Posts Tagged ‘1975’
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Sanyasi” was a 1975 movie which had Manoj Kumar and Hema Malini in the lead. It had Sulochana Latkar playing mother to Manoj Kumar and Pran played Shanti Baba a true Sanyasi to Premnath’s Ishwar Baba who is a baba by day and Daku Mangal Singh at other times. The plot was pretty simple with the rich mother wanting to keep her son away from vices that his father had. She teaches him positive values Geeta etc and the son also dutifully refrains from all vices and in addition also becomes a sanyasi. Hema Malini played Champa alias Arti whose job is to break the sanyasi’s vow of celibacy and try and marry him. Added in the story is the case of Girdhari and Bhanwari played by Raj Mehra and Prem Chopra who are out to con the rich widow and walk away with her property. This synopsis I had read a long time ago in the various internet sites. I have never seen the movie but I had liked most of its songs specially “Sun bal brahmachari main hoon Kanyakumari” and “Karm kiye jaa phal ki chinta mat kar-e-insaan”.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Hullo to all in Atuldom
We all know the meaning of the word “Bhaand”; for those not conversant with colloquial Hindi; googling the word throws up meanings —Clown, Mimic, Comedian etc. “Bhaands” are also traditionally folk entertainers which might mean a storyteller, minstrels, dancers, actors, impressionists etc. Most bhaands belong to families that are engaged in folk entertainment as their hereditary profession, their specific art forms vary greatly by region, community and language. The term bhaand itself can also mean either a specific dramatic story or an entire form/school of drama.
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- In: "Aankh" song | "film Shooting" song | Biography of actors | Biography of artists | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Lyrics contributed by readers | Post by Sudhir | Rafi songs | Rafi Usha Mangeshkar duet | Songs of 1970s (1971 to 1980) | Songs of 1975 | Usha Mangeshkar songs | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 19
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‘ठ’
“ठुमक ठुमक चले चाल आँख में काजल की डोरी”
With humble beginnings as a child ‘extra’, way back in 1951, the story of Jagdeep’s career is an interesting discourse. He made his debut appearance as an extra child actor in BR Chopra’s ‘Afsaana’ (1951). His comic propensities became visible in another small role as a child actor in Bimal Roy’s ‘Do Beegha Zameen’. Then on to more noticeable child roles – ‘Laila Majnu’ (1953), the younger Kaif, playing the child version of Shammi Kapoor; ‘Footpath’ (1953), a young street smart pickpocket; the role of Elaichi in Guru Dutt’s ‘Aar Paar’ (1954); the child clown in ‘Munna’ (1954); the young Kishore Kumar in ‘Dhobi Doctor’ (1954); and ‘Railway Platform’ (1955), ‘Mr & Mrs 55’ (1955), ‘Kismet Ke Khel’ (1956), ‘Dhaake Ki Malmal’ (1956), and more. Then comes 1957 and two important films – ‘Ab Dilli Door Nahin’ and ‘Hum Panchhi Ek Daal Ke’. Still the child actor, but gaining recognition with every role. The child actors’ team in ‘Hum Panchhi Ek Daal Ke’ was recognized and awarded by Pt Jawahar Lal Nehru.
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I am falling in love with a stranger
Posted on: July 3, 2016
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Deewaar”(1975) was produced by Gulshan Rai and directed by Yash Chopra. The movie had Amitabh Bachchan, Shashi Kapoor, Parveen Babi, Nitu Singh, Nirupa Roy, Aruna Irani, Ifthekhar, Madan Puri, Yunus Parvez, A K Hangal, Manmohan Krishan, Satyen Kappu, Sudhir, Jagdish Raaj, Raj Kishore, Mohan Sherry, Raju Shreshta, Kamal Kapoor, Raj Verma, Vikas Anand, Dulari, Pardesi, Sapru, Master Alankar, Master Raju, Rajpal, Kuljit, Raman Kumar etc in it.
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Idhar ka maal udhar jaata hai
Posted on: June 27, 2016
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Deewaar”(1975) was mainly known for its gripping story line and not for its songs. In fact I did not even remember what songs the movie had when I watched this movie.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
There was a time in my life when I thought no end about myself. Regarding bollywood movies of course. Then the bubble burst when I came across this blog a few little years back. Well the situation was that my Peevesie going through some songs which Atul had posted back then, and I fumbled on the tune even if the title of the song seemed familiar. Much like what happened a while back when Sudhir ji posted a song from the film ‘Wahaan Ke Log’ from 1967. The lead line in the song is “Hum Tujhse Mohabbat Kar Ke Sanam“. And I promptly said “Rote Bhi Rahe Haste Bhi Rahe” as the cross line. Only to discover a different and a (relatively) new song. (It is a different matter that my devar feels that I know all the bollywood songs recorded ever. HAHA!!)
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- In: "Aankh" song | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Ghazal | Guest posts | Love song | Lyrics contributed by readers | Post by Sudhir | Rafi - 'अ' से 'ह' तक | Rafi solo | Rafi songs | Series of articles | Songs of 1970s (1971 to 1980) | Songs of 1975 | Stage song | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 17
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‘झ’
“झुका झुका के नज़र यूं उठाई जाती है”
jab bhi ye dil udaas hota hai
jaane kaun aas paas hota hai
These lines tickle the strands of the mind often, when in the moods of a tranquil nothingness – sometimes in the moments just as the self is drifting into sleep, or sometimes, on a journey in a relaxed coziness with nothing particular to do, or sometimes on lonely walks in the evenings. And the mind wonders, trying to put a face to a distant thought – “jaane kaun aas paas . . . hai”. That face is almost never distinct. Whose presence it is that I feel – the mind is yet to discern, and ascribe substance to the tenuous wisps that almost form the image, but then always fails to bring into a distinct focus. And the mind wanders, continues to seek – an unfinished image, trying to capture an elusive face, and a name that keeps bumping tantalizingly close to the edges of memory, yet always remains just a breath away from my grasp.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Hullo atulites
A very quiet weekend here for me after two weekends of extreme activity. So here I am penning (typing) my thoughts.
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Hashr Mein Unka Jab Saamna Ho Gaya
Posted on: March 1, 2016
- In: Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Lyrics contributed by readers | Naatiyaa qawaali | Post by Avinash Scrapwala | qawwali | Songs of 1970s (1971 to 1980) | Songs of 1975 | Translation by Sudhir | Translations by readers | Yearwise breakup of songs
- 4 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 33 # Qawwaalis – 2
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Talking about qawwaalis, I remember, in my childhood there used to be programs of Qawwali muqabla (competition) and mushairas, and in ‘quawwali muqablas’ the names that easily come to mind is the name of Shakila Bano Bhopali, Jaani Baabu Qawwaal and Aziz Nazaan.
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