Posts Tagged ‘Saif Ali Khan’
Piyu boley piyaa boley
Posted on: July 24, 2023
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5484 | Post No. : | 17916 |
‘Parineeta’ (2005) was produced by Vidhu Vinod Chopra and was directed by debutant Pradeep Sarkar. The star cast included Saif Ali Khan and the debutant Vidya Balan in the lead role with Sanjay Dutt, Dia Mirza, Raima Sen, Sabyasachi Chakraborty, Achyut Potdar, Surinder Kaur, Supriya Shukla, Rajesh Sharma etc. Rekha made a cameo appearance in the film.
The story of ‘Parineeta’ (2005) is based on Sharat Chandra Chattopadhyay’s famous Bengali novella of the same name. The first Hindi film based on this novella was made by Bimal Roy in 1953 with the same title. I will skip discussing the story of the film in this article as Peevesie’s Mom has already covered in this post. I would only add here that the debutant director, Pradeep Sarkar and the debutant lead actress, Vidya Balan gave the impression in the film that they were the seasoned artists. With this film, Saif Ali Khan proved that he could do challenging roles as well. Shantanu Moitra proved with his music direction in the film that he can compose songs like R D Burman in ‘1942 – A Love Story’ (1994).
There are 7 songs in the film of which 3 songs have already been covered on the Blog. I am presenting the 4th song which is my most favourite in the film. The song I am referring to is ‘piyu bole piya bole jiya dole jaanu na’. The song is rendered by Sonu Nigam, Shreya Ghoshal and Chorus on the words of Swanand Kirkire which is set to music by Shantanu Moitra. The song under discussion has impressed me so much that I have watched this song umpteen times. It turns out that minute details of the song have willy-nilly got engraved in my mind.
The background as well as situation of the song in the film is that Saif Ali Khan (Shekhar) who has more interest in Rabindra Sangeet and Elvis Presley than in his father’s business is struggling to compose a tune for a song on the piano. He calls Vidya Balan (Lalita) who is his next-door neighbour and a childhood friend to help him out.
Before the start of the main song, Saif Ali Khan plays piano for a tune and he starts humming the tune with vocables like ‘la la la la’ and ‘ hey ae ae’. Shreya Ghoshal singing for Vidya Balan helps Saif Ali Khan by joining him with his vocables. He encourages her by telling ‘not bad’ which is his catchphrase in the film. The beauty of the song is that from the start of the main song, Shreya Ghoshal sings with the accomplishment of the prominent tabla beats. And this remains throughout the singing part of the song. On a couple of occasions, solo flute is played within the antaras which is pleasing to the ears. The orchestration has been kept soft in the background throughout the song in keeping with the period of the story.
One unique feature of the song is the use of choir singing in the two interludes of the song. I think, there is some symbolism which the music director has tried to convey. The choir singing is symbolic of spirituality and union with the God. In this song, there is an inherent feeling of mutual love and the desire for the union in the minds of Shekhar and Lalita. The two antaras of the song give that indication of relationship, that is between a river and the ocean and between the rain-bearing clouds and the thirsty land. The choir singing in the interludes adds luster to the song.
The whole song is a musical conversation between Shekhar and Lalita. In my view, this song is a masterpiece because everything is perfect in this song – the lyrics, the music, the rendition, the picturisation and the performances of the actors involved in the song. I do not recall as to who said that poetry (lyrics) is the soul of a song. In this song, Shantanu Moitra has nicely ‘dressed up’ the song with the melody and rhythm. Sonu Nigam, Shreya Ghoshal and the chorus singers have provided the perfect ‘ornaments’ to the song. For me, the song under discussion has, in terms of gymnastic events, the score of perfect 10.
Video Clip:
Audio Clip:
Song-Piyu bole piya bole (Parineeta)(2005)Song-Saif Ali Khan, Sonu Nigam, Shreya Ghoshal, Lyrics-Swanand Kirkire, MD-Shantanu Moitra
Sonu+Shreya,
Chorus
Lyrics (Based on video clip)
hmm hmm hmm
la la la
hey ae ae
hmm hmm hmm
you are mine
hmm hmm hmm
la la la
hey ae ae
say, you are mine
hmm
achchi hai
thank you
hmm hmm hmm hmm
aa aa aa aa
aa aa aa aa
put in words (dialogue)
hmm hmm hmm hmm
piyu bole
piya bole
hmm hmm hmm hmm jaanoon na
jiya dole haule haule
kyun ye dole jaanoon na
not bad (dialogue)
dil ki jo baaten hain
baaten jo dil ki hain
dil hi mein rakhna piya
lab to na kholoon main
kholoon na lab to par
aankhon se sab keh diya
piyu bole piya bole
kya ye bole jaanoon na
jiya dole haule haule
kyun ye dole jaanoon na
piyu bole piya bole
kya ye bole jaanoon na
jiya dole haule haule
kyun ye dole jaanoon na
[Dialogues]
ha aa aa aa
ha aa aa aa
ha aa aa aa aaa
ha aa aa aa
ha aa aa aa
ha aa aa aa aaa
ek nadi se maine poochha
ithlaake chal di kahaan
door tere pi ka ghar hai
balkhaake chal di kahaan
thhoda wo ghabraayi
thhoda sa sharmaayi
uchhli yahaan se wahaan
saagar se milne ka
uska to sapna thha
meri hi tarah piya
o jiya dole haule haule
kyun ye dole jaanoon na
piyu bole piya bole
kya ye bole jaanoon na
jiya dole haule haule
kyun ye dole jaanoon na
ha aa aa aa
ha aa aa aa
ha aa aa aa aaa
ha aa aa aa
ha aa aa aa
ha aa aa aa aaa
maine poochha ik ghata se
itraake chal di kahaan
pyaas ki bhari zameen hai
barso bhi tarsaao na
thhoda wo gurraayi
thhoda sa tharraayi
garji yahaan phir wahaan
preet lutaati phir
jham jham jham barsi wo
teri hi tarah piya
hahah
piyu bole piya bole
kya ye bole jaanoon na
jiya dole haule haule
kyun ye dole jaanoon na
piyu bole piya bole
kya ye bole jaanoon na
jiya dole haule haule
kyun ye dole jaanoon na
hmm hmm hmm hmm
hmm hmm hmm hmm
(la la la la la la)
hmm hmm hmm hmm
(la………la la la)
piyu bole piya bole
(la la la la)
la la la jaanoon na
(hmm hmm hmm)
Wo Ladki Hai Kahaan
Posted on: April 25, 2023
- In: "Dream of Wide Awake Eyes" | "Searching for Beloved" Song | "Searching for something" song | Dance song | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Group Dance | Guest posts | Happy song | joie de vivre | Kavitha Krishnamurthy Songs | Love song | Lover's tête-à-tête | Lyrics contributed by readers | Post by Sudhir | Shaan - Kavita Krishnamurthy Duet | Shaan Songs | Songs of 2000s (2001 to 2010) | Songs of 2001 | Yearwise breakup of songs
- 7 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5394 | Post No. : | 17699 |
It really has been a while– I do not follow the current Hindi films scene on a regular basis. I think this started in mid 1980s. One factor was that my life became quite mobile as far as my work situation was concerned. Moving to Bombay (now Mumbai) in 1987, then on to US in 1988, back in Delhi 1996, change of workplace two times, and then back again in the US in 2000. Back in Delhi 2009/10, and then more ongoing travel albeit shorter and less frequent.
