Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1956


In Bollywood movies, music directors tended to create songs based on the range and singing ability of the singers. Singers with lesser range and lesser singing abilities got simpler songs to sing, whereas singers with greater skills were often asked to sing difficult songs.
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This is a rare song, and a fabulous song. In fact, for long I was thinking of posting this song as one of my century scoring songs ( yes, I am approaching another century), but then I decided that there are far too many great songs lying there and if I keep them in abeyance waiting for them to be posted as century making songs then I may have to wait far too long.
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Though this song talks of “Chanda”, “raat” etc, which are found in “Chaayaageet” songs, this song from “Chhoo Mantar” sounds more like a dance song. After all, O P Nayyar is the music director of this song, and his music tended to be dance music. In “Chaayageet” songs, we do not expect the lovelorn protagonist to dance, he/ she is just expected to sing in a slow tempo. 😉
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I had posted a superb comedy song from “Parivaar” (1956) in the past which was sung by Kishore Kumar and picturised on himself. I now find that this movie, apart from this comedy song, had some superb semi classical songs sung by Lata and Hemant Kumar.
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Bollywood movies have songs on many topics, and the most important topic is obviously “love”. Boy is shown falling in love with a girl and is shown expressing his love with a song. The girl will initially disapprove of his attention then begin responding and would be found joining towards the end of the song.
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I may have heard this song in the past but only in passing. This time I heard it attentively, and found out about its details. I came to know that this song was from “Chori Chori” (1956). Now I wonder just how many great songs were there in “Chori Chori” (1956).
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C Ramchandra was one of the earlier pioneers of Bollywood movie music. He was one of the first music directors to make the most of the voice of Lata. In fact, Lata-C Ramchandra compositions are comparable to Lata-Madan mohan compositions, which came later.
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