Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 2002’ Category


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6358 Post No. : 19715

A R Rahman – The Musician of 21st Century – 9

This is a group song from the film ‘Saathiya” (2002), written by Gulzar. The singers are Richa Sharma, Mahalakshmi Iyer and Vaishali Shoma. Recently another song from this film is posted as post no. 7 of the series.

The lyrics of “Chhalka chhalka re” were waiting in drafts for some days now. But I thought will post the wedding songs later, exactly what is the reason for the other song going before this is the Sonu Nigam factor and the natural scenery plus the colourful. Also, once the words registered, they just had to be dissected for what they said and meant.

The star cast here is Rani Mukherji, Vivek Oberoi, Tanuja, Satish Shah, Sharat Saxena, Swaroop Sampat, Virendra Saxena, Sandhya Mridul etc. Most of these actors are visible in the song, except for Satish Shah. Rani Mukherji’s cousin is getting married, and Vivek Oberoi is part of the baraat as the groom’s friend.

This film was the Hindi remake of the hit Tamil film “Alaipayuthey” (2000), directed by Mani Ratnam. All A.R. Rahman compositions from the original film were reused in this film, except for “Naina Milaay Ke” and “Mainda Yaar Mila De Saaiyan”, which were new compositions.

The bride’s emotions in the tears flowing from her eyes, are stated as ‘Chhalka Chhalka re kalsi ka paani”. Different way of expression, as are some other terms in the song.

In the middle of the song, in between the playful antics between the bridal party and groom’s friends, Vivek Oberoi is trying to find out Rani Mukherji’s name. He bumps into the father and asks him for Rani’s name. The father says “Ladke, baaraat mein aaye ho warna tumko paraat mein daal ke goondh detaa”. I have never heard such threats.

Years ago, when my son was young, once he watched me making the dough. He was standing beside me watching with fascination. I still remember him saying “aata akela hogayaa”. I said “akelaa nahin ek ho gayaa”. Different way of seeing and understanding. The flour is, we don’t know comes from which wheat, from which field and here it comes to us in the flour form. We mix it with water, and it becomes one, several lakh different seeds. Only to get separated / divided and cooked in different chapatis.

Great, this Gulzariology is adversely affecting me, 😊.

It is another one of critically acclaimed songs by A. R. Rehman.

Audio :

Video :

Song-Chhalkaa chhalkaa re (Saathhiya)(2002) Singers-Richa Sharma, Mahalakshmi Iyer, Vaishali Samant, Shoma Bannerjee, Lyricist-Gulzar, MD-A R Rahman

Lyrics:

Dum dum dumak
Dam dam damak
Dum dum dumak dam dum
dum dum dumak
dam dam damak
dum dum dumak dam dum

ae dum dum dam dam
damak dum dum
dum dum dum dumak
dum dum dum
hey

dam dam dam dam dam
dam dam dam dam dam
damak dam dam damak
dam dam damak
dam dam damak
dam dam
dam dam dam dam dam
dam dam dam
dam dam dam dam dam
dam dam dam dam damak
dam dam damak
dam dam damak
dam dam damak
dam dam dam

Chhalka
chhalka re
kalsee ka paanee
chhalka
chhalka re
oo aankh na maanee
chhalka
chhalka re
kalsee ka paanee
chhalka
chhalka re
ho aankh na maanee
maiyya boley jaana naheen
bhaiyya kabhee maana Naheen
baabul boley
bas ek din kal kaa
chhalka
gudda boley jaana Naheen
guddee boley jaana naheen
sakhee boley
bas ik din kal kaa
chhalka
chhalka re
kalsee ka paanee
chhalka
chhalka re
oo aankh na maanee
chhalka
chhalkaa re
kalsee ka paanee
chhalka
chhalka re
ho aankh na maanee