There are two more factors that I can think of. My deep interest in Hindi films and film music has been with me since I was a student of 3rd/4th grade school. A big chunk of my memory is full of many items starting from that period. However, as we get on to 1980s, and beyond the mid 1980s, the flavors of music in films were changing. For good or bad, I do not make this judgment, but it became different from the likeable and favorite stock stored in me. And so the interest started to wane somewhat. 1980s was also a period of significant transition and churn in terms of the artists and persona who had molded my interest and my love for this art form. Many left us, and many others were sidelined, for reasons I once again do not want to make a judgment on. Bottom line was that the music that was being created in the industry was holding less and less attraction and interest for me.
No, this is not a blanket dismissal of everything that has happened in the industry since mid 1980s. Just that there were progressively lesser artifacts that would catch my attention, and get added to my list of favorites in the memory stores.
Another factor that started becoming more prominent in life relates to the advent of the internet in the 1990s. Being in the IT industry, we were always at the forefront of the changes that were being brought in technology. Email appeared, messaging appeared, and network connectivity in some limited manner became available. Working in IT companies, I was always connected to whatever was the extent of the online net availability. Public networks and home connectivity was still a few years ahead, but from the offices, we had the luxury of being able to access whatever online resources were available then.
I remember I was on an assignment in San Dimas, close to LA in California. While browsing the internet from my office I stumbled upon a web site that had been put up by a gentleman named Amarjeet Singh Anand, who lived in San Fernando, further south from where I was. I discovered a gold mine – songs that were heard on radio in the 60s and 70s, and then never heard of again. The recordings were very low bit rate – the networks could not support high volumes. But I latched on to this website, and my entire weekends were spent in office, dedicated to downloading everything I could. The websites were not restricted, the concept and ability to download was not well known, and the office networks also did not have any controls as yet. Once having figured out the download capability, it was a trip into a wonderland of music of the years gone by, the music that was burnt onto the hard drives in my memory.
Then started this new phase of my passion for this music. Now the trip became to collect Hindi film songs in digital form. As time progressed, more and more online resources were discovered. Also one started getting introduced to more people who were doing such collections – the network grew and so did the collections by exchange and sharing.
And so, the interest in the current Hindi cinema and its music never really took any roots inside. The search still continues. This activity brought me in contact with many more like minded collectors, archivists and film history buffs. Geet Kosh came into life and a lot changed after that. And then Atul ji stepped into my life through Atul-Song-A-Day. And of course, the things in life were never the same again.
So in the current times, viewing of films and listening to music is more as per recommendations from friends and family members. I continue to read enough news to keep abreast of the current happenings in Hindi cinema, but only rarely do I get motivated to see any films of the new crop.
But that does not mean that my contact with current cinema is zero. As I said, based on recommendations I do keep in touch. The film ‘Dil Chaahta Hai’ (2001) – I had heard good things about this film. A maiden production effort by Farhan Akhtar ; a story revolving around the lives of three very close friends, and their fortunes in personal relationships.
I was based in San Jose at that time. I think I got to see this film probably in 2003 or 2004. A junior Indian colleague at work coaxed me to see this film. He expressed surprise that I had not seen this film. He promptly made a DVD disc for me, to view at leisure.
In many ways, it was a first introduction to many an actor from the newer generation. It was the first time to find out that Farhan Akhtar is the son of Javed Akhtar (from his earlier marriage with Honey Irani). Also the first time to be introduced to the lyrics from the pen of Javed Akhtar. Also to know that the tradition of duo and trio music directors in Hindi cinema is still alive with Shankar-Ehsaan-Loy. And to be introduced to the new crop of actors – Aamir, Priety, Saif, Akshay (Khanna), Sonali et al. And to find out to my dismay that my sweet little Bobby, the heartthrob of my college days, had actually aged.
The film is about love, about different flavors of it. That different people view it differently, treat it differently, have different interpretations and expectations. The fundamental message being that each person has a different opinion of love, and it is a great fortune to meet someone who has the similar view in life. Yes, truly a great fortune. Having been fed on primarily happy ending fairy tales that I had been viewing since childhood, the mindset of the child within was that there is always a smooth ride and a happy outcome of a love story. No, not that I have not viewed films at variance with this view, but still. After a gap of having kept distance from Hindi films, ‘Dil Chahta Hai’ was a wonderful refresher course in looking at filmy love stories once again.
I liked the film at first viewing itself. And also the music and songs. A learning for me that yes, music can be refreshing coming from artists whose names I had never heard before, and names that did not inspire any confidence. And yet, this film and its music entered my list of favorites. And that too, post 2000.
Four songs of this film are already on the blog. I present today a lilting exchange between the girl-boy pair in their effort to find the perfect match in life. There is a certain old world charm and a slowly sinking in surrealism in the presentation of this song. Sameer (role played by Saif Ali Khan) and Pooja (role played by Sonali Kulkarni) are friends who go to see a film. The magic happens in the cinema hall, and we come face to face with another “dream of wide awake eyes” experience. Immersed in the music, both Sameer and Pooja fancy themselves to be the protagonists on the screen. The love song being played is “dreamed” of as being enacted by them. There is disbelief at first, which is then followed by a disarming acceptance of a shared experience that brings to surface realizations that they have probably been nurturing inside.
And the surrealism comes to a sharp pitch at the end of the song sequence, when the entire audience inside the hall joins the love birds in chorus, acknowledging the presence of an “Aha” moment amidst them. A cute presentation. The song picturization, the dress up, the dance steps all are an enlivening throwback on the earlier decades of Hindi cinema.
