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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Shankar-Ehsaan-Loy


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4032 Post No. : 15154 Movie Count :

4160

This is the story of a Telugu man born in Hyderabad in an upper middle-class Naidu family. He completes his schooling in a Boarding school in Yercaud. After graduating in Chemical Engineering from Osmania University, he proceeds to USA and completes M.S. in Chemical Engineering. He gets a good job in the USA as an Environment Consultant. So far so good. The boy has met successfully, the sequential schedules of most of the middle and upper middle-class families – Good schooling and college, higher studies in the USA followed by a good job there. The next in the sequence is finding a good bride for the boy to settle down and showcase him among the family and friends. But at this stage, there a break in the sequence of our Telugu man.

During his stay of about a decade in the USA, our man develops interest in film-making. Perhaps, he was influenced by watching many Hollywood films during his stay in the USA. Slowly, this interest turns into a passion. Now, he finds his job monotonous. One day, he resigns from the job and enroll himself in film making and acting courses. Armed with the story, screen-play and dialogues for his film, he returns to India. He selects himself as the actor who is the protagonist in the story of his first film in the making. He finalises a couple of other actors and actresses who are fresh faces. But his first obstacle in making the film is finding a financier who can invest money in his film.

Our man spends about a year in Mumbai for studying the nuances of film making and also finding a financier. He is disillusioned by the way Bollywood works. He also fails to find a financier for the film. He comes to the conclusion that if he wants to make a film on his own terms, he needs to finance the film himself. So, he goes back to the USA, works there for about a year and saves US$40000/-. With this money, he returns to India for good. In his earlier visit to Hyderabad, he had met a lady who is the boutique fashion shop owner. After audition, he ropes her in the film as an actor and makes her the partner in his film production company. The film’s shooting commences and is completed in 17 days at the total cost of about 17 lakhs. The film is submitted to the Censor Board for certification. And here our man faces the second hurdle.

The Censor Board suggests about two dozen of cuts including a kissing scene to certify the film. Our man visits to meet the Censor Board officials. He finds that if he agrees to the cuts suggested by the Censor Board, the entire sensibility of the film is lost. On the other hand, Censor Board is not prepared to certify the film without the cuts suggested by it. He files an appeal to the Appellate Authority of the Censor Board for the review of the cuts. The Appellate Authority upholds the views of our man. The film is certified without any cut but a couple of words in the dialogues are muted. Now the film is ready for the release. Here our man faces the third obstacle.

The film remains in the cans for nearly a year as no distributor is willing to take up to release the film. First, the film is in English language. Second, the film maker is an unknown entity to the film world apart from the absence of star value in the film’s cast. Third, the film’s story would have attracted only a section of the audience. In desperation, our young man releases the film on Doordarshan in 1997 on a paltry sum of Rs.2 lakh. But this gave the film some exposure to the English-speaking audience.

In the meanwhile, the film is shown in MAMI film festival in Mumbai sometime early 1998 and receives encouraging responses from the festival audience including Shyam Bengal. On the recommendation of Shyam Bengal, one of the leading film distributors of Mumbai watches the film in a preview theater and agrees to distribute the film. The film is released and receives tremendous support from the audience as well as from the critics. The film is a box office success. A new name of the producer-director is added to the list of parallel film-makers in India.

The young Telugu man is Nagesh Kukunoor and his maiden film is ‘Hyderabad Blues’ (1998). The owner of the boutique shop is Elahe Hiptoola who became the partner in Nagesh’s film production company, SIC, besides acting in some of his films and assisting him in the direction. The film revolves around a NRI who after spending a considerable time in the USA, is caught in a cross fire of Indian and foreign cultures. The film was in English language though a few dialogues were in Telugu and Hyderabadi Hindi.

After the success of ‘Hyderabad Blues’ (1998), Nagesh Kukunoor has produced and directed films such as ‘Rockford’ (1999), ‘Bollywood Calling’(2001), ‘3 Deewaaren’ (2003), ‘Hyderabad Blues-2’ (2004), ‘Iqbal’ (2005), ‘Dor’ (2006), ‘Bombay To Bangkok’ (2008), ‘8×10 Tasveer’ (2009), ‘Aashaayein’ (2010), ‘Mod’ (2011), ‘Lakshmi’ (2014), ‘Dhanak’ (2016) etc. Although many of his films have been critically acclaimed, some of which got national and international awards, most of them had failed at the box office collections.

Nagesh Kukunoor also tried his hand in producing and directing a couple of the ‘middle of the path’ films by taking Bollywood stars. In ‘8×10 Tasveer’ (2009), he got Akshya Kumar to play the lead role. In ‘Aashaayein’ (2010), he roped in John Abraham. Both these films did not fare well at the box office. So he has reverted to parallel cinemas again.

‘Rockford’ (1999) was Nagesh Kukunoor’s second film in English which revolved around the story about ‘coming of age’ boy who is admitted to a boarding school. Film shows his transformation from a naive, scared boy into a confident teenager after facing some problems in adjusting to new environment. There is a scene in the film in which he develops a soft corner for the only lady teacher (Nandita Das) in the school. His day-dreaming about singing ‘shokhiyon mein ghola jaaye…’ from ‘Prem Pujaari’ (1970) with the lady teacher is hilarious. He then finds her sitting with PT teacher (Nagesh Kukunoor). Now his imagination takes him to Nagesh Kukunoor singing with the teacher. He becomes jealous. Watch the video.

