Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Usha Khanna


When it comes to discussing songs on the occasion of Rafi’s birthday, one is spoilt for choice. One can discuss many songs and I have material for discussing several songs today. But then there is constraint of time and one is required to work as well. 😉
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Between 1950s to 1970s, there was a series of British movies whose titles began with “Carry on..” . These movies were low budget comedy movies, whose comedy consisted of parody, farce, slapstick and double entendre, as wikipedia puts it. In India, I S Johar took a leaf out of this “Carry On” series movies, and he produced a few such movies whose titles began with “Johar in..”.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This write up comes about in response to a request for translation by Khyaati ji. In a recent comment, she has requested for translation of this song, and realizing that this song is not yet posted, I am putting together this piece.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

As we are trudging through lists of songs from various sources, as well as published songs on the internet, everyday there is a this ‘A haa’ moment when one comes across unheard, or heard-long-back-but-now-lost songs. These moments make this search and this journey worth its while. And the notable point is that these wonderful songs, now rare and obscure, mostly come from films which themselves are obscure. Their lack of success on the box office relegated their memory and the related information into depths of anonymity, and the music of such films also went the same way. The great consolation is projects like this blog, and the internet connectivity, that has provided the music lovers with a via media to publish and share the music that sits on forgotten vinyl records or music cassettes, probably stowed away in storage that is not often visited. These valued publications, and the ‘A haa’ moments they generate almost on a daily basis are a wonderful impetus for music lovers everywhere.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Another wonderful song, actually a qawwaali, that I discovered recently to be composed by Usha Khanna. The singer of this qawwaali is Jaani Baabu Qawwaal. When I had heard this qawwaali many year ago, and associating the name of Jaani Baabu with it, I had presumed this to be non-film offering, since Jaani Baabu is a professional mainstream qawwaali singer. Only recently, as I was selecting songs composed by Usha Khanna, for posting on this blog, I came across once again this wonderful qawwaali on YouTube, and then realized that it is actually from the film Do Khilaadi (1976).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

1969 was the debut year for Bindu and Vinod Khanna was just one year into the industry (having his debut in the ‘Man Ka Meet’ (1968)). In personal life, Bindu was already a married lady by this time. As far as I can review her filmography, the film Nateeja (1969) is apparently the only film in which she has played the role of a leading lady. Having played small roles in Anpadh (1962), as the college going daughter of Mala Sinha, and a supporting role in Aurat (1967), 1969 was the year that that she arrived on the film scene with five releases to her credit, viz. Doli, Ittefaaq, Do Raaste, Aayaa Saawan Jhoom Ke and Nateeja. With a combination of both positive and negative roles, she made her mark this year, and embarked on a career that would make her famous as Mona Darling (Zanzeer, 1971). She played the oomph girl in many films (Kati Patang (1971), Hawas (1974), Imtihaan (1974) etc.), and she also did serious supporting roles in Abhimaan (1973), Chaitaali (1975), Arjun Pandit (1976) etc.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Welcome all readers to another century celebration. With this post, this blog now has completed publication of 4900 songs, which is a remarkable feat by many standards. And this milestone is yet again marked with the consistency and continuity that has been unbroken for more than three years now. Much more than the number and the content of the posts, it is the perseverance and commitment to this effort, that are the outstanding qualities of maintaining the healthy pace of growth on this blog. And I present all kudos and praise to Atul ji, for spearheading this effort. A singular effort that is unparalleled in the cyber space. Heartfelt greetings to Atul ji and all readers of this blog, and best wishes and all my support in the cause of what this blog is attempting to accomplish.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

While Helen rules the roost as the phenomena of the dance number in Hindi films, there came a phase in the 1960s and 70s, when a number of contenders stepped in to the arena of dance item exponents. As the dance number became progressively an important ingredient of the formula, especially a cabaret, and then especially in the ‘cloak and dagger’ type of films, the demand for dance item experts increased. To fill in a void that was probably beyond the bandwidth of Helen’s availability, the opportunities were taken up by actresses whose names became synonymous with sizzling dance numbers on the screen, and they made a place for themselves in the B/C grade films. The leaders in this group of actresses are Bela Bose, Faryaal, Lakshmi Chhaayaa, and JaishreeT. In their own right, these dancers have carved out a niche in the annals of Hindi films dance item.
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“Saajan Ki Saheli” (1980) is a movie which came up in the last stage of the Golden era of Hindi movie music. Those were the days when Disco music was becoming the rage and lyrics were losing their importance in such songs. During those days, we fortunately still had the kind of music in some movies that we had grown up to love all these decades. These were off beat movies, smaller budget movies, family values movies- in brief “non mainstream movies”.
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In Hindi movies, most activities are carried out according to a set piece pattern, and that included songs as well. Teasing songs, romantic songs, expression of love song, all of them seem to follow some well laid down guidelines.
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