This song once again further emboldens the firm belief that all it takes to make love and consent appear between the supposed love birds is three minutes (in this case five), i.e. the duration of a song. All that is in doubt is set right, all that is hidden beneath surprised appearances surfaces, the smiles come on, and the hand-in-hand arms entwined happy outcome is signaled at the end of the three minutes. Well, somethings will probably never change. And thankfully so. 😀
Getting close to time out and I must pause to make this post online. The century marker trumpet is just waiting behind me to tootle the announcement of the 177th century milestone. So without much further ado, take a listen to this song and then on to the milestone.
Happy listening.
Song – Wo Ladki Hai Kahaan (Dil Chaahta Hai) (2001) Singer – Shaan, Kavita Krishnamurthy, Lyrics – Javed Akhtar, MD – Shankar, Ehsaan, Loy
Lyrics
jise dhoondhta hoon main har gali
jo kabhi mili mujhe hai nahin
mujhe jiske pyaar par ho yakeen
wo ladki hai kahaan
jise sirf mujhse hi pyaar ho
jo ye kehne ko bhi taiyaar ho
suno tum hi mere dildaar ho
wo ladki hai kahaan
jo tumhaare khwaabon mein hai basi
wo haseen murti pyaar ki
miliegi tumhen kabhi na kabhi
zara dekho yahan wahan
chalo dhoondhte hain hum tum kahin
wo pari wo hoor wo naazneen
jise dekho to kaho tum wahi
arey ye to hai yahaan
jaane kyon
khayaal aaya mujhe
ke wo ladki kahin tum to nahin..een
tum mein hain
wo saari khoobiyaan
hai jinko dhoondhta
main har kahin
tumhen dhokha lagta hai ho gaya
mujhe hai samajh liya jaane kya
na main hoon pari na hoon apsara
karo tum na ye gumaan
jise dhoondhta hoon main har gali
jo kabhi mili mujhe hai nahin
mujhe jiske pyaar par ho yakeen
wo ladki hai kahaan
maan lo
agar main ye kahoon
ke mere khwaabon mein
tum hi to ho..oo..oo
jaan lo
mera armaan hai
ke mere saath hi
ab tum raho..oo..oo
mujhe tumne kya ye samjha diya
mere dil ko kaise dadhka diya
mere tan badan ko pighla diya
wo sunaai daastaan..aan
jise dhoondhta hoon main har gali
jo kabhi mili mujhe hai nahin
mujhe jiske pyaar par ho yakeen
wo ladki hai kahaan
wo ladki hai yahaan
wo ladki hai kahaan
wo ladki hai yahaan
wo ladki hai kahaan
wo ladki hai yahaan
wo ladki hai kahaan
wo ladki hai yahaan
————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
जिसे ढूँढता हूँ मैं हर गली
जो कभी मिली मुझे है नहीं
मुझे जिसके प्यार पर हो यकीं
वो लड़की है कहाँ
जिसे सिर्फ मुझसे ही प्यार हो
जो ये कहने को भी तैयार हो
सुनो तुम ही मेरे दिलदार हो
वो लड़की है कहाँ
जो तुम्हारे ख्वाबों में है बसी
वो हसीन मूर्ति प्यार की
मिलेगी तुम्हें कभी ना कभी
ज़रा देखो यहाँ वहाँ
चलो ढूंढते हैं हम तुम कहीं
वो परी वो हूर वो नाज़नीं
जिसे देखो तो कहो तुम वही
अरे ये तो है यहाँ
जाने क्यों
खयाल आया मुझे
के वो लड़की कहीं तुम तो नहीं॰॰ईं
तुम में हैं
वो सारी खूबियाँ
है जिनको ढूँढता
मैं हर कहीं
तुम्हें धोखा लगता है हो गया
मुझे है समझ लिया जाने क्या
ना मैं हूँ परी ना हूँ अप्सरा
करो तुम ना ये गुमाँ
जिसे ढूँढता हूँ मैं हर गली
जो कभी मिली मुझे है नहीं
मुझे जिसके प्यार पर हो यकीं
वो लड़की है कहाँ
मान लो
अगर मैं ये कहूँ
के मेरे ख्वाबों में
तुम ही तो हो॰॰ओ॰॰ओ
जान लो
ये मेरा अरमान है
के मेरे साथ ही
अब तुम रहो॰॰ओ॰॰ओ
मुझे तुमने क्या ये समझा दिया
मेरे दिल को कैसे धड़का दिया
मेरे तन बदन को पिघला दिया
वो सुनाई दास्तान॰॰आं
जिसे ढूँढता हूँ मैं हर गली
जो कभी मिली मुझे है नहीं
मुझे जिसके प्यार पर हो यकीं
वो लड़की है कहाँ
वो लड़की है यहाँ
वो लड़की है कहाँ
वो लड़की है यहाँ
वो लड़की है कहाँ
वो लड़की है यहाँ
वो लड़की है कहाँ
वो लड़की है यहाँ
Paas wo aane lage zara zara
Posted on: September 17, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4809 | Post No. : | 16578 | Movie Count : |
4516 |
Hullo Atudom
“Main Khiladi Tu Anari” (1994) was a normal masala- action- emotion- comedy filled movie. It was directed by Sameer Malkan, produced by Champak Jain for Venus Records and Tapes. Dialogues were by Kadar Khan, story by Sachin Bhowmick, lyricists were Anwar Sagar, Maya Govind, Rahat Indori, Rani Malik, Zameer Kazmi and Hasrat Jaipuri. Anu Malik was the music director. It had Shilpa Shetty (in a double role) with Akshay Kumar, Saif Ali Khan, Raageshwari, Shakti Kapoor, Beena, Mukesh Khanna, Shiva, Johnny Lever, and Kadar Khan in the cast. The movie was largely borrowed from the 1991 Hollywood movie ‘The Hard Way’ and some reviews of MKTA said (and I quote) ‘it was a notch above the original because of the presence of one of India’s biggest action stars, martial artist Akshay Kumar’; comparing his martial arts skills to Jean-Claude Van Damme and also praising his stunt work, and concluding that it “is a fun action-comedy” film. It was the second release in 1994 of the Akshay Kumar- Saif Ali Khan duo, the other one being ‘Yeh Dillagi’. It was also Akshay Kumar’s fourth success for 1994 others being ‘Mohra’, ‘Suhaag’ and ‘Elaan’ (all of them being multi-hero movies).