‘Rockford’ (1999) have six songs of which 2 songs are in Hindi. The song ‘yaaron dosti badi hi haseen hai’ sung by KK is from his non-film album which is used in the film. The other Hindi song which I am presenting today is ‘aasmaan ke paar shaayad aur koi aasmaan hoga’ is rendered by Shankar Mahadevan who has also composed the music with his music partners, Ehsaan Noorani and Loy Mendoca.

This song in CD version is of 6-minute duration. However, in the film, this song is used only for 1:35 minutes in the background of the main credit titles at the beginning of the film probably to set the mood of the film. A promotional video featuring Shankar-Ehsaan-Loy and the three actors in the role of students in the film, namely, Rohan Dey, Imran Mirza and Kailash Athmanathan was also released. The theme of the music video is a trip to the down memory lane. Shankar Mahadevan, in his interview at the time of the release of this music video had revealed that he had composed this song in Raag Jog in combination with Raag Kedar. What a violin interlude between 2:51 and 3:22 in the audio clip in Carnatic music style!

There was no need for me to search as to who wrote lyrics for this song. A reading of the mukhda of the song with unusual imageries undoubtedly pointed to Gulzar. Yes, the lyrics are by Gulzar saab.

baadalon ke parbaton par
koi baarish ka makaan hoga

I like it.

Acknowledgement : The ‘story’ of Nagesh Kukunoor is based on a number of interviews he gave on visual and print media over the years.

Promotional Video Clip :

Audio Clip :

Song-Aasmaan ke paar shaayad aur koi aasmaan hoga (Rockford)(1999) Singer-Shankar Mahadewan, Lyrics-Gulzar, MD-Shankar Ehsan Loy
Chorus

Lyrics (Based on audio clip)

sansana
albela sansana
sansana
albela sansana

aasmaan ke paar shaayad
aur koi aasmaan hogaa
sansana
albela sansana

o
aasmaan ke paar shaayad
aur koi aasmaan hogaa
baadalon ke parbaton par
koi baarish ka makaan hogaa
main hawa ke paron pe kahaan
jaa raha hoon kahaan
kabhi udta huaa
kabhi mudta huaa
mera raasta chala
ho ho ho ho o
main hawa ke paron pe kahaan
jaa raha hoon kahaan

ho ho ho
ho ho ho
ho ho ho
ho ho ho

mere paaon ke tale ki
yeh zameen chal rahi hai
kahin dhoop thhandi thhandi
kahin chhaanv jal rahi hai
is zameen ka aur koi
aasmaan hoga
hogaa aa aa
aasmaan
ho aasmaan hogaa
main hawa ke paron pe kahaan
jaa raha hoon kahaan

in lambe raaston par
sab tez chalte honge
ho o o
in lambe raaston par
sab tez chalte honge
copy ke pannon jaise
yahaan din palate honge
shaam ko bhi subah jaisa
kya sama hogaa
hogaa aa
kya samaa aa
kya shama hogaa
main hawa ke paron pe kahaan
jaa raha hoon kahaan

aasmaan ke paar shaayad
aur koi aasmaan hoga
aur koi aasmaan hoga
baadalon ke parbaton par koi
baarish ka makaan hogaa
hoga
ho o o
main hawa ke paron pe kahaan
jaa raha hoon kahaan
kabhi udta huwa
kabhi mudta huwa
mera raasta chala
o ho ho ho
main hawa ke paron pe kahaan
jaa raha hoon kahaan
main hawa ke paron pe kahaan
jaa raha hoon kahaan
main hawa ke paron pe kahaan
jaa raha hoon kahaan
ho ho ho
ho ho ho
ho ho ho
ho ho ho
ho ho ho
ho ho ho
ho ho ho
ho ho ho

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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3989 Post No. : 15078 Movie Count :

4136

I hope to bring in a party mood with today’s post. We are celebrating something very important. We are wishing our leader good health, good times, good infrastructure in the form of uninterrupted power supply and good broadband facilities. We are also wishing that he never loses interest in adding new posts and finds for us hitherto unheard songs from rare movies and gives us rare combinations in terms of music directors, singers, actors etc. And I promise on behalf of fellow followers of the blog that we will not stop following the blog, keep sending new farmaishes (requests), and the regulars will also help you keep track of upcoming milestones, birthdays anniversaries etc.

I am sure I have the support of all Atulites in what I have promised our dear Atulji. So, let us all wish him a very Happy Birthday. May you relentlessly keep the blog moving. 🙂

The party song with this post is from Dharma Prorductions’ 2006 release ‘Kabhi Alvida Naa Kehna’ which was directed by Karan Johar and starred his friend and favourite Shahrukh Khan with Rani Mukherjee, Preity Zinta, Kiron Kher, Amitabh Bachchan, Abhishek Bachchan with guest appearances by Arjun Rampal, Kajol and a few others. The movie had Shankar-Ehsaan- Loy for music directors and Javed Akhtar as the lyricist. Today’s song is in the voices of Shankar Mahadevan, Loy Mendonsa, Vasundhara Das and Shaan.

Happy Birthday Atulji!!! Lets party tonight.

