Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Geeta Dutt


I had first become aware of “Miss Mary” (1957) five years ago when this movie was reviewed by Memsaab in her blog. I went ahead to my friendly VCD/DVD shop and managed to find its VCD. I watched the movie and liked it, including its songs.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Of late, my guest posts here have been infrequent. And have almost always been for a particular occasion – an anniversary or blog milestone. Regulars here have brought this to my notice, saying that I should post more frequently and not just on occasions. I’m flattered and honoured that they like reading my posts. So a big thank you to all of them. I’m always happy to do a write-up here on this beloved blog – and if it’s been only on special occasions so far, it’s purely coincidental.
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“Commander” (1959) was produced by M Usman Nadiadwala and directed by Kedar Kapoor under the banner of Meher movies. The movie had Ranjan, Nigar Sultana, Kumkum, Helen, Kamal Kapoor, Chaman Puri, Maruti Rao, Tiwari, Ram Mohan, Manjeet, Kailash Kumari, Rana, Saroj, Krupal, Gaurang, Ramesh Tiwari etc in it.
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“Chandan” (1958) was a Dossi Films production. It was directed by M V Raman. The movie had Nutan, Shyama, Kishore Kumar, Mala Sinha, Karan Dewan, Kamla Laxman, Achla Sachdev, Raj Mehra, Randhir, Pran, K. N. Singh, Johnny Walker etc in it.
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“Nishaana” (1950) was an M & T Production. It was directed by Wajahat Mirza Changezi. The starcast of the movie had Ashok Kumar, Geeta Bali, Cuckoo, Madhubala, Shyama, Yakub, Nawab, Kanhaiyalal, Balam, Shanti Madhok, Durga Khote etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Geeta Dutt was one of the few singers who got a godsend opportunity as a playback singer in Hindi films. The devdoot or farishta (angel) in her case was none other than Pandit Hanuman Prasad, one of the music director of the 40s. While walking on a Mumbai street, he heard a singing voice coming from the balcony of the building above him which attracted his attention. He straightway walked into the room and found a teenage girl singing. She was Geeta Roy as she was known then. He liked her singing so much that he offered her the chance to sing a predominantly chorus song in the film ‘Bhakt Prahlad (1946) in which she had two lines to sing. These two lines from the song attracted the attention of S D Burman who persuaded her parents to let her sing in ‘Do Bhai’ (1947). The iconic song “mera sundar sapna beet gaya” and the box office success of the film signalled the arrival of Geeta Roy as a playback singer. By the end of 40s, she had already attained the status of one of the prominent female playback singers of Hindi films.
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