The story involves two brothers -Mukesh Khanna and Akshay Kumar; imaginatively called Arjun and Karan- who are cops. They have a sister – Raageshwari (Shivangi)- who is an ardent, crazy fan of movie star Deepak Kumar (Saif Ali Khan) Then there is the drug dealer- gangster Goli (Shakti Kapoor) whose mistress is the cabaret singer Mona (another unique name 🙂 ). Mona is pumped off by Goli’s henchman (Shiva) when Goli comes to know that she is going to testify against him, and in protecting Mona Inspector Arjun also is killed. Now Karan has only one objective- to book Goli and avenge his brother’s killing. He seeks the help of Basanti -a street dancer who is the replica of Mona (Shilpa Shetty). For this, he has Deepak Kumar masquerading as someone from China Town and transporting Basanti to Goli’s gang with the age-old explanation of Amnesia after falling on the rocks and injury to head etc. Then many things occur in the course of the movie reaching its climax. In between all this, Deepak Kumar falls in love with his fan and Karan’s sister Shivangi- after all she also needs to sing a song no?
For today’s post we are going to have the song that Deepak Kumar and Shivangi sing to proclaim their love; in the voices of Kumar Sanu and Alka Yagnik. This song is one that I have always liked. Only recently I discovered that this one is from the pen of Hasrat Jaipuri: writer of the classics ‘ichak dana bichak dana’; ‘bhanwre ki gunjan hai mera dil’; ‘budtameez kaho ya kaho jaanwar’; ‘yaad kiya dil ne kahan ho tum’; ‘nain so nain naahi milao’; ‘Baat baat mein rootho na’— oh so many songs of his which I have been hearing, listening, humming, singing all along.
This lyricist who was a poet in Urdu and Hindi was a Filmfare award winner for ‘baharo phool barsaao mera mehboob aaya hai’ and ‘Zindagi ek safar hai suhana’ (my personal all time favorite and motto of life). Cannot resist mentioning the lines in ‘Zindagi ek safar hai suhana’: ‘hanste gaate jahaan se guzar, duniya ki tu parwaah na kar, muskuraate huye din bitaana, yahaan kal kyaa ho kisne jaana’.
Hasrat Jaipuri was born in Jaipur as Iqbal Hussain in 1922 (would this be his centenary year?) His education till middle school was in English medium and there after his maternal grandfather tutored him in Persian and Urdu. He began writing verses in his youth around the time when he fell in love with a neighbourhood girl named Radha. This has been the most widely talked-about anecdote in the entertainment industry and how this poem was used by Raj Kapoor in his 1964 film ‘Sangam’ as ‘yeh mera prem patra padhkar’.
As we can see from the above sample, from his long association with films (1949- 2004), it was a mixed-bag of songs, written by Hasrat Jaipuri, that are ever popular. Today, it is 23 years since his passing and we are remembering him with this song from MKTA which is making its debut.
Audio
Video
Song-Paas wo aane lage zara zara (Main Khilaadi Tu Anaadi)(1994) singers-Kumar Sanu, Alka Yagnik, Lyrics-Hasrat Jaipuri, MD-Anu Malik
Lyrics
paas woh aane lage zara zara
nazarein churaane lage zara zara
dil pe woh chhaane lage zara zara
zara zara zara zara zara zara
dhadkanen churaane lage zara zara
paas woh aane lage zara zara
paas woh aane lage zara zara
hume woh chahne lage zara zara
apna banaane lage zara zara
zara zara zara zara zara zara
dil ko dhadkaane lage zara zara
paas woh aane lage zara zara
paas woh aane lage zara zara
o o kehti hai yeh teri paayal
toone kiya mujhe ghaayal ghaayal
shaam savere dil mein mere
toone macha di hulchul hulchul
teri meri prem kahaani
hai saagar ka gehra paani
laakhon din aur laakhon raatein
khatm na hogi apni baatein
neende udaane lage zara zara
apna banaane lage zara zara
humen woh chahne lage zara zara
zara zara zara zara zara zara
dhadkanen churaane lage zara zara
paas woh aane lage zara zara
paas woh aane lage zara zara
ho o aaja mujhko paagal kar de
khushiyon se yeh daaman bhar de
hasrat hai yeh dil mein mere
mehbooba se dulhan kar de
maang mein teri taare bhar doon
chaand ko tera kangan kar doon
phoolon se tasveer banaaoon
kirnon se main roop sajaaoon
dhadkane churaane lage zara zara
saanson mein basaane lage zara zara
paas woh aane lage zara zara
hum bhi unhe chaahne lage zara zara
zara zara
haan zara zara
zara zara
zara zara
zara zara
zara zara
Achha Lagta Hai
Posted on: April 16, 2019
- In: 15K Song Milestone Celebration Posts | Background song | Devnagri script lyrics by K Satish Shenoy | Duet | expression of love | Feelings of heart | Guest posts | Happy song | joie de vivre | Love song | Lover's tête-à-tête | Lyrics contributed by readers | Mohit Chauhan - Shreya Ghoshal Duet | Mohit Chauhan Songs | Post by K Satish Shenoy | Shreya Ghoshal Songs | Songs of 2010s (2011 to 2020) | Songs of 2011 | Yearwise breakup of songs
- 20 Comments
This article is written by K Satish Shenoy, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
3924 | Post No. : | 14991 | Movie Count : |
4101 |
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Atul Song-A-Day 15K Song Milestone Celebrations – 3
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Founders of Infosys (who started their venture reportedly on a Rs 10K seed capital) may not have imagined where their efforts will lead to, one day. Apple company, which started their journey from a garage, may not have guessed how big they will grow one day. Atul Ji when he single-handedly started this blog (with moral encouragement from friends like Raja Ji – as I understand & others who showed thumbs up at that time) may not have had an idea how far the journey will progress.
But here we – Atulites – are, looking at 15000 posts!!!!. No mean feat in the era of information & social media explosion. No success is without a reason. I would say that sheer commitment, passion, dedication of Atul Ji, Sudhir ji, Arun Ji, Sadanand Ji and all the other contributors & innumerable visitors to the blog have helped to make it to where we are today. Acha lagata hai na?
This post utilises three punch words, all prompted by today’s song. They are : ‘achha lagata hai’, ‘seedhe point pe aao na’ & ‘short me batalao na’.