 

Song – Where’s The Party Tonight  (Kabhi Alvida Na Kehna) (2006) Singer – Shankar Mahadevan, Loy Mendonsa, Vasundhara Das, Shaan, Lyrics – Javed Akhtar, MD – Shankar-Ehsaan-Loy
Shankar Mahadevan + Vasundhara Das
Female Chorus
Male Chorus
All Together

Lyrics

nacho nite
gotta nach all nite
do you feel alright
wanna nach all nite

nacho nite
gotta nach all nite
do you feel alright
wanna nach all nite

dance with me baby
won’t you dance with me all night
won’t you party party party
won’t you burn the floor all night

nacho nite
gotta nach all nite
do you feel alright
wanna nach all nite

dance with me baby
won’t you dance with me all night
won’t you party party party
won’t you burn the floor all night

pyare pyare lamhe
lamhe lamhe
pyari pyari baatein
baatein baatein
sapno ke din hain
din hain din hain
sapno ki raatein
raatein raatein
ho gunje hai dil ke tarane
bajne hai geet suhane
behke hai sare deewane
toh nach le nach le whole night

where’s the party tonight
somewhere down the road
where’s the party tonight,
on the dance floor
oh sapno ke din hai,
sapno ki raatein
where’s the party tonight

dance with me baby
won’t you dance with me all night
won’t you party party party
won’t you burn the floor all night
nacho nite
gotta nach all nite
do you feel alright
wanna nach all nite

oooo sajna aa
oooo sajna aa
tere bina main nahi
ooooooo

i wanna go dancing
where’s the
take you out
party tonight
i wanna go dancing
where’s the
let’s scream and shout
i wanna go dancing
where’s the
take you out
party tonight
i wanna go dancing
where’s the
let’s scream and shout
party tonight

jo meri manzil tha,
paagal jispe dil tha
ha wo mujhe mil gaya
phool jo mehka tha,
jispe dil behka tha
baahon mein woh khil gaya
meheki hai pyar ki raahein,
beheki hai saari nigahein
phaili hai khwabon ki baahein
toh nachle nachle whole night
where’s the party tonight,
somewhere down the road
where’s the party tonight,
on the dance floor
oh sapno ke din hai,
sapno ki raatein
where’s the party tonight

nach
nach all nite
get it right
nach
nach all nite
get it right

meri ye kahani
jiski hoon deewani
woh hai deewana mera
jo hai dil ki rani
usko bhi zabani
yaad hai fasana mera
ho puri hui koi kahani 
mil gayi dil ki nishani
jhoom uthi ye zindagaani
toh nachle nachle all night
where’s the party tonight,
somewhere down the road
where’s the party tonight,
on the dance floor
ho sapno ke din hai,
sapno ki raatein
where’s the party tonight
where’s the party tonight,
somewhere down the road
where’s the party tonight,
on the dance floor
ho sapno ke din hai,
sapno ki raatein
where’s the party tonight
aaaa aaaaa

aaa aaaaaa

i wanna go dancing
where’s the
take you out
party tonight
i wanna go dancing
where’s the
let’s scream and shout
i wanna go dancing
where’s the
take you out
party tonight
i wanna go dancing
where’s the
let’s scream and shout
party tonight


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3673 Post No. : 14559

ASAD 10th Anniversary Celebrations – 19
———————————————————————

मिले ना फूल
तो काँटों से दोस्ती कर ली॰ ॰ ॰

दस बरस पहले, एक सफर शुरू हुआ – एक सफर जिसका कुछ भी नियत नहीं था, कुछ निश्चित प्रयोजन नहीं था, कुछ आशा भी नहीं थी के ये सिलसिला जाने कब तक चले। बस सिर्फ एक धुन, और एक नग़मा – ले चला जिधर ये दिल निकल पड़े।

और साथ ये भी कह दिया कि मंज़िल कहाँ कहाँ रुकना है ऊपर वाला जाने॰ ॰ ॰

कुछ मालूम नहीं था ये सफर क्या शक्ल हासिल करेगा। क्या कोई हमसफर मिलेगा? मालूम नहीं, ये सोचा भी था के नहीं। लेकिन फिर भी क्या॰॰॰ एक ज़िंदगी का तार पकड़ कर चल दिये। और सोचा यूं कि चलते चलो चलता हुआ साहिल है ज़िंदगी। ये तो अच्छा किया कि दूर की सोची नहीं। अब तीन साल में क्या हो या पाँच सात साल में क्या होगा ऐसी हर फिक्र को धुएँ में उड़ाते हुये, बस एक दिन और एक गीत – इस क्रम पे चलना शुरू किया।

कहते हैं, जब कर्म और विचार में खोट नहीं, तो प्रकृति, दिशाएँ, तत्व, देव – सब कुछ ही साथ हो संबल देते है।  दस साल पहले जो सफर अकेले ही शुरू हुआ था, आज इन दस साल के बाद अब इसकी गिनती करोड़ों में होती है।  क्रम नहीं बदला, नीयत नहीं बदली – जो बदला वो बस यही के लोग साथ आते गये और कारवां बढ़ता गया।

दस साल बाद भी, आज कोई पूछे तो जवाब नहीं बदला – ये हँसता हुआ कारवां ज़िंदगी का न पूछो चला है किधर॰॰॰।

कितने पड़ाव आए और गुज़र गये, कितने ही मील पत्थर रास्ते में मिले और नज़रों से ओझल हुये।  इस सफर में हम कहाँ कहाँ से गुज़र गये – देस भी घूमा, दुनिया भी घूमी; सागर, नदियां, पर्वत, वादियाँ, जंगल और सैहरा, रास्ते और गलियाँ, पनघट और खलिहान, बाज़ार भी, मेले भी और अकेले भी – सब कोने छू लिए। कभी रेल में, तो कभी मोटर कार में, कभी घोड़े कि टापों के संग, तो कभी रिक्शे में। कभी बैल कि गाड़ी में घूमे, तो कभी तांगे के हिचकोले खाये। कशतियों में कभी झीलों का झरोखा, और कभी जहाज़ में समुद्र का दीदार किया। साइकल की सैर भी की, और कभी प्लेन से सारी धरती को देखा। और तो और, क्रेन, ट्रक और ट्रैक्टर को भी नहीं छोड़ा।

