Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Leena Chandawarkar


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Yesterday, Atul ji has posted a song whose lyrics were sent in by Prakash ji. The song –“Kaise Mitti Ke Maadho Se Paala Padaa” . On screen, it is Leena Chandavarkar trying to woo an apparently unwilling Sanjeev Kumar who seemingly does not understand the moves she is making and the words she is singing. Or maybe he does, but is choosing to remain aloof and unconcerned. I remember this song from the radio listening days, but I saw the video only today. And as soon as the song started, and Leena Chandavarkar started to sing out her complaints to her ‘beau fatale’, I immediately recalled another song – same era, same pair of actors on screen, the same complaint. Well one difference, the mood in the song that I refer to, is a bit more explicit, and a bit more demanding.
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“Imaan” (1974) was a Guru Dutt pictures production. It was produced by Atmaram (younger brother of Guru Dutt). B Padmanabhan directed the movie. The movie had Sanjeev Kumar, Leena Chandavarkar, Anwar Hussain, Bhagwan, Keshto Mukherjee, Satyen Kappu, Johny Walkar, Murad, KrishnaKant, Mohan Choti, Bhushan Tiwari, Viju Khote, Asha Potdar, Aarti, Shivraj etc in it.
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“Picnic” was a very popular word in India in 1960s and 1970s. People, who could afford it used to go to some far off places during weekend or holidays to relax. They would play some games there, have their meals their and then they would come back. This in short was what was a picnic.
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This is celebration time again for this blog. And incidentally this is the third such occasion for this blog in this month that we are celebrating some landmark. On 11 july 2010, this blog completed 2600 songs and on 19 july 2010, this blog turned Two years old. And today on 30 july 2010, this blog completes yet another century.
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“Bairaag” (1976) is one of the last movies where Dilip Kumar is seen as a hero. And as happened with heroes well past the conventionally accepted age of playing Bollywood heroes, he is paired up with Leena Chandawarkar here, who was nearly half the age of Dilip Saab at that time.
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When separated relatives “inadvertently” meet again in Bollywood movies, background music goes on an overdrive. And the body language of the separated relatives show that they are trying to recognise each other, but without success. In some cases, a background song also gets played on this matter.
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