I have covered ‘achha lagata hai’ in first para. I will now ‘come to the point’ in this Para 🙂 . Today’s song is from film ‘Aarakshan’ (2011). After ‘permission’ from seniors, to write on recent songs, I have chosen this one. This film makes its debut in ASAD, with this post.
The film is by Prakash Jha on the topic of reservation. I have seen this movie. It was not at all hard hitting as I expected. But I loved the music by Shankar Ehsaan Loy. The singers are Mohit Chauhan & Shreya Ghoshal. Lyrics are by Prasoon Joshi. I took to this song from the word Go. Fresh tune, feel young lyrics, joyously sung, lovingly enacted by Saif & Deepika, exciting orchestration are what appealed to me. ‘sun ke achha laga‘. I hope aap ko bhi achha lagega . I feel young all over again listening to this song 🙂 .
Today’s generation loves to keep it short – no patience for details/clarity, eh? ‘LOL’, ‘ASAP’ ‘ILU’ and such short forms are the flavour of the youngsters. Hence, as for the last punch word ‘short me batalao na’, I end this post. 🙂
Video
Audio
Song – Achha Lagta Hai (Aarakshan) (2011) Singer – Mohit Chauhan, Shreya Ghoshal, Lyrics – Prasoon Joshi, MD – Shankar Ehsaan Loy
Chorus
Lyrics (Based on Audio Version)
jhatak kar zulf jab tum
tauliye se baarishein azaad karti ho
achha lagta hai
hila kar honth jab bhi
haule haule guftagu ko saaz karti ho
achha lagta hai
oo oo oo
khushboo se behlaao na
seedhe point pe aao na
aaankh me aankhein daal ke keh do
khwaabon mein tehlaayo na
zara short mein
batlao na
seedhe point pe
aao na
seedhe point pe aao na. . .
la la laa laa
la la lal laa laa
la la laa laa
la la lal laa laa
alag ehsaas hota hai. . .
tumhaare paas hone ka
sarakti sarsarahat ki nadi mein reshmi lamhe
bheegone ka
o ho ho
zara sa mod kar gardan
jab apni hi adaa pe naaz karti ko
achha lagta hai
oo oo oo
lafzon se behlaao na
jhoothi moothi behkaao na
haathon ko haathon mein le ke
wo teen shabd tapkaao na
zara short mein
batlaao na
seedhe point pe
aao na
haan seedhe point pe aao na. . .
wo tere dhyaan ki khushboo
main sar tak odh leta hoon
bhatakti saans ko
teri gali mein gungunaane
chhod deta hoon
ho ho ho
tum apni khidkiyon ko khol kar
jab bhi naye aaghaaz karti ho
achha lagta hai
oo oo oo
gali gali gali gali gali
gali bhatkaao na
ghadi ghadi uljhaao na
senti ho
main jaan gai hoon
action bhi dikhlaao na
zara short mein
batlaao na
seedhe point pe
aao na
o seedhe point pe aao na. . .
achhaa. . .
o seedhe
o seedhe
o seedhe point pe
aao na. . .
la la laa laa
la la lal laa laa
la la laa laa
la la lal laa laa
la la laa laa
la la lal laa laa
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Hindi script lyrics (Provided by K Satish Shenoy)
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झटक कर ज़ुल्फ़ ज तुम तौलिये से
बारिशें आज़ाद करती हो
अच्छा लगता है
हिला कर होंठ जब भी
हौले हौले गुफतगु को साज़ करती हो
अच्छा लगता है
ओ ओ ओ
खुशबू से बहलाओ ना
सीधे पौइंट पे आवो ना
आँख में आंखे डाल के कह दो
ख़्वाबो में टहलाओ ना
ज़रा शौर्ट में
बतलाओ ना
सीधे पौइंट पे
आवो ना
सीधे पौइंट पे आवो ना॰ ॰ ॰
ल ल ला ला
ल ल लल ला ला
ल ल ला ला
ल ल लल ला ला
अलग एहसास होता है॰ ॰ ॰
तुम्हारे पास होने का
सरकती सरसराहट की नदी में रेशमी लम्हे
भिगोने का
ओ हो हो
ज़रा सा मोड़ कर गर्दन
जब अपनी ही अदा पे नाज़ करती हो
अच्छा लगता है
ओ ओ ओ
लफ्जों से बहलाओ ना
झूठी मूठी बहकाओ ना
हाथों को हाथ में ले के
वो तीन शब्द टपकाओ ना
ज़रा शौर्ट में
बतलाओ ना
सीधे पौइंट पे
आवो ना
सीधे पौइंट पे आवो ना॰ ॰ ॰
वो तेरे ध्यान की खुशबू
मैं सर तक ओढ़ लेता हूँ
भटकती सांस को
तेरी गली में गुनगुनाने छोड़ देता हूँ
हो हो हो
तुम अपनी खिड़कीयों को खोल कर
जब भी नए आग़ाज़ करती हो
अच्छा लगता है
ओ ओ ओ
गली गली गली गली गली
गली भटकाओ ना
घड़ी घड़ी उलझाओ ना
सेंटी हो
मैं जान गई हूँ
एक्शन भी दिखलाओ ना
ज़रा शौर्ट में
बतलाओ ना
सीधे पौइंट पे
आवो ना
सीधे पौइंट पे आवो ना॰ ॰ ॰
अच्छा ॰ ॰ ॰
ओ सीधे
ओ सीधे
ओ सीधे पौइंट पे
आवो ना॰ ॰ ॰
ल ल ला ला
ल ल लल ला ला
ल ल ला ला
ल ल लल ला ला
ल ल ला ला
ल ल लल ला ला
Dil Chaahta Hai
Posted on: August 8, 2018
- In: Background song | Devnagri script lyrics by Sudhir | Dosti Song | feel good song | Feelings of heart | Free Spirit Song | Friendship Song | Guest posts | Happy song | joie de vivre | Journey Song | Lyrics contributed by readers | Post by Sudhir | Shanker Mahadevan Solo Songs | Shanker Mahadevan Songs | Songs of 2000s (2001 to 2010) | Songs of 2001 | Yearwise breakup of songs