कभी हरी दर्शन को तड़पते मन देखे, कभी मदीने की दुआएं मांगी।  कभी बंजारों के गीत सुने, और तो फिर कभी सूफी के कलाम। बुद्ध कि शरण में गये तो कभी येशु के दर पे सर झुकाया। कभी सृष्टि के चित्रकार को ढूँढा, और कभी कर्म गति की शिक्षा सुनी। कभी शुक्राने फरमाए उस खुदा की बंदगी में, तो कभी ज़िंदगी से ऊब कर उसे खूब खरी खोटी भी सुनाई।

कभी किसी नाज़नीं से लहंगे कि फरमाइश सुनी, और कभी प्रेमी कि ज़ुबान से चाँद कि उपमाएँ। कभी बरसात ने दिल लुभाया, तो कभी बात बात में मैंने दिल तुझको दिया। कभी गर्मी की धूप से बचने की सलाह देखी, तो कभी बर्फ की सर्दी को दिल की आंच से कम होते देखा।

गोद में बच्चों को सुलाते हुये माँ कि लोरियाँ सुनी, तो कभी बच्चों से माँ के आँचल कि पुकार। नग़में सुने दोस्ती के और ग़ज़लें सुनी इश्क़ की।  मोहब्बत के जलवों से रोशन जन्नत के नज़ारे किए, तो कभी टूटे दिल के नालों ने हमें भी रुलाया।

कभी दिल मचला और झूम के गा उठा – किसान अपनी फसल देख के, फौजी छुट्टी पर घर जाते हुये, इक जवान दिल इश्क़ का इक़रार पा कर, और तो कभी बस इस कायनात की खूबसूरती पर।

कभी दिल रोया और रो कर गाया – भीख मांगते हुये बच्चे, कोई बिछड़ कर जाने लगा, कभी मोहब्बत के धोखे उठाए, और तो कभी किस्मत के थपेड़ों की शिकायत में।

कभी एक चोर की कहानी सुनी, कभी बिक्री वालों से उनकी उम्दा दलीलें सुनी, कभी मेहनतकशों की प्रेरणा भा गई, और तो कभी सड़क पे तमाशों के नज़ारे किए।

हुस्न की जल्वानुमाई देखि, तो कभी हुस्न के एहसान; कभी हुस्न की संगदिली ज़ाहिर हुई, तो कभी सिर्फ शिकवों का ज़िक्र हुआ। फ़लक पे सूरज चाँद और तारों की कहानी सुनी, तो कभी शराब की मस्ती शराबी की जुबानी सुनी।

फूलों से किसी कमसिन के चेहरे को मुक़ाबिल देखा, तो कभी किसी अल्हड़ की लापरवाह चाल से झरनों की उपमा हुई।

कसमें वादे होते देखे साँसों की हद तक, और कभी टूटे वादों के साथ दिल के टुकड़े बिखरते देखे।

कोई जश्न का मौका छूटा नहीं, कोई नाम अछूता रहा नहीं।

कभी धरती और देश के झंडे से बुलंद हुये, तो कभी इंसानी ज़ुल्म से हताश।

कभी शहीदों की कहानियाँ पलटीं, तो कभी भली आत्माओं का दर्शन किया।

सुख की घड़ियाँ, दुख के बादल; हंसी के लम्हे, आँसू की ढलकन; मिलने की खुशी, ना मिलने का ग़म; प्यार का झगड़ा, बेवफाई के ज़ख्म; बारात का बाजा, दिल का राजा; मंदिर का दीपक, खुदा से दुआएं; रिश्तों की संवेदना, और साथ ही वेदना; प्यार का फलसफा, और ज़िंदगी की तालीम।

कभी वो गीत में, कभी नज़्म में, कभी ग़ज़ल में, तो कभी भजन में, कभी ट्विस्ट में तो कभी डिस्को में; कभी क़व्वाली में, तो कभी सहगान में; कभी कविता जैसी लगी, तो कभी कथा जैसी; कभी तुम्हारी छवि दिखी, कभी उसकी; और तो ज़्यादा कहानी अपनी सी लगी।

दस साल। दस साल और पन्द्रह हज़ार उमंगें। रोज़ की नई नवेली। कभी लगता भी है कि पहले सुना था, लेकिन फिर भी लगता है नया सा। कितने सारे भावों की बरसात हुई है, क्या बेशुमार दौलत मिली है – दस साल में। नायाब खजाना है। और सोचो तो, शुरू कहाँ से किया था – “॰॰॰काँटों से दोस्ती कर ली॰॰॰”। मुनासिब ही तो है, ये दौलत काँटों से गुज़र के ही पाते हैं। और तमन्नाएं॰॰॰ उनका तो कहना ही क्या। कुछ मिल जाये, इसकी तो फिक्र कभी थी ही नहीं। बस एक ही बात, एक ही लगन॰॰॰ दिल चाहता है॰॰॰  साथ चलते रहें हम न बीते कभी ये सफर॰॰॰

