other accomplices of the hero to gain access to villain’s hideout.
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