- 6 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3673 | Post No. : | 14559 |
ASAD 10th Anniversary Celebrations – 19
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मिले ना फूल
तो काँटों से दोस्ती कर ली॰ ॰ ॰
दस बरस पहले, एक सफर शुरू हुआ – एक सफर जिसका कुछ भी नियत नहीं था, कुछ निश्चित प्रयोजन नहीं था, कुछ आशा भी नहीं थी के ये सिलसिला जाने कब तक चले। बस सिर्फ एक धुन, और एक नग़मा – ले चला जिधर ये दिल निकल पड़े।
और साथ ये भी कह दिया कि मंज़िल कहाँ कहाँ रुकना है ऊपर वाला जाने॰ ॰ ॰
कुछ मालूम नहीं था ये सफर क्या शक्ल हासिल करेगा। क्या कोई हमसफर मिलेगा? मालूम नहीं, ये सोचा भी था के नहीं। लेकिन फिर भी क्या॰॰॰ एक ज़िंदगी का तार पकड़ कर चल दिये। और सोचा यूं कि चलते चलो चलता हुआ साहिल है ज़िंदगी। ये तो अच्छा किया कि दूर की सोची नहीं। अब तीन साल में क्या हो या पाँच सात साल में क्या होगा ऐसी हर फिक्र को धुएँ में उड़ाते हुये, बस एक दिन और एक गीत – इस क्रम पे चलना शुरू किया।
कहते हैं, जब कर्म और विचार में खोट नहीं, तो प्रकृति, दिशाएँ, तत्व, देव – सब कुछ ही साथ हो संबल देते है। दस साल पहले जो सफर अकेले ही शुरू हुआ था, आज इन दस साल के बाद अब इसकी गिनती करोड़ों में होती है। क्रम नहीं बदला, नीयत नहीं बदली – जो बदला वो बस यही के लोग साथ आते गये और कारवां बढ़ता गया।
दस साल बाद भी, आज कोई पूछे तो जवाब नहीं बदला – ये हँसता हुआ कारवां ज़िंदगी का न पूछो चला है किधर॰॰॰।
कितने पड़ाव आए और गुज़र गये, कितने ही मील पत्थर रास्ते में मिले और नज़रों से ओझल हुये। इस सफर में हम कहाँ कहाँ से गुज़र गये – देस भी घूमा, दुनिया भी घूमी; सागर, नदियां, पर्वत, वादियाँ, जंगल और सैहरा, रास्ते और गलियाँ, पनघट और खलिहान, बाज़ार भी, मेले भी और अकेले भी – सब कोने छू लिए। कभी रेल में, तो कभी मोटर कार में, कभी घोड़े कि टापों के संग, तो कभी रिक्शे में। कभी बैल कि गाड़ी में घूमे, तो कभी तांगे के हिचकोले खाये। कशतियों में कभी झीलों का झरोखा, और कभी जहाज़ में समुद्र का दीदार किया। साइकल की सैर भी की, और कभी प्लेन से सारी धरती को देखा। और तो और, क्रेन, ट्रक और ट्रैक्टर को भी नहीं छोड़ा।
कभी हरी दर्शन को तड़पते मन देखे, कभी मदीने की दुआएं मांगी। कभी बंजारों के गीत सुने, और तो फिर कभी सूफी के कलाम। बुद्ध कि शरण में गये तो कभी येशु के दर पे सर झुकाया। कभी सृष्टि के चित्रकार को ढूँढा, और कभी कर्म गति की शिक्षा सुनी। कभी शुक्राने फरमाए उस खुदा की बंदगी में, तो कभी ज़िंदगी से ऊब कर उसे खूब खरी खोटी भी सुनाई।
कभी किसी नाज़नीं से लहंगे कि फरमाइश सुनी, और कभी प्रेमी कि ज़ुबान से चाँद कि उपमाएँ। कभी बरसात ने दिल लुभाया, तो कभी बात बात में मैंने दिल तुझको दिया। कभी गर्मी की धूप से बचने की सलाह देखी, तो कभी बर्फ की सर्दी को दिल की आंच से कम होते देखा।
गोद में बच्चों को सुलाते हुये माँ कि लोरियाँ सुनी, तो कभी बच्चों से माँ के आँचल कि पुकार। नग़में सुने दोस्ती के और ग़ज़लें सुनी इश्क़ की। मोहब्बत के जलवों से रोशन जन्नत के नज़ारे किए, तो कभी टूटे दिल के नालों ने हमें भी रुलाया।
कभी दिल मचला और झूम के गा उठा – किसान अपनी फसल देख के, फौजी छुट्टी पर घर जाते हुये, इक जवान दिल इश्क़ का इक़रार पा कर, और तो कभी बस इस कायनात की खूबसूरती पर।
कभी दिल रोया और रो कर गाया – भीख मांगते हुये बच्चे, कोई बिछड़ कर जाने लगा, कभी मोहब्बत के धोखे उठाए, और तो कभी किस्मत के थपेड़ों की शिकायत में।
कभी एक चोर की कहानी सुनी, कभी बिक्री वालों से उनकी उम्दा दलीलें सुनी, कभी मेहनतकशों की प्रेरणा भा गई, और तो कभी सड़क पे तमाशों के नज़ारे किए।
हुस्न की जल्वानुमाई देखि, तो कभी हुस्न के एहसान; कभी हुस्न की संगदिली ज़ाहिर हुई, तो कभी सिर्फ शिकवों का ज़िक्र हुआ। फ़लक पे सूरज चाँद और तारों की कहानी सुनी, तो कभी शराब की मस्ती शराबी की जुबानी सुनी।
फूलों से किसी कमसिन के चेहरे को मुक़ाबिल देखा, तो कभी किसी अल्हड़ की लापरवाह चाल से झरनों की उपमा हुई।
कसमें वादे होते देखे साँसों की हद तक, और कभी टूटे वादों के साथ दिल के टुकड़े बिखरते देखे।
कोई जश्न का मौका छूटा नहीं, कोई नाम अछूता रहा नहीं।
कभी धरती और देश के झंडे से बुलंद हुये, तो कभी इंसानी ज़ुल्म से हताश।
कभी शहीदों की कहानियाँ पलटीं, तो कभी भली आत्माओं का दर्शन किया।
सुख की घड़ियाँ, दुख के बादल; हंसी के लम्हे, आँसू की ढलकन; मिलने की खुशी, ना मिलने का ग़म; प्यार का झगड़ा, बेवफाई के ज़ख्म; बारात का बाजा, दिल का राजा; मंदिर का दीपक, खुदा से दुआएं; रिश्तों की संवेदना, और साथ ही वेदना; प्यार का फलसफा, और ज़िंदगी की तालीम।
कभी वो गीत में, कभी नज़्म में, कभी ग़ज़ल में, तो कभी भजन में, कभी ट्विस्ट में तो कभी डिस्को में; कभी क़व्वाली में, तो कभी सहगान में; कभी कविता जैसी लगी, तो कभी कथा जैसी; कभी तुम्हारी छवि दिखी, कभी उसकी; और तो ज़्यादा कहानी अपनी सी लगी।
