Posts Tagged ‘Lata Sinha’
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6450 | Post No. : | 20020 |
‘Toofaan Mein Pyaar Kahaan’ (1966) was produced by S H Munshi and was directed by Phani Majumdar. The cast included Ashok Kumar and Nalini Jaywant in the lead roles supported by Jayshree Gadkar, Lata Sinha, Sailej Prakash (debutant), Madhumati, Achala Sachdev, Tarun Bose, Tiwari, Sundar, Bhagwan Sinha etc.
In this film, I was impressed with the performance of Lata Sinha which reminded me that I had also seen her in many other films without knowing her identity. From her name, I guessed that Lata Sinha was from either Bihar or Jharkhand. I checked the cast of many Bhojpuri films but did not find her name. However, I found that she was the lead actress in the first Maithili film, ‘Kanyadaan’ (1965). She had also acted in a supporting role in the first Magadhi (Magahi) film, ‘Bhaiyya’ (1961). The common factors in both the regional films were the producer, S H Munshi and the director, Phani Majumdar, the same combination for the film under discussion.
From her filmography, I find that Lata Sinha has acted in as many as 40 Hindi films during 1955-79. With her long presence in Hindi film industry, it is surprising that very little information about her early life is available online. It is also surprising that she suddenly vanished from Hindi film industry. The only information I could get from Mike Burnum’s website, ‘Cinemajadoo’ is that Lata Sinha was the daughter of yester-year actress, Shobha Devi who had acted in supporting role in ‘Daawat’ (1943) and in lead role in ‘Jeena Sikho’ (1946) among others.
It may be observed from the filmography that Lata Sinha started her filmy career as a child artist, Baby Lata in ‘Barsaat Ki Ek Raat’ (1948), ‘Shikhar’ (1955), ‘Riyasat’ (1955) and ‘Nau Do Gyaarah’ (1957). Lata Sinha got her first adult and the lead role in ‘Ham Bhi Insaan Hain’ (1959). However, after this film, she was seen in only supporting roles such as ‘Chaudhvin Ka Chaand’ (1960), ‘Bees Saal Baad’ (1962), ‘Taj Mahal’ (1963), ‘Benazir’ (1964), ‘Bhoot Bangla’ (1965). ‘Main Wohi Hoon’ (1966), ‘Shikaar’ (1968), ‘Heer Raanjha’ (1970) ‘Raja Jaani’ (1972), ‘Insaaniyat’ (1974), ‘Apnaapan’ (1977) etc.
Coming back to the film under discussion, I have already given the film’s story in detail while discussing the song, le pee zaraa uar pee. However, just to refresh, I give below the gist of the story which is as under:
Shamu (Ashok Kumar) is a truck driver of Mahajan (Tiwari), a smuggler who indulges in business of smuggled good across the border with Sikkim. Although Shamu feels bad about serving Mahajan for his smuggling activities, he has to do this for taking care of Rami (Achala Sachdev), a Tibetan and her daughter as promised by him at the time of the death of her husband.
In a different village, Shanta (Nalini Jaywant) is being readied to depart for her marriage with Raimohan (Tarun Bose) against her wish. She runs away from the house. Shamu gives her shelter in his den in an adjoining room with a condition that she should find a different place to stay as his den is full of bad people. Shanta finds Shamu a kind-hearted person. Next day, Mahajan visits the den, Shanta introduces herself as the wife of Shamu for her own safety.
Pulma (Jayshree Gadkar), who runs a tea shop and is in love with Shamu, does not believe that Shanta is Shamu’s wife. By now Shamu has fallen in love with Shanta and has decided to propose her for the marriage. One day, Shamu sees a letter written by Raimohan to Shanta about their impending marriage. He assumes that Shanta is in love with Raimohan, and he has no right to ask for hand in marriage. Next morning, before Shanta could explain to Shamu about the notoriety of Raimohan, she finds that Shamu has left the place with Pulma.
Raimohan with the help of Mahajan conspire to kidnap Shanta to sell her across the border at a high price. Shanta now takes shelter in Rami’s house from where she is kidnapped by Raimohan and Mahajan. When Shamu comes to know about Shanta’s kidnapping, he takes out his truck with Pulma and follows the jeep in which Shanta is being taken. While driving on a jig jag hill road, the jeep roles down from road to valley killing Shanta, Raimohan and Mahajan. While consoling Shamu, Pulma reiterates her love for him.
In ‘Toofaan Mein Pyaar Kahaan’ (1966), Lata Sinha was almost like a second lead actress along with the debutant Sailej Prakash. Three out of eight songs were picturised on Lata Sinha, the same number as that for the lead actress, Nalini Jaywant. The songs were written by Prem Dhawan which were set to music by Chitragupt. Four songs have been covered on the Blog.
I present the 5th song, ‘goree itnaa bataa tera lagtaa hai kyaa’ rendered by Lata Mangeshkar and Usha Mangeshkar who sings for Nalini Jaywant and Lata Sinha respectively. Video clip has partial song while audio clip has the full song.
I am not able to give the exact context of the song as the film’s VCD is found to be heavily edited and the song suddenly appears on the screen. From the lyrics coupled with the preceding scenes in the film, my guess is that now it has been known to Shanta’s (Nalini Jaywant) friends that she is in love with Shamu (Ashok Kumar). So, while bathing in the river, her friend, Billu (Lata Sinha) teases her to let her know as to who is the person visiting her in her dream in the midnight. But after the end of the song, it is an anti-climax for Shanta as Shamu has already read the letter written by Raimohan (Tarun Bose) to Shanta about their impending marriage. So, instead of proposing marriage with Shanta, Shamu is in search of Raimohan to unite him with Shanta, without knowing his antecedent.