जी हाँ, दिल चाहता है। जब एक गाना ढूंढ रहा था इस जश्न के लिए, तो मन बहुत घूमने के बाद इस बात पे ठहरा कि एक सफरनामा होना चाहिए, एक गाना जिस में बस सफर हो, कोई मंज़िल न हो। जिसमें बस हमख्यालों का दख़ल हो। जो सब मेरे हमकदम हों, मेरे हमनशीं, मेरे हमज़ुबाँ हों। अपनी यादों और आदतों से वहीं ढूँढता रहा साठ और सत्तर से पहले। इत्तेफाक़ देखिये, मिला तो बखूबी वही जो दिल चाहता है। हाँ ‘दिल चाहता है’ – फिल्म भी वही और नग़मा भी वही। 2001 में जारी हुई ये फिल्म मेंने उन्हीं दिनों में अपने सफरगुज़ारी के दौरान देखी। न जाने क्यों, इस फिल्म से मोहब्बत हो गई। और खास कर के इस गाने से। हल्की सी मस्ती की लहर में हल्का सा ढुलकता सा गाना, सुस्ताता हुआ, आलसी सा गाना, धीरे धीरे बहता जैसे बहार में सुबह कि मीठी सी सबा॰॰॰ लापरवाही में एक प्रतिबिम्बित चिंतन॰॰॰ गाना तो ऐसे मन को भाया के बस।

दिल चाहता है
कभी ना बीतें॰॰॰   चमकीले दिन
दिल चाहता है
हम ना रहें कभी॰॰॰ यारों के बिन

होता है ना कभी कभी ऐसे ही। कुछ ऐसा कहा जाता है दो लफ्जों में, के और कुछ कहने की कसर बाकी रहती नहीं। जो बात मन की है, वो बस इतनी ही मुकम्मल है, जो ऊपर लिखे मिसरों में ब्याँ हो गई – तमन्ना है ये साथ चलते रहें हम न बीते कभी ये सफर॰॰॰

और कुछ कहना वाजिब नहीं।

इस फिल्म के ज़्यादातर किरदारों को पहली बार देखा था। बहुत सालों बाद एक हिन्दी फिल्म देखी थी शायद। मन को जम गई। 🙂

गीत जावेद अख्तर का लिखा है, संगीत बद्ध किया शंकर-एहसान-लोय कि तिकड़ी ने। गाने वाली आवाज़ शंकर महादेवन की है। स्क्रीन पर ये गाना बैक्ग्राउण्ड में फिल्माया गया। और क्या असरदार फिल्माया गया। गीत ही गीत सुनता है, बाकी सब खामोशी है। एक तुष्टि की, एक पूर्णता की खामोशी है। एक खुशी भरी सुस्ती की खामोशी है॰॰॰ जो दिल चाहता है वो मुझे मिला है॰॰॰ ऐसी खामोशी है

कभी ना बीतें॰॰॰   चमकीले दिन
हम ना रहें कभी॰॰॰ यारों के बिन

दस बरस, फिर एक और दस बरस, फिर एक और दस बरस॰॰॰ सिलसिलेवार

कभी ना बीतें॰॰॰   चमकीले दिन
हम ना रहें कभी॰॰॰ यारों के बिन

[Author’s Note: Apologies due on many counts, including the sudden and surprising change in the presentation language above. The writing started and then I just couldn’t stop the flow. And so I let it flow. In case there are requests, I can add the English translation also. Regarding the gap in celebration sequence, that story is coming up tomorrow. 🙂 ]

Song – Dil Chaahta Hai (Dil Chaahta Hai) (2001) Singer – Shankar Mahadevan, Lyrics – Javed Akhtar, MD – Shankar-Ehsaan-Loy
Chorus

Lyrics

dil chaahta hai

dil chaahta hai

dil chaahta hai
kabhi na beeten
chamkeele din
dil chaahta hai
hum na rahen kabhi yaaron ke bin
din din bhar hon
pyaari baaten
jhoomen shaamen
gaayen raaten
masti mein rahe dooba dooba hamesha samaa
hum ko raahon mein yun hi milti rahen khushiyaan
dil chaahta hai
kabhi na beeten
chamkeele din
dil chaahta hai
hum na rahen kabhi yaaron ke bin

jagmagaate hain
jhilmilaate hain apne raaste
ye khushi rahe
roshni rahe
apne waaste
jagmagaate hain
jhilmilaate hain apne raaste
ye khushi rahe
roshni rahe
apne waaste

oo oo ooo
ooo ooo oo ooo ooo ooo
oo oo ooo
ooo ooo oo ooo ooo ooo

jahaan rukey hum
jahaan bhi jaayen
jo hum chaahen
wo hum paayen
masti mein rahe dooba dooba hamesha samaa
hum ko raahon mein yun hi milti rahen khushiyaan

dil chaahta hai

dil chaahta hai

dil chaahta hai

dil chaahta hai

dil chaahta hai

kaisa ajab ye safar hai
socho to har-ek hi bekhabar hai
us ko jaana kidhar hai
jo waqt aaye
jaane
kya dikhaaye

oo oo ooo
ooo ooo oo ooo ooo ooo
oo oo ooo
ooo ooo oo ooo ooo ooo
oo oo ooo
ooo ooo oo ooo ooo ooo
oo oo ooo
ooo ooo oo ooo ooo ooo

dil chaahta hai
kabhi na beeten
chamkeele din
haan haan
dil chaahta hai
hum na rahen kabhi yaaron ke bin
din din bhar hon pyaari baaten
jhoomen shaamen
gaayen raaten
masti mein rahe dooba dooba hamesha samaa
hum ko raahon mein yun hi milti rahen khushiyaan
jagmagaate hain
jhilmilaate hain apne raaste
ye khushi rahe
roshni rahe
apne waaste
jagmagaate hain
jhilmilaate hain apne raaste
ye khushi rahe
roshni rahe
apne waaste

oo oo ooo
ooo ooo oo ooo ooo ooo
(dil chaahta hai)
oo oo ooo
ooo ooo oo ooo ooo ooo
(dil chaahta hai)
oo oo ooo
ooo ooo oo ooo ooo ooo
(dil chaahta hai)
oo oo ooo
ooo ooo oo ooo ooo ooo

dil chaahta hai

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

दिल चाहता है

दिल चाहता है

दिल चाहता है
कभी ना बीतें
चमकीले दिन
दिल चाहता है
हम ना रहें कभी यारों के बिन
दिन दिन भर हों
प्यारी बातें
झूमें शामें
गायें रातें
मस्ती में रहे डूबा डूबा हमेशा समां
हम को राहों में यूं ही मिलती रहें खुशियाँ
दिल चाहता है
कभी ना बीतें
चमकीले दिन
दिल चाहता है
हम ना रहें कभी यारों के बिन