दस साल। दस साल और पन्द्रह हज़ार उमंगें। रोज़ की नई नवेली। कभी लगता भी है कि पहले सुना था, लेकिन फिर भी लगता है नया सा। कितने सारे भावों की बरसात हुई है, क्या बेशुमार दौलत मिली है – दस साल में। नायाब खजाना है। और सोचो तो, शुरू कहाँ से किया था – “॰॰॰काँटों से दोस्ती कर ली॰॰॰”। मुनासिब ही तो है, ये दौलत काँटों से गुज़र के ही पाते हैं। और तमन्नाएं॰॰॰ उनका तो कहना ही क्या। कुछ मिल जाये, इसकी तो फिक्र कभी थी ही नहीं। बस एक ही बात, एक ही लगन॰॰॰ दिल चाहता है॰॰॰ साथ चलते रहें हम न बीते कभी ये सफर॰॰॰
जी हाँ, दिल चाहता है। जब एक गाना ढूंढ रहा था इस जश्न के लिए, तो मन बहुत घूमने के बाद इस बात पे ठहरा कि एक सफरनामा होना चाहिए, एक गाना जिस में बस सफर हो, कोई मंज़िल न हो। जिसमें बस हमख्यालों का दख़ल हो। जो सब मेरे हमकदम हों, मेरे हमनशीं, मेरे हमज़ुबाँ हों। अपनी यादों और आदतों से वहीं ढूँढता रहा साठ और सत्तर से पहले। इत्तेफाक़ देखिये, मिला तो बखूबी वही जो दिल चाहता है। हाँ ‘दिल चाहता है’ – फिल्म भी वही और नग़मा भी वही। 2001 में जारी हुई ये फिल्म मेंने उन्हीं दिनों में अपने सफरगुज़ारी के दौरान देखी। न जाने क्यों, इस फिल्म से मोहब्बत हो गई। और खास कर के इस गाने से। हल्की सी मस्ती की लहर में हल्का सा ढुलकता सा गाना, सुस्ताता हुआ, आलसी सा गाना, धीरे धीरे बहता जैसे बहार में सुबह कि मीठी सी सबा॰॰॰ लापरवाही में एक प्रतिबिम्बित चिंतन॰॰॰ गाना तो ऐसे मन को भाया के बस।
दिल चाहता है
कभी ना बीतें॰॰॰ चमकीले दिन
दिल चाहता है
हम ना रहें कभी॰॰॰ यारों के बिन
होता है ना कभी कभी ऐसे ही। कुछ ऐसा कहा जाता है दो लफ्जों में, के और कुछ कहने की कसर बाकी रहती नहीं। जो बात मन की है, वो बस इतनी ही मुकम्मल है, जो ऊपर लिखे मिसरों में ब्याँ हो गई – तमन्ना है ये साथ चलते रहें हम न बीते कभी ये सफर॰॰॰
और कुछ कहना वाजिब नहीं।
इस फिल्म के ज़्यादातर किरदारों को पहली बार देखा था। बहुत सालों बाद एक हिन्दी फिल्म देखी थी शायद। मन को जम गई। 🙂
गीत जावेद अख्तर का लिखा है, संगीत बद्ध किया शंकर-एहसान-लोय कि तिकड़ी ने। गाने वाली आवाज़ शंकर महादेवन की है। स्क्रीन पर ये गाना बैक्ग्राउण्ड में फिल्माया गया। और क्या असरदार फिल्माया गया। गीत ही गीत सुनता है, बाकी सब खामोशी है। एक तुष्टि की, एक पूर्णता की खामोशी है। एक खुशी भरी सुस्ती की खामोशी है॰॰॰ जो दिल चाहता है वो मुझे मिला है॰॰॰ ऐसी खामोशी है
कभी ना बीतें॰॰॰ चमकीले दिन
हम ना रहें कभी॰॰॰ यारों के बिन
दस बरस, फिर एक और दस बरस, फिर एक और दस बरस॰॰॰ सिलसिलेवार
कभी ना बीतें॰॰॰ चमकीले दिन
हम ना रहें कभी॰॰॰ यारों के बिन
[Author’s Note: Apologies due on many counts, including the sudden and surprising change in the presentation language above. The writing started and then I just couldn’t stop the flow. And so I let it flow. In case there are requests, I can add the English translation also. Regarding the gap in celebration sequence, that story is coming up tomorrow. 🙂 ]
Audio
Video
Song – Dil Chaahta Hai (Dil Chaahta Hai) (2001) Singer – Shankar Mahadevan, Lyrics – Javed Akhtar, MD – Shankar-Ehsaan-Loy
Chorus
Lyrics
dil chaahta hai
dil chaahta hai
dil chaahta hai
kabhi na beeten
chamkeele din
dil chaahta hai
hum na rahen kabhi yaaron ke bin
din din bhar hon
pyaari baaten
jhoomen shaamen
gaayen raaten
masti mein rahe dooba dooba hamesha samaa
hum ko raahon mein yun hi milti rahen khushiyaan
dil chaahta hai
kabhi na beeten
chamkeele din
dil chaahta hai
hum na rahen kabhi yaaron ke bin
jagmagaate hain
jhilmilaate hain apne raaste
ye khushi rahe
roshni rahe
apne waaste
jagmagaate hain
jhilmilaate hain apne raaste
ye khushi rahe
roshni rahe
apne waaste
oo oo ooo
ooo ooo oo ooo ooo ooo
oo oo ooo
ooo ooo oo ooo ooo ooo
jahaan rukey hum
jahaan bhi jaayen
jo hum chaahen
wo hum paayen
masti mein rahe dooba dooba hamesha samaa
hum ko raahon mein yun hi milti rahen khushiyaan
dil chaahta hai
dil chaahta hai
dil chaahta hai
dil chaahta hai
dil chaahta hai
kaisa ajab ye safar hai
socho to har-ek hi bekhabar hai
us ko jaana kidhar hai
jo waqt aaye
jaane
kya dikhaaye
oo oo ooo
ooo ooo oo ooo ooo ooo
oo oo ooo
ooo ooo oo ooo ooo ooo
oo oo ooo
ooo ooo oo ooo ooo ooo
oo oo ooo
ooo ooo oo ooo ooo ooo
dil chaahta hai
kabhi na beeten
chamkeele din
haan haan
dil chaahta hai
hum na rahen kabhi yaaron ke bin
din din bhar hon pyaari baaten
jhoomen shaamen
gaayen raaten
masti mein rahe dooba dooba hamesha samaa
hum ko raahon mein yun hi milti rahen khushiyaan
jagmagaate hain
jhilmilaate hain apne raaste
ye khushi rahe
roshni rahe
apne waaste
jagmagaate hain
jhilmilaate hain apne raaste
ye khushi rahe
roshni rahe
apne waaste
oo oo ooo
ooo ooo oo ooo ooo ooo
(dil chaahta hai)
oo oo ooo
ooo ooo oo ooo ooo ooo
(dil chaahta hai)
oo oo ooo
ooo ooo oo ooo ooo ooo
(dil chaahta hai)
oo oo ooo
ooo ooo oo ooo ooo ooo
dil chaahta hai
