Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Kishore Kumar


Rajesh Khanna had become an overnight sensation in late 1960s and early 1970s.The kind of adulation that he enjoyed in his heydays was something indescribable and that could only be known to those who lived in that era. I was fortnate to have lived in that era and seen it first hand.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Mehlon Ke Khwaab (1960) is a romantic comedy cum chor-police story produced by Madhubala herself. The film is directed by Haider and the star cast is notable and includes Pradeep Kumar, Madhubala, Kishore Kumar, Chanchal, Pran, KN Singh, Cuckoo, Om Prakash, Sulochana Chatterjee, Leela Chitnis, Ram Avtaar, Anoop Sharma, Khataanaa, Balam, Rashid Khan, Parvin Paul, Haroon, Daraaz, Ravi Kant, Uma Dutt, Satish Batra, Ram Lal, Sham Lal etc. Just to add a bit of trivia for those who may not know, Chanchal is the real life sister of Madhubala. The music composition is by S Mohinder. The film boasts of seven very melodious tunes, with lyrics penned by three poets viz., Raja Mehndi Ali Khan, Raahil Gorakhpuri and Anand Bakshi.
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“Amaanush” (1975) is a movie which was produced in Bangla as well as Hindi. The star cast as well as the music of the two versions were common. The star cast consisted of some big names of Bangla movies, viz Uttam Kumar, Anil Chatterjee, Manik Dutt,Utpal Dutt etc. Even Sharmila Tagore, the leading lady of this movie was from Bangla background.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

“Aankhon Hi Aankhon Mein Ishaaraa Ho Gayaa”, this lovely melody remains etched in my heart, as my first introduction to a dashing young Dev Anand, as seen on a Doordarshan screening of the film CID (1956). Time would be sometimes early seventies, and as a pre teen kid I was in the home of a friend (we did not have a TV of our own), religiously attending the Sunday film session, that was the once a week diet of film viewing generally allowed to us kids.
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“Baazi” (1951) was one of the earliest movies produced by Navketan, and it was a pathbreaking movie in more ways than one. This movie paved the way for crime thrillers that became and remained a popular genre of Hindi movies throughout 1950s.
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“Hare Rama Hare Krishna” (1971) which discussed the then popular “Hippie culture” was the second movie directed by Dev Anand. This movie was hugely popular and it set some new trends in India. This movie made Zeenat Aman an instant star and a fashion icon.
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