bhole bhole pairon se chalee
chalee re
baabu teree chhotee thhee galee ee
ee eeee eeee
aaaa aa aaa aaa
beete mere peechhe reh gaye
reh gaye
paakhiyon ke neeche reh gaye
gaiyya meree pyaasee reh gayee
reh gayee eeeeee
reh gayee
reh gayee
reh gayee eeee
Tuslee waalee baatee reh gayee
reh gayee
chulha main jalaatee reh gayee
ee eeee
chhalka chhalka re
kalsee ka paanee
chhalka
chhalka re
ho aankh na maanee
maiyya bole jaana nahin
bhaiyya kabhee maana Nahin
baabul boley bas ek din kal kaa
chhalka
kaakaaa boley jaana nahin
jogee bole jaana Nahin
karta(?) bole
ik din aur kal kaa
chhalkaa aa aa aa

baabulaa
chhodaa tera angnaaraa aa aa
angnaaraa angnaaraa
ho chhodaa tera angnaaraa
chhoda tera andnaara
angnaaraa angnaaraa
ho chhodaa tera angnaaraa
chhodaa tera angnaaraa
angnaaraa angnaaraa
ho chhodaa tera angnaaraa
angnaaraa
angnaaraa
chhodaa tera angnaaraa
chhodaa tera angnaaraa

ab ke jo ghar aayegee
aayegee
heere walaa chhalla laayiyo
aa aa aa aa
aaaaa aaaaa
godee mein khilaaye sakhiyaan
godee mein khilaaye sakhiyaan
sakhiyaan
nanha munha lalla laiyyo
ab ke jo saawan aayegaa
ab ke ae ae ae
ab ke
ab ke
ab ke ae ae
doosree bidaayee dolegee
dolegee ee
piya kee judaayee bolegee eee
chhalka
chhalka re
kalsee ka paanee
chhalka re
kalsee ka paanee
chhalka
chhalka re
o aankh na maanee
chhalka
chhalka re
oo aankh na maanee
chhalka
chhalka re
kalsee ka paanee
chhalka
chhalka re
kalsee ka paanee
chhalka
chhalka re
oo aankh na maanee


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6351 Post No. : 19685

The last “Sarfaroshi ki tamanna” posted in the blog is this. That’s the ARR composition of the famous ghazal by Bismil Azimabadi.

ARR has one more composition of the same ghazal yet to be posted in the blog. I am planning to post that also in due time.

I know I have said this before too, that the relevance of Urdu poetry is a growing force, in our world. It is taken to one level by the connoisseurs, who treat it with reverence. And it has the vivacity to make a commoner want to reach out and learn the nuances of Urdu. People who have no connection or inclination towards classical poetry of any genre or language, are known to have “Takiya kalam” in Urdu. It is not just the poetry that has survived the test of time, it is the idioms and phrases, rooted in the culture of the society, the gunga-jamuni Tehzeeb and the ‘Mu’atabar” sounds, which made Gulzar say:
Read more on this topic…


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6345 Post No. : 19663

A R Rahman – The Musician of 21st Century – 7

The revival of the series on A. R. Rehman is beginning with this post. The last post in the series was this song.

I apologise for my tardiness in leaving the series like this for 2.5 years. None but myself to be blamed for not taking the targets/tasks seriously. Maybe that is the reason none of my series appear in the list of series posted in the blog.

Koyi nai, I plough on doggedly. Not that it is a hard task to find ARR gems, sometimes forgotten in decades old fog. Take the songs of “Saathiya” for instance.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6143 Post No. : 18981 Movie Count :

5065

‘Mitr, My Friend’ (2002) was an English language film which was directed by debutant, Revathy who also produced the film along with her husband, Suresh Menon. The main cast included Shobana, Nasir Abdullah and Preeti Vissa with the supporting cast of Matt Phillips, Black Ormsby, Shirley Bannet, Brain Linebaugh, Janine Pibal, Michael Bailey, Sreenivasan, Karthik etc. The film is known for having primarily all woman crew, which according to Revathy, was a mere coincidence. Also, they were first timers associated with a feature film.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5969 Post No. : 18636 Movie Count :

5015

Hullo Atuldom

A few months back our in-house encyclopedia a.k.a Shri. Arunkumar Deshmukhji had given us a post. This post gave us information about the various actors, down the years, who were connected to successful artists of the film industry but who’s career could not proceed beyond their first few films. That list included Raj Kapoor’s son Rajeev Kapoor, Premnath’s brothers etc. I can add numerous names of the current generation, who had successful first films & medium-success in their next few films but could not produce hit films later in their career- IMO the biggest example being Kumar Gaurav (no hard feelings, I was mighty impressed by him in “Love Story” so many years back.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5680 Post No. : 18194

Hullo Atuldom

Beginning this post with a few thoughts that have been running through my head. What is the time or age to define something as old?