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
दिल चाहता है
दिल चाहता है
दिल चाहता है
कभी ना बीतें
चमकीले दिन
दिल चाहता है
हम ना रहें कभी यारों के बिन
दिन दिन भर हों
प्यारी बातें
झूमें शामें
गायें रातें
मस्ती में रहे डूबा डूबा हमेशा समां
हम को राहों में यूं ही मिलती रहें खुशियाँ
दिल चाहता है
कभी ना बीतें
चमकीले दिन
दिल चाहता है
हम ना रहें कभी यारों के बिन
जगमगाते हैं
झिलमिलाते हैं अपने रास्ते
ये खुशी रहे
रोशनी रहे
अपने वास्ते
जगमगाते हैं
झिलमिलाते हैं अपने रास्ते
ये खुशी रहे
रोशनी रहे
अपने वास्ते
ओ ओ ओss
ओss ओss ओ ओss ओss ओss
ओ ओ ओss
ओss ओss ओ ओss ओss ओss
दिल चाहता है
दिल चाहता है
दिल चाहता है
जहाँ रुकें हम
जहाँ भी जाएँ
जो हम चाहें
वो हम पाएँ
मस्ती में रहे डूबा डूबा हमेशा समां
हम को राहों में यूं ही मिलती रहें खुशियाँ
दिल चाहता है
दिल चाहता है
दिल चाहता है
दिल चाहता है
दिल चाहता है
कैसा अजब ये सफर है
सोचो तो हर एक ही बेखबर है
उस को जाना किधर है
जो वक़्त आए
जाने
क्या दिखाये
ओ ओ ओss
ओss ओss ओ ओss ओss ओss
ओ ओ ओss
ओss ओss ओ ओss ओss ओss
ओ ओ ओss
ओss ओss ओ ओss ओss ओss
ओ ओ ओss
ओss ओss ओ ओss ओss ओss
दिल चाहता है
कभी ना बीतें
चमकीले दिन
हाँ हाँ
दिल चाहता है
हम ना रहें कभी यारों के बिन
दिन दिन भर हों
प्यारी बातें
झूमें शामें
गायें रातें
मस्ती में रहे डूबा डूबा हमेशा समां
हम को राहों में यूं ही मिलती रहें खुशियाँ
जगमगाते हैं
झिलमिलाते हैं अपने रास्ते
ये खुशी रहे
रोशनी रहे
अपने वास्ते
जगमगाते हैं
झिलमिलाते हैं अपने रास्ते
ये खुशी रहे
रोशनी रहे
अपने वास्ते
ओ ओ ओss
ओss ओss ओ ओss ओss ओss
(दिल चाहता है)
ओ ओ ओss
ओss ओss ओ ओss ओss ओss
(दिल चाहता है)
ओ ओ ओss
ओss ओss ओ ओss ओss ओss
(दिल चाहता है)
ओ ओ ओss
ओss ओss ओ ओss ओss ओss
दिल चाहता है
Main aa raha hoon waapas
Posted on: October 19, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
There have been lots of articles (in this blog and elsewhere) about the festival of Deepaawali. They mostly deal with the history of the festival, stories associated with it, how it is celebrated etc.
Read more on this topic…
Dekho Dekho Hai Shaam Badi Deewaani
Posted on: June 20, 2017
- In: Celebration Song | Guest posts | joie de vivre | Party song | Post by Peevesie's mom | Revelry song | Shaan Songs | Shreya Ghoshal Songs | Song sung by three or more singers | Songs of 2000s (2001 to 2010) | Songs of 2007 | Sunidhi Chauhan Songs | Udit Narayan Song | Yearwise breakup of songs
- 9 Comments
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Hullo to all in Atuldom
On this blog, Atul has a page for birthdays of various Hindi film artistes. He has meticulously kept track of these dates and makes it a point, as much as possible, to post a song honouring the artiste on the concerned date. That is like a doctor treating his patients.
Read more on this topic…
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Chaandni Raaten – Song No. 9
——————————-
This song is simply my most favourite ‘chaand’ song of the 21st century. The last two decades had a few such music scores in Hindi films, ‘ Khaamoshi ‘ and ‘Parineeta’ are among them which made the decades bearable musically. Favourite ‘chaand’ song from the 90’s is here. Melody in film songs was still trying to keep its head above the general cacophony which passed for music and entertainment.
Read more on this topic…
Ye hawaayen gungunaayen
Posted on: June 10, 2014
This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
‘Parineeta’ (2005) is one of the aesthetically better movies of the last decade. I had seen this movie on cable TV, but had liked the movie and songs a lot. The movie, cinematography and the understated treatment of the adapted story from Saratchandra Chatterjee’s classic literary piece, were impressive. It is a glamorously packaged product with the subtle nuances. It is directed by Pradeep Sarkar and had Saif Ali Khan and Vidya Balan playing the lead roles, with supporting cast of Sanjay Dutt, Dia Mirza, Raima Sen etc. Its crisp editing is also a feature that I had noted back than, while watching the film.
Read more on this topic…
Today (23 september) is the birthday of Kedar Nath Bahttacharya, who is known to music lovers as Kumar Sanu. Kumar Sanu made his debut as a playback singer in Hindi movies in 1987 with “Aandhiyaan” (1987). He shot to fame with the songs of “Aashiqui” (1990) which became a rage with music lovers.
Read more on this topic…
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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