Enjoy this sweet song of the friendly banter between Lata Sinha and Nalini Jaywant on the screen.
Audio Clip (Full):
Video Clip (Partial):
Song-Goree itna bata tera lagta hai kya (Toofaan Mein Pyaar Kahaan)(1966) Singers-Usha Mangeshkar, Lata Mangeshkar, Lyricist-Prem Dhawan, MD-Chitragupta
Lyrics (Based on Audio Clip):
goree itnaa bataa
teraa lagtaa hai kyaa
wo jo sapnon mein aaye aadhee raat ko
goree itnaa bataa
teraa lagtaa hai kyaa
wo jo sapnon mein aaye aadhee raat ko
ae jee kaise bolen ham
hamen laage hai sharam
poochho hamse naa aisee waisee baat ko
ae jee kaise bolen ham
hamen laage hai sharam
poochho hamse naa aisee waisee baat ko
tu jo naa kahegee
kahengee teree ankhiyaan
tu jo naa kahegee
kahengee teree ankhiyaan
seekhee kahaan se ye badee badee batiyaan
seekhee kahaan se ye badee badee batiyaan
baaten ye pyaar kee kise naheen pataa
goree itnaa bataa
teraa lagtaa hai kyaa
wo jo sapnon mein aaye aadhee raat ko
ae jee kaise bolen ham
hamen laage hai sharam
poochho hamse naa aisee waisee baat ko
pyaar kise bolen
ye ham naheen jaane
pyaar kise bolen
ye ham naheen jaane
jaane do ham bhee nazar pahchaanen
jaane do ham bhee nazar pahchaanen
jab toone jaan liyaa poochhe phir kyaa
ae jee kaise bolen ham
hamen laage hai sharam
poochho hamse naa aisee waisee baat ko
goree itnaa bataa
teraa lagtaa hai kyaa
wo jo sapnon mein aaye aadhee raat ko
ae jee kaise bolen ham
hamen laage hai sharam
poochho hamse naa aisee waisee baat ko
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6123 | Post No. : | 18947 | Movie Count : |
5056 |
The main languages spoken in Bihar is Bhojpuri, Maithili and Magahi (Magadhi). Bhojpuri is spoken mainly in Western Bihar, spilling over to Eastern Uttar Pradesh, Western Jharkhand. In addition, Bhojpuri is also spoken in some parts of Madhya Pradesh, Chhattisgarh and the Tarai region of Nepal. Maithili is spoken mainly in North Bihar, North-Eastern Jharkhand and the Eastern Tarai region of Nepal. Magahi is spoken mainly in Southern Bihar and some part of North Jharkhand. The question arises as to why the film producers prefer making films predominantly in Bhojpuri. According to 2011 Census, among the three main languages, Bhojpuri is spoken by the largest number of people (5.06 crore) followed by Maithili (1.34 crore) and Magahi (1.27 crore). There are a large number of Bhojpuri speaking people who have migrated all over India. This should explain as to why among the three languages, the highest number of films have been made in Bhojpuri language.
Read more on this topic…
Le pee zaraa aur pee
Posted on: February 28, 2024
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5703 | Post No. : | 18221 |
‘Toofaan Mein Pyaar Kahaan’ (1966) was produced by S H Munshi and was directed by Phani Majumdar. Ashok Kumar and Nalini Jaywant were in the lead roles, supported by Jayshree Gadkar, Sailej Prakash, Lata Sinha, Madhumati, Achala Sachdev, Tarun Bose, Tiwari, Sundar, Bhagwan Sinha etc. This was the last film of Nalini Jaywant as a lead actor after which she had a long hiatus of about 15 years to reappear as a character actor in ‘Bandish’ (1980) and ‘Naastik’ (1983).
Read more on this topic…
- In: Deedar Singh Pardesi Songs | Devnagri script lyrics by Avinash Scrapwala | Guest posts | Lyrics contributed by readers | Mahendra Kapoor songs | Minu Purushottam Songs | philosophical song | Post by Avinash Scrapwala | Praising The Almighty | Prayer | Song About Religious Unity | Song sung by three or more singers | Songs of 1970s (1971 to 1980) | Songs of 1974 | Spiritual song | Yearwise breakup of songs
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today, 25th of October 2017, is the thirty seventh ‘remembrance anniversary’ of the great ‘poet-lyricist’ Sahir Ludhianvi. He passed away this day in 1980 leaving behind the great legacy of his poems and leaving behind his immortal poetry which people are still enjoying, discussing, and even doing research on it and writing about his life and his poetry. And like me there will be many who will agree that Sahir and his poetry will be discussed as long as Hindi Cinema and HFM exists and his poetry will be discussed so long as humanity and human relations, emotions exists.
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“Main Wohi Hoon” (1966) is a B grade movie produced by M M Production. A Shamsheer was the director of this movie. The star cast of the movie included Feroz Khan, Kumkum, Murad, Johnny Walker, I. S. Johar, Madan Puri, Roopesh Kumar etc.
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Dil mein ek jaane tamanna ne
Posted on: July 31, 2011
On the occasion of Rafi’s death anniversary, today we are offering our tribute to him by discussing a few songs sung by him. Today we will discuss some of those gems that are not yet covered in this blog. and some of these songs are not all that well known. in fact, some of the songs to be discussed will be unknown for most music lovers.
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In the olden and golden days of Hindi movies,great music was created not only in mainstream A grade movies, but also in lower budget B grade movies. There was a glut of talented music directors and even low budget movie producers were in a position to hire high class music directors.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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