I have been observing people around me, for the last few years of my better half’s tenure, at his last workplace. I am saying “last workplace” as he has decided to call it a day; inspite of loving what he has achieved over the last 45 years. People consider him young enough to open up about their joys & sorrows. His colleagues cannot believe or don’t want him to hang his boots yet. Of course, I am very proud of all that his co-workers (he doesn’t call them subordinates) have to say about him.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5600 Post No. : 18075 Movie Count :

4915

‘Chhal’ (2002) was produced under the banner of Ishaan Films and was directed by Hansal Mehta. The cast included Kay Kay Menon and Jaya Seal in the lead roles with the supporting cast of Naved Aslam, Shrivallabh Vyas, Prashant Narayanan, Apurva Asrani, Manoj Mishra, Anil Chaudhary, Arash, Preeti Koppikar, Shailendra Srivastav, Sanjeev Jha, Abhijeet Lahiri, Sanjay Mishra, Makarand Deshpande etc. It was a debut Hindi film for Jaya Seal and the second Hindi film for Kay Kay Menon, Naved Aslam and Prashant Narayanan. It was Hansal Mehta’s second film as a director. So, it was an important film for these artists for furthering their filmy career.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5550 Post No. : 18015 Movie Count :

4891

Hullo Atuldom

“meri awaaz hi pehchaan hai
gar yaad rahe”

So much truth in those words which were part of the lyrics that Gulzar wrote for a song in “Kinaara” (1977). There have been many similar sounding singers but this particular voice had a character of its own. I am speaking of our dear Lata Mangeshkar or Lata didi as she was fondly addressed.
Read more on this topic…


This article is written by Peevesie, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5528 Post No. : 17981

Today, I learnt the importance of checking things on the blog before starting to write. I wrote a whole post with full detail. Very Happy, I sent it to Amma for proofreading. She replied – “I think I have already written about this song” and what do you know, “Dil Mein Jaagi Dhadkan” was already on this blog. But I had, already, written a post extolling how the song made me feel and why I loved it. The song was full of love & joy and always made me stop and give it attention. I had heard the song again because it was part of today’s polls in the bracket I mentioned in the “Ande ka Funda” song. And it inspired me to write.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5403 Post No. : 17729

A R Rahman – The Musician of 21st Century – 6
—————————————————————-

This is post number 06 in the series. As musicians go, ARR is a complete package. He is also much more than a musician, has proved to be media savvy as well as a successful businessperson. He is the first of Indian film music directors to own his music. Previously all film music was owned by films producers/distributors or the music companies, who released records/cassettes/discs etc. The same system prevails in the industry. Only ARR is one who is different. In this regard too ARR is a trend setter. Lata Mangeshkar could think of only royalty and here we have a 90’s kid on the block, who aimed to own the world, at least his portion of it.

hum mehnatkash iss duniya se
jab apna hissa mangenge
ik baag nahin, ek khet nahin
ham saari duniyaa maangenge

There may be others who are following the same path, I don’t know. His growth in all the above, has been exponential and blessed. Some of the singers introduced by ARR have also matured and achieved great heights in their singing career.

The song I am presenting this time is from the film ‘The Legend of Bhagat Singh’ (2002) which surfaced in the memory while doing the earlier post of the same song from the 1963 film ‘Shaheed Bhagat Singh’ – “Sarfaroshi Ki Tamanna Ab Hamaare Dil Mein Hai“.
Read more on this topic…


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