जगमगाते हैं
झिलमिलाते हैं अपने रास्ते
ये खुशी रहे
रोशनी रहे
अपने वास्ते
जगमगाते हैं
झिलमिलाते हैं अपने रास्ते
ये खुशी रहे
रोशनी रहे
अपने वास्ते

ओ ओ ओss
ओss ओss ओ ओss ओss ओss
ओ ओ ओss
ओss ओss ओ ओss ओss ओss

दिल चाहता है

दिल चाहता है

दिल चाहता है
जहाँ रुकें हम
जहाँ भी जाएँ
जो हम चाहें
वो हम पाएँ
मस्ती में रहे डूबा डूबा हमेशा समां
हम को राहों में यूं ही मिलती रहें खुशियाँ

दिल चाहता है

दिल चाहता है

दिल चाहता है

दिल चाहता है

दिल चाहता है

कैसा अजब ये सफर है
सोचो तो हर एक ही बेखबर है
उस को जाना किधर है
जो वक़्त आए
जाने
क्या दिखाये

ओ ओ ओss
ओss ओss ओ ओss ओss ओss
ओ ओ ओss
ओss ओss ओ ओss ओss ओss
ओ ओ ओss
ओss ओss ओ ओss ओss ओss
ओ ओ ओss
ओss ओss ओ ओss ओss ओss

दिल चाहता है
कभी ना बीतें
चमकीले दिन
हाँ हाँ
दिल चाहता है
हम ना रहें कभी यारों के बिन
दिन दिन भर हों
प्यारी बातें
झूमें शामें
गायें रातें
मस्ती में रहे डूबा डूबा हमेशा समां
हम को राहों में यूं ही मिलती रहें खुशियाँ
जगमगाते हैं
झिलमिलाते हैं अपने रास्ते
ये खुशी रहे
रोशनी रहे
अपने वास्ते
जगमगाते हैं
झिलमिलाते हैं अपने रास्ते
ये खुशी रहे
रोशनी रहे
अपने वास्ते

ओ ओ ओss
ओss ओss ओ ओss ओss ओss
(दिल चाहता है)
ओ ओ ओss
ओss ओss ओ ओss ओss ओss
(दिल चाहता है)
ओ ओ ओss
ओss ओss ओ ओss ओss ओss
(दिल चाहता है)
ओ ओ ओss
ओss ओss ओ ओss ओss ओss

दिल चाहता है


This article is written by Peevesie, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3657 Post No. : 14519

ASAD 10th Anniversary Celebrations – 17
———————————————————————

Some achievements boggle your mind. A few years ago it was 10k song and now its 10 years of this blog. Maybe I should say it bloggles my mind! Terrible puns aside, I apologize for this delayed write up. Some incidents over the last weekend, caused me to tragically lose my phone, and after a remote data erase, miraculously find it again. It felt like a Hindi film honestly, one I would have titled ‘Kabhi Khushi Kabhi Gham’ if there hadn’t already been one by that name.

But today I am spurred into re-action as I seemed to be the only one without a post on this occasion despite being named by the fantastic Atul ji as the youngest contributor (though, isn’t that credit long stolen. I remember a 18 yr old writing about amirbai karnataki?) I decided that ‘देर आए पर दुरुस्त आए’ will be my style and I will write a new article and mark my attendance so to speak.

As I read what Atul ji wrote, I reflected on my own journey, from a watcher of movies to being someone who now stands behind the camera for 16 hrs a day and watches the magic happen. I love watching movies for fun even today and that’s how my first watch of anything still is. But my subsequent watches have me looking at individual shots and camera movements, production design and set decor, costuming and makeup, and all these aspects as they come together with the script and dialogue as an experience. I not only appreciate the executive brilliance but also spend time imagining the sight of some poor production guy whose life turned miserable for the shot to be executed.

Of course there are a lot of people who would like to say that movies made earlier are better than current movies but this honestly not true. Especially the 70s-90s, I grew up in the 90s, but I have to have  my nostalgia glasses glued to my face when I see the movies. Else I will start ranting about their problematic portrayals for a few days. Similarly some movies were technically brilliant then but there is some great original work being done today too. Of course like in a podcast by SnG comedy’s Aadar Malik (nephew to Anu Malik and a comedian in his own right) mentioned, (talking about the lack of technical advancement they recorded under in the 70s), “Yeh log ko itna mehnat aur perfection rakhana padta tha, because ek mistake bhi kitna bhari padta, ek do gaana chura liya toh kya hua aisa lagta hai”

My song today is one I picked not just because of its celebratory mood, nor because it has a varied ensemble that resembles us Atulites, but also to appreciate the hard work behind the whole thing. It’s the first song that’s been filmed, and presented in entirely one take in one camera. Our beloved song from ‘Aradhna’ (1969) had multiple cameras and the song from ‘Main Hoon Na’ had cuts from a separate location. This one had neither and you have to appreciate all the work and practice needed for everyone to be exactly in the place they needed to be at every moment whether in focus or out, their high energy throughout and the absolute conviction in co-ordination they had. There is also a very cute shot of Priyanka doing a dance step like an extra with her face looking away as she moved from one side to another for her next cue. The dance is cute and fun and Priyanka and Ranveer make the cutest siblings.

