Posts Tagged ‘1960’
Ho been waale
Posted on: March 28, 2013
The last time I heard radio on a regular basis was in early 1980s, viz more than three decades ago. I continued to listen to radio for some more time during 1980s but only sporadically and things were never really the same again as far as radio listening was concerned.
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Sach sach sach o dear sach sach
Posted on: March 23, 2013
Though most Hindi movies of 1950s and 1960s had “mainstream” story lines, but a few comedy movies too were produced during that era. Quite a few of these movies had Kishore Kumar in the lead roles. Then there were some other actors who too were making their marks as comedy actors. I S Johar was one such actor.
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Soch rahi thhi kahoon na kahoon
Posted on: March 20, 2013
“Ek Phool Chaar Kaante” (1960) was a Parbat Films Production. It was produced by Hardeep Chatrath and Shyam Dhawan and directed by Bhappi Soni. The movie had Sunil Dutt, Waheeda Rehman, Johnny Walker, Dhumal, David Abraham, Krishan Dhawan, Rashid Khan, Bir Sakuja, Iqbal Singh, Tun Tun, Mumtaz Begum, Bela Bose, Radhika Sarathkumar, Sulochana Latkar, Reeta Roy, Madan Kenny, Kewal Kapoor, Mohan Choti etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Vintage Kishore Kumar. And I thank Shekhar Vaishnav ji, who is connected to our blog from Sydney. Thanks for the reminder for this song.
The fun songs by Kishore Da are a class apart by themselves. There is nothing at all in this world to compare them to. And during the 50s and 60s, when Kishore Da also acted in many films, there is a number of very wonderful songs that he has sung and also performed on the screen. An accomplished actor that he was, he has done the best interpretations of his own singing, and has performed his own songs, as no other actor can even consider it possible. Each one of the pictures that he acted in, contain fantastic gems that are superb both from the singing as well as from the performance aspects.
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Zihaal e miskin makun tagaaful
Posted on: March 16, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
For the past few days, I have been going through the poems of Amir Khusrau. Fortunately, most of his poems are available on the internet with English translation. His love poems, riddles, dohas (couplets in Hindwi), qawwalis etc are very absorbing. I feel, it will not be an exaggeration to say that the trigger for the first literary renaissance especially in northern India was witnessed during the time of Amir Khusrau. He was one among the first in elite class to propagate the use of an Indian vernacular language in his poems which he called Hindawi ( mix of Hindi and its subsidiary dialects). I am not sure but the development of Urdu language in later years may have come as a continuum from Hindwi language.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
If one browses through the Hindi films made in the 1940s, it will be observed that there were many lesser known music directors who had tried their luck in Hindi films. My guess is that the number of such lesser known music directors in the 1940s may be a close to 50. Sadly, most of these talented music directors could not sustain their careers for long in the Hindi film industry. This blog has covered songs of many of lesser known music directors of the 40s such as Neenu Majumdar, Shanti Kumar Desai, Shyambabu Pathak, Madhulal Damodar Master, Ramchandra Pal etc. V Balsara was one among such music directors who started his career in Hindi films but could not sustain it for long as a music director. But he changed the track of his career and became a famous instrumentalist, orchestra conductor, a music teacher and the music director of non-filmy songs and a few Bengali films during rest of his life. I became aware of his name in the 1970s mainly for his beautiful compositions of some non-filmy Hindi songs.
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- In: Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics contributed by readers | Post by Sudhir | Rare song | Song from Unreleased Films of 1950s | Song from unreleased movie | Songs of 1950s (1951 to 1960) | Songs of 1960 | Talat Mehmood solo | Talat Mehmood songs | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Remembering Talat Mehmood (24 february 1924- 9 may 1998) on the anniversary of his birth today(24 february 2013).
The soft velvety voice that has lent itself to a wonderful array of musical creations, and made an indelible mark in the annals of Hindi film and non-film music. Whether the song is of happiness or it is of sadness, the first thing that comes to mind on hearing Talat Sb’s voice begin to sing, is a feeling of utmost comfort. A feeling that releases all other compulsions in the mind, and the mind wants to sit back and relax and just listen to this soft sound serenading the matters of heart.
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Mere geeton ka singaar ho tum
Posted on: February 24, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Khayyam is one of the music directors of Hindi film industry who made a significant contribution in propagating the NFSs. By his own admission, he had started declining most of the offers for Hindi films’ music direction during late 50s and early 60s as he did not feel comfortable in working in such films in which interference of producers and distributors in music direction had become the order of the day. It was during this period that he devoted his time and energy in composing some of the finest NFSs especially with Talat Mehmood and Mohammed Rafi.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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