The song is from ‘Dil Dhadakne Do’ (2015) which is directed by Zoya Akhtar. and has a whole list of performers. We have Anil Kapoor, Shefali Shah, Priyanka Chopra, Ranveer Singh as Kabir Mehra, Farhan Akhtar, Rahul Bose, Vikrant Massey, Ridhima Sud, Parmeet Sethi, Dolly Mattdo, Manoj Pahwa, Preeti Mamgain, and a few I couldn’t identify dancing along perfectly in sync. The music is by Shankar ehsaan Loy and the lyrics are by Javed Akhtar. The singers are Shankar Mahadevan, Yashita Sharma, Manish Kumar Tipu, Farhan Akhtar and Sukhwinder Singh.

Enjoy. And congratulations to all

Song – . . . Kar Le Gallaan Goodiyan (Dil Dhadakne Do) (2015) Singers – Yashita Sharma, Manish Kumar Tipu, Farhan Akhtar, Shankar Mahadevan, Sukhwinder Singh, Lyrics – Javed Akhtar, MD – Shankar Ehsaan Loy

Lyrics

main daalun taal pe bhangra
tu bhi gidda paa le
chal aisa rang jamaa de hum
ke bane sabhi matwaale

mann kahe ki main le aaun
chaand aur taare saare
inn haathon par main chaand rakhun
iss maang mein bhar doon taare

hello!
hello!
tu floors pe jab hai aayi
ye lo
ye lo
badi solid masti chhaayi
hello!
hello!
too much hai tumne lagaayi
ye lo
ye lo
control karo mere bhai

dhak-dhak dhak-dhak dhadke ye dil
chhan chhan bole amritsari choodiyan
raat badi hai mastaani
koi dilbar jaani
kar le gallaan goodiyan
dhak-dhak dhak-dhak dhadke ye dil
chhan chhan bole amritsari choodiyan
raat badi hai mastaani
koi dilbar jaani
kar le gallaan goodiyan

ye nain matakka tera
oy mujhe bada tadpaave
tu dekhe to ajj vi dilbar kudiye
teer sa ik chal jaave
aahaa..
aahaa..
kar de bin piye saraabi
chehra tera gulaabi
koi kyun na yamla ban jaave
jo itni ho betaabi

hello!
hello!
dil dil se connect karna
ye lo
ye lo
ye lo
ye lo
ye baatein direct karna

dhak-dhak dhak-dhak dhadke ye dil
chhan chhan bole amritsari choodiyan
raat badi hai mastaani
koi dilbar jaani
kar le gallaan goodiyan

aha..ho
aha…
o mar jaane..

dhak-dhak dhak-dhak dhadke ye dil
chhan chhan bole amritsari choodiyan
raat badi hai mastaani
koi dilbar jaani
kar le gallaan goodiyan

chhanaa chhanak tera phann dunga nak main to
chhanaa chhanak tera phann dunga nak
main kabootar phaseya ki hor koi phase vi na
haaye phase vi na
phase vi na haaye phase vi na
chhanaa chhanak tera phann dunga nak main to
chhanaa chhanak tera phann dunga nak main to
chhanaa chhanak tera phann dunga nak main to
chhanaa chhanak tera phann dunga nak main to
ho..
main kabootar faseya ki hor koi phase vi na..
main kabootar faseya ki hor koi phase vi na..
main kabootar faseya ki hor koi phase vi na..
main kabootar faseya ki hor koi phase vi naa..aa..aa..aa

ye baat na maine jaani
kyun itni khush hai diwaani
tu mujhko aisi kahaani
samjha de
samjha de..
ye baat hai sab ne chaahi
miley janmon ka humraahi
yahaan hua hai kuchh aisa hi
samjhe na samjhe na o ho..
ab main jaana
keh rahi ho
kya fasaana ho ho
pyaar karne

se bhi mushqil
hai nibhaana ho ho

hello!
hello!
don’t mind mera ye kehna
ye lo
whoo
ye lo
whoo
zara mere touch mein rehna

dhak-dhak dhak-dhak dhadke ye dil
chhan chhan bole amritsari choodiyan
raat badi hai mastaani
koi dilbar jaani
kar le gallaan goodiyan
aa.. aa.. aa.. aa.. aa.. aa..
o haaye…

dhak-dhak dhak-dhak dhadke ye dil
chhan chhan bole amritsari choodiyan
raat badi hai mastaani
koi dilbar jaani
kar le gallaan goodiyan

o mar jaa ve…

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

मैं डालूँ ताल पे भंगड़ा
तू भी गिद्दा पा लै
चल ऐसा रंग जमा दें हम
के बने सभी मतवाले

मन कहे मैं ले आऊँ
चाँद और तारे सारे
इन हाथों पर मैं चाँद रखूँ
इस मांग में भर दूँ तारे

हैल्लो
हैल्लो
तू फ्लोरस् पे जब है आई
ये लो
ये लो
बड़ी सॉलिड मस्ती छाए
हैल्लो
हैल्लो
टू मच है तुमने लगाई
ये लो
ये लो
कंट्रोल करो मेरे भाई

धक-धक धक-धक धड़के ये दिल
छन छन बोलें अमृतसरी चूड़ियाँ
रात बड़ी है मस्तानी
ओ दिलबर जानी
कर ले गल्लां गूड़ीयाँ
धक-धक धक-धक धड़के ये दिल
छन छन बोलें अमृतसरी चूड़ियाँ
रात बड़ी है मस्तानी
ओ दिलबर जानी
कर ले गल्लां गूड़ीयाँ

ये नैन मटक्का तेरे
ओय मुझे बड़ा तड़पावे
तू देखे तो अज वी दिलबर कुड़िए
तीर सा इक चल जावे
आ हा॰॰
आ हा॰॰
कर दे बिन पिये सराबी
चेहरा तेरा गुलाबी
कोई क्यों ना यमला बन जावे
जो इतनी हो बेताबी

हैल्लो
हैल्लो
दिल दिल से कोन्नेक्ट करना
ये लो
ये लो
ये लो
ये लो
ये बातें डरैक्ट करना

धक-धक धक-धक धड़के ये दिल
छन छन बोलें अमृतसरी चूड़ियाँ
रात बड़ी है मस्तानी
ओ दिलबर जानी
कर ले गल्लां गूड़ीयाँ

आहा॰॰हो
आहा॰॰
ओ मर जाने

धक-धक धक-धक धड़के ये दिल
छन छन बोलें अमृतसरी चूड़ियाँ
रात बड़ी है मस्तानी
ओ दिलबर जानी
कर ले गल्लां गूड़ीयाँ

छना छन्नाक तेरा पह्न दूंगा नाक्क मैं तो
छना छन्नाक तेरा पह्न दूंगा नाक्क
मैं कबूतर फसेया ते होर कोई फसे वी ना
हाए फसे वी ना
फसे वी ना हाए फसे वी ना
छना छन्नाक तेरा पह्न दूंगा नाक्क मैं तो
छना छन्नाक तेरा पह्न दूंगा नाक्क मैं तो
छना छन्नाक तेरा पह्न दूंगा नाक्क मैं तो
छना छन्नाक तेरा पह्न दूंगा नाक्क मैं तो
हो॰॰
मैं कबूतर फसेया ते होर कोई फसे वी ना
मैं कबूतर फसेया ते होर कोई फसे वी ना
मैं कबूतर फसेया ते होर कोई फसे वी ना
मैं कबूतर फसेया ते होर कोई फसे वी ना॰॰आ॰॰आ॰॰आ॰॰आ

ये बात ना मैंने जानी
क्यों खुश हैं इतनी दीवानी
तू मुझको ऐसी कहानी
समझा दे
समझा दे
ये बात है सब ने चाही
मिले जन्मों का हमराही
यहाँ हुआ है कुछ ऐसा ही
समझे ना
समझे ना ओ हो
अब मैं जाना
कह रही हो
क्या फसाना हो हो
प्यार करने
से भी मुश्किल
है निभाना हो हो

हैल्लो
हैल्लो
डोन्ट माइंड मेरा ये कहना
ये लो
व्हू
ये लो
व्हू
ज़रा मेरे टच में रहना

धक-धक धक-धक धड़के ये दिल
छन छन बोलें अमृतसरी चूड़ियाँ
रात बड़ी है मस्तानी
ओ दिलबर जानी
कर ले गल्लां गूड़ीयाँ
आ॰॰ आ॰॰ आ॰॰ आ॰॰ आ॰॰ आ॰॰
ओ हाए

धक-धक धक-धक धड़के ये दिल
छन छन बोलें अमृतसरी चूड़ियाँ
रात बड़ी है मस्तानी
ओ दिलबर जानी
कर ले गल्लां गूड़ीयाँ

ओ मर जा वे


This article is written by Ava Suri, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Atul ji’s 10K Song Milestone Celebrations – 9
——————————————————————–

I am an Atulite and I am proud of it. It is an honor to be associated with a blog that drips pure love of music. Like almost all Indians I love Hindi film music. But I cannot claim to be knowledgeable about it. I do know many songs but that is not a qualification. There are thousands of songs out there, many of which have fallen into oblivion. It is the die-hard music lovers that keep track of these songs and chase them with an assiduity that would make Sherlock Holmes feel jealous.

I am amazed when some of my friends are able to name the movie, singer, lyricist and music director as soon as the song is mentioned. Some Atulites could also tell you charming little stories behind the making of each song. Delving here, I have discovered gorgeous songs that not much known but are as precious as Koh-i-Noor.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Amitabh – The Later Decades – 5
—————————————————–

The carrying capacity of this man is amazing. There is an aura about him that continues to draw the audiences. The measure of his success and popularity is pretty much sustained, as his fans continue to return to the cinema/video time after time after time. I believe that the secret behind this sustenance has been his capacity to re-invent himself, and his portrayals.

I must frankly admit that I have kept away from the mainstream cinema, mostly after the seventies faded away, and a new order both in terms of performers, as well as music, came on to the scene.  The time also coincided with the years amounting to almost two and a half decades that I was traveling, and away from India most of the time.  The viewing of current films was random and patchy at the best, and that I never went out of my way to acquire and watch a current film.  Unless it was recommended to me, and that too, by someone whose judgement I would trust.
Read more on this topic…


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(© 2008 - 2019) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has over 15200 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

15212

Number of movies covered in the blog

Movies with all their songs covered =1178
Total Number of movies covered =4181

Total visits so far

  • 12,220,242 hits

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Blog Start date: 19 july 2008

Active for more